Pontificia Universidad Católica de Chile

Manuela (14) and Toña (15) are caught in their school bathroom giving each other a hickey. After being suspended for the day, both embark on a journey through desire, guilt, and goodbyes in the city's outskirts.

In a fishing village contaminated by a thermoelectric power plant, Mecha (33) is the grieving soul of an environmental activist who died under suspicious circumstances. The day after his death, she tries to reconcile with her son Juan (16) and to make him take charge of her memory.

Lucía (16) reunites with her sister Ema (17) after years apart. A journey through their rural birthplace brings present and past together, leading them to a difficult truth.

Ermina is a Haitian girl who lives in the "La Victoria" town, on the border with the "Lo Valledor norte" town. Although this seems an inhospitable place to live -Ermina and her friends- it will make it the best place in the world, a place where nothing matters: neither color, nor nationality. A place that does not belong to anyone, but which is Ermina's home.

Chile, 2038. Revival is the technology of fashion. A virtual reality device that allows people to relive moments of their past, as if they were living it again. Émile, a young Haitian who is collecting money to bring his mother from Haiti, discovers that someone from his job in a vineyard is interfering with his memories in his revival. Searching for answers, Émile discovers the disturbing truth that was hidden.

To process grief, a young adult revisits fragments of their late grandmother’s life to restore the version of their own inner child when she still remembered them.

Francisca and Sofía, an open couple, meet Anaís, a young Turkish woman, with whom they establish a beautiful friendship that makes them question their own relationship.

Jaime, who’s been away from the city by his own free will, invites his family to watch an eclipse at his house on the mountains. The tensions in the group are apparent, but they slowly vanish, reaching the most transparent moment among the eclipse’s darkness.

María (24) decides to stop taking birth control pills at the same time that the coronavirus quarantine starts in Santiago, Chile. Through a journal and her Handycam, María registers everything that happens to her, waiting to menstruate again.

Gabriel Borquéz, an adult man who lives alone in an isolated house, where he hides after shooting his little son in the woods. Guilt twists his reality, causing him to hallucinate and messing up events. His salvation is to leave his consciousness, represented as a hallway in his home. He fights against self-destructive situations that damage his physical body, but ultimately succumbs at the hands of a creation of his mind, a personification of death and himself.

A non-binary folk watches the handover of the first non-binary ID in the history of Chile. As they try to do the paperwork, they will face the bureaucracy of the legal proceeding.

In the middle of a blackout, the night before his father's funeral, Felipe arrives at his mother's house after a nine-year absence. There he waits with his sister, his aunt and the maid, with a dinner made especially for him. Although Felipe only is coming for a short time, his mother and sister will draw him back to the house he once left.

José Luis (19) works at a gas station. There he meets Amaro (48), a wealthy client with whom he initiates a sexual and emotional relationship. José Luis falls in love with him and receives his financial support, not knowing that he maintains this type of relationship with other boys like him

It's June 24 and the people of Lawan, a Mapuche community in southern Chile, are planning a big celebration for Saint John's Eve. Despite this, Cheo a restless and misfit kid, is not happy because this means the return of his father to the community. He is a violent man who, when he drinks too much, vent his anger with his family, unleashing in Cheo strong desires for revenge.

Two women are traveling through a coast road, evading the pain left behind. The trip is interrupted when they see an old lady running at one side of the road, in front of the car. This encounter marks the beginning of the rest of their lives.

In a dystopian world, a creature attends a banquet organized by a magical refrigerator. Thus begins his unbridled descent into a spiral of consumption. Corrupted and turned into a beast, he faces a macabre end.

Crime is rampant in Santiago's upper neighborhoods, or so the wealthy neighbors of Las Condes and Lo Barnechea think. The municipalities of these neighborhoods feed the paranoia of their inhabitants by installing television surveillance balloons in order to fight crime in their neighborhoods. These state-of-the-art devices can record 24/7, observing everything that happens in the communes and ignoring any type of privacy.

A woman's voice will attempt to reconstruct memories of sexual abuse in her childhood, traveling through stories and images projected onto the textures of the house where the events occurred.