Émile Durand, an insecticide manufacturer, is appalled to learn that his son Gérard has fallen in love with Suzy, the daughter of a travelling theatre company. Realising his father will never favour the union, Gérard joins the company on their next tour. In an attempt to heal the rift, Durand’s wife goes after Gérard and ends up performing in their next play…
Protéa is the last film directed by Victorin-Hippolyte Jasset, one of the early film pioneers in France. The hero of this film is a female spy, an acrobatic Mata-Hari, played by his favorite actress, Josette Andriot, who wore a characteristic costume of a close-fitting black jersey, two years before Musidora achieved cult status with her similar appearance as Irma Vep. This final masterpiece reflects Jasset's popular style: rhythmic action, fantastic realism, rich visuals, an anarchistic philosophy, a disdain for psychology, and an attention to lighting that earned him the nickname “the Rembrandt of the cinema". Although Jasset died shortly after completion, the film had considerable success and Andriot went on to make four more films in the series with other directors.
An ape, turned near human by Dr. Coriolis and given the name 'Balaoo', is smitten by the beauty of Coriolis' niece, Madeleine. Being inquisitive, though, he runs off, getting into mischief, and falls in with a poacher who saves his life. Acting now as his slave Balaoo kills a man for the poacher, but balks on his orders to kidnap Madeleine, deciding instead to set a trap for the poacher.
In 1912 Jasset turned from fantasy and spectacle to realism in making the first of two Zola adaptations, as part of Éclair's new series of social dramas. For Au pays des ténèbres, based on Germinal, he took his crew to Charleroi in Belgium to film in authentic locations, and although he updated the story to the present, he went to great lengths to recreate in the studio the detail of the actual mining galleries, exploiting the ability of film to be a recorder of contemporary reality.
Over-stimulated by boxing lessons, Gavroche brings a lion home to spar with, triggering an all-out assault on public order.
Drama in which the love between Claude and Germaine is tested when Claude is falsely accused and Germaine's father doesn't approve of their relationship.
Paulin Broquet, the great Parisian detective, has brought the notorious bandit, Zigomar, to justice. Determined not to let the law punish him, he had taken poison in the Hall of Justice. Then he was brought to a hospital where he lay motionless and was visited by hundreds of persons. Among the visitors was a slender woman, dressed in black, who secreted herself in the hospital, and, when all the others had gone, went to the bedside of Zigomar and administered an antidote for poisoning.
The film based on the novel of the same name by Alexandre Duma, is concerned with fraternal royal strife at the court of Henri III. Tragically caught between the millstones of history are the gallant Count de Bussy and the woman he adores, la Dame de Monsoreau.
The story of the children of Captain Grant.
A Nick Carter serial
A mother loses first her son and then her husband in the trenches of France during the First World War. She devotes herself to the French cause and to helping those wounded in the war.
Nick Carter, the famous detective, is ordered to prosecute the gang of Zigomar. Carter gets into various thorny situations but manages to escape every time, helped by Olga, a former girlfriend of Zigomar. Carter finally manages to trap Zigomar and Zigomar is arrested. However, Zigomar avoids going to court by apparently poisoning himself.
Hortense Fauvel, the wife of a village postmaster, takes Aimée, a young shepherdess, under her wing. Aimée soon becomes engaged to François, the Fauvel’s loyal servant. At a fête hosted by the Count of Granval, Aimée gives her fiancé a knife, telling him that he should kill her if ever she ceases to be faithful to him. That same day, the Count is planning to have an amorous liaison with Hortense, but Aimée intervenes. To save her mistress from a scandal, Aimée tells the postmaster that it is she, not Hortense, who has been seeing the Count. Disgraced, Aimée is dismissed by the postmaster. François contemplates his revenge and recalls what Aimée said to him.
Short melodrama. Two former lovers meet twenty years later when the man has to compete with the son of the woman.
A Nick Carter serial
Willy wasnt very proud when he arrived home, for once again he was at the bottom of his class. As punishment his parents informed him that he would not be allowed to see the Conjuror...
No plot available. The director Maurice Tourneur perceived this film to be indicative of the advances French cinema could have taken had it not been derailed by World War I.
A work-obsessed inventor uses a video-telephone to spy on his girlfriend, who in turn uses film to teach him a lesson. (MoMA)
Funnicus has made a futile endeavor all day to be cheerful, but conditions will not permit. Seeking forgetfulness, he took his despondent way towards Luna Park, and started to "do" the place thoroughly. An overplump dame was giving tense ear to the whispered warnings of a Gypsy sooth-sayer. An opportunity. Funnicus crossed the swarthy female's palm with much silver, and promptly slipped into her wrappings and place. The overplump dame was then regaled with a series of disclosures concerning her future affairs of the heart which brought Funnicus an unexpected clump on the ear. Funnicus, to mete out counterpunishment to the saucy lady, proceeded to chase her over the zig-gag stairways, windy passages, electric railways, sea wave track, automobile armchairs, etc. At last, to escape retaliation, he borrowed an attendant's costume and the Tzigane bandmaster's baton, one, two, three. The syncopated sounds begin their infectious course and everybody finds himself tripping the light fantastic.
