Film Development Council of the Philippines

When an alien comes back to take him, a mouthless young man's life twists and turns as his memories untangle.

An awkward 6-footer teen is forced to learn and play volleyball half-heartedly when the Catholic school she transferred to did not have a basketball team. Everything changes when she meets their star player.

After realizing that prostitutes are not entitled to the best part of love making, two sex workers form a screwy relationship as "cuddle partners" only to realize that they want something more.

Teresa (Rustica Carpio) has worked for the Bautista family since she was seventeen. She was the nanny of siblings Stella, Vince and Andre (Jackie Lou Blanco, Bobby Andrews and Ryan Agoncillo), and their mother. The three have all moved abroad in their adulthood, but all reunite back at home with the passing of their mother. With no one left to stay in the country, it is decided that all of their properties will be sold, including the house they grew up in. But they are faced with the problem of what to do with the elderly Teresa, who has no money saved, and little contact with her relatives.

The film splits itself between two timelines. In 2006, Ada is basing her thesis on a massacre that occurred twenty years prior in a village called Acacia. Her mother Cecilia was part of a fact-finding mission into a massacre, and Ada’s inquiries bring up her history as a member of the NPA. The other timeline traces the relationship of Ka Felix and Ka Jimmy, two rebels who fall in love, despite the movement’s laws against such a pairing.

Orphan Carding befriends Army Captain Samuel Corazon, who’s stationed in his town to root out the remaining Huk guerrillas. At the dance hall, Corazon woos dancer Lauriana, and they soon move in together. The two become sort of surrogate parents for the orphan Carding, with Corazon teaching him the ways of men. But the soldier has a dark side, and Carding becomes witness to the violence occurring in their home, and a heinous act committed by the soldier on his common-law wife.

While creating the subtitles of a film, a young Filipina translator and a middle-aged Japanese director test the limits of language and understanding.

"Emir" is all about Amelia (Frenscheska Farr). Amelia hails from Ilocos and she is forced to find work abroad to provide for her family. Amelia leaves her family and everything she loves behind. Amelia applies as a nanny and is lucky enough to be the caretaker of the Sheik's pregnant wife. Later on, Amelia is given appointed nanny of the Sheik's first born son Ahmed. Through the years, Amelia will not only see Ahmed grow to a boy but she will also learn more about life's trials and tribulations, struggles of lonely worker in a foreign country.

A driver is sent on a simple errand: to pick up a designer t-shirt and a tin of viagra for his boss, who is shacked up in a hotel with his lover. Simple as it sounds, the road trip crisscrosses the chasms of time, class, and character.

A fading social media influencer and a struggling musician exploit each other in a not-so-fake relationship.

A collection of interwoven stories about life and violence in the Philippines, following a college professor, a university chancellor, a social worker, a police chief, two students, two mothers, and a lawyer.

When the power of a song from the heart meets the power of the truth of a short documentary -- “DOCUMUSIC”.

A transgender sex worker in her late 40s along Fields Avenue whose only aspiration is to have breast implants for her profession unexpectedly assumes the role of a mother to her orphaned niece, a transgender youth who is only beginning to discover her own sexuality. As she works more shifts to save for her implants, troubles arise when she begins to feel the weight of her struggles – being an aging sex worker in fast-evolving society, a partner to her young fiancé, and a parent to a teenager she just met. Her difficult confrontations eventually lead her to a new attitude towards life, and a unique recipe to a famous Kapampangan dish, Sisig.

A political thriller about the practice of "badil" or "dynamite fishing", wherein voters are prevented from casting their votes for the opposition by paying them large sums of money to get their fingers inked before election day.

A Filipino film directed by Bianca Catbagan and Jose Antonio de Rivera.

A Bajau midwife copes with the irony of her own infertility amid the deprivations of her gypsy community in Tawi-Tawi. A saga of island life stuck between the devil of passion and the deep blue sea of tradition.

The lives of a taxi driver, a working student, an expectant mother, a call center agent and a petty thief all intersect one night as a small crime takes place in a convenience store.

A Filipino drama film directed by Kristina Syfu.

After a loss in the family, three siblings rekindle their relationship through the memories and love of their one and only Nanay.

Following the Japanese invasion in the 1940s, Awiyao comes home to his wife Lumnay to ask her to attend the wedding dance, an invitation that stirs memories of joy, pain, and emptiness. It is an invitation to celebrate his new wedding dance.