Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", a number of characters, staff and patients alike, encounter bizarre phenomena, both human and supernatural. This film is assembled from firsr season episodes of the Danish TV miniseries The Kingdom I. It does not include episodes from seasons 2 or 3.
Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", "Riget" means "the realm" or "the kingdom" and leads one to think of "dødsriget", the realm of the dead.
It is an autobiographical fiction starring Ivens as an old man who has spent his life trying to "tame the wind and harness the sea" by capturing them on film.
Two interconnected stories in the 1930s, one set in Berlin, the other in Palestine: Mania Vilbouchevich Shohat (1880-1961), called Tania, a Russian Jew and revolutionary, goes from Minsk to Palestine to live on a collective. She promotes feminism and laments a shift in the men from self-defense to aggression. Her friend, Else Lasker-Schuler (1869 - 1945), expressionist poet and German Jew, is in Berlin, writing, caring for her son, watching Hitler's movement take power. She goes to Jerusalem and imagines a park for Arab and Jew. Her poems, voiced from within, capture her experience. The film meditates on the violence at the root of Israel's birth: of the Nazis and of the Zionists.
A lighthouse guardian leads a young prince towards an imaginary world, Taxandria, where the boy learns about the power of love and the value of liberty. A totalitarian regime has forbidden time: time watches have been confiscated, photo cameras are illegal as they freeze a point in time. A typical Servais theme: a power is oppressed by a constraint that denies what is best in the individual, and therefore has to be twisted in various ways, to establish an entirely artificial world, that has rules that may question some of the rules of our world at this side of the mirror.
Maria Garcia (Carmen Maura) is a television journalist and she's about to be a single mother. Her career foremost in her mind, she doesn't slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she's not very interested in. It's not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby's due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.
Biographical film about the life and work of the Belgian painter Jan Cox. Cox had a tempestuous youth, during which he co-founded the Jeune Peinture Belge group and worked on the fringes of the Cobra movement.
In Cross Now, during a blazing row with his boss, strangely enough architect Michael Ponsford still gets his promotion. However, he does not get much time to enjoy it, because, in the middle of the argument, his boss suffers a heart attack. And he is not the only one to die. Ponsford is haunted by death: the woman with whom he had been flirting for too long, his wife's father, one of his competitors, they all succumb. Finally, Ponsford's young son also dies.
Television registration of the play of the same name that Annie M.G. Schmidt wrote for Toneelgroep Amsterdam. In a side room of a congress building, mother, son and daughter await the arrival of father, who will be honored for his services in the pharmaceutical industry. But father is delayed; the meantime is filled with conversations. The mother turns out to be having a lesbian affair. The play was poorly received.
Film version of the dance performance of the same name.
The story of the great Soviet composer Dmitri Shostakovich (1906-1975) and his life and career during the rule of Stalin.
This is a semi documentary about a Belgian woman trying to deal with her confused ideals after the big industrial strikes in Wallony. To do so, she goes to Spain to try and find out if there is a future for anarchist ideals.
Registration of the 1987 perfomance by the Dutch theatregroup De Appel of the tragedy 'Faëton Of Reuckeloze Stoutheit' by the poet and playwright Joost van den Vondel from 1663. The story is taken from Ovid's Metamorphoses and begins begins with the Sun God Phoebus who fathered four children with Clymene. When the children grow up, they go with their mother in search of father, but they wonder whether he really exists. When Phoebus hears this, he promises to fulfill every wish of his children. His son Faëton takes advantage of this and wants to spend a day in the solar chariot through the universe. That causes a lot of problems on earth, since Faëton's recklessness almost causes extinction.
Adaptation for television of the stage play of the same name by the Dutch playwright Herman Heijermans. When lodger Eva Bonheur lends her landlady Mop two thousand pounds and Mop is unable to repay her, Bonheur gets control of the house and decides to put Mop, her husband Jasper and their daughter Miep out on the street.
Debuting Iraq-born, Netherlands-based writer/director Ibrahim Selman starts out on docu ground, with a voiceover explaining his objectives and the film’s stand-in location, and recalling Kurdistan before the advent of war. He then shifts into narrative mode, with glimpses of life in a mountain village caught in the conflict between Iraqi military authorities and peshmergas (guerrilla freedom fighters).
A woman takes revenge on her cheating husband by inviting his mistresses on their anniversary party. She thanks all of them and announces she's going to divorce him.
