A modern love story set in Sao Paulo about Heitor, a writer and literature professor, and Julia, a theatre student turned veterinarian. A fight over the telephone propels Heitor into a journey through the chaotic city streets to reconcile with Julia. Their personal history unfolds against the backdrop of the city and its people in a series of events representing the struggle between poetry and science.
Antonio is 8 years old and is a Santos supporter. He dreams of going to the stadium to watch their team play. The film accompanies Antonio in his memorable first trip to a football stadium.
Disagreements, incommunicability between people. What is said is not heard, what is heard is not understood. Everything is ambiguous. What appears to be is not, except poetry.
Sleepless all night, Kobra remembers his life, from the poor childhood in the outskirts of São Paulo to the international recognition of his work. The events unfold between reality and dream. In an intimate journey, we get to know a rebellious, self-taught youngster doing graffiti illegally on the streets of São Paulo's suburbs, up to worldwide fame as a muralist and peace activist.
Three days in the life of a young clarinetist (Fernando Alves Pinto), who is in love with a violinist (Vera Zimmerman), but can't get her attention. In the first day he feels alone and frail; in the second day what was supposed to be pleasant becomes a nightmare; in the third day he finally achieves fulfillment through music and helps a pianist (Vera Holtz) who is rehearsing for a concert. These three days correspond to a three movement sonata - the director (Lina Chamie) is a musician, so she imprinted a musical structure to her movie, with few dialogs and poetic images. It's a movie for music lovers. Written by CeciliaWolf
