Blood

Blood 1989

6.80

Nino, tough but sickly, and his older brother Vicente live in the country with their father. After their father disappears ― we’re never sure why ― murder is suggested. Vicente brings his girlfriend to the house, and a different kind of family is established as the three youngsters grow fiercely protective of each other. But their uncle grows suspicious about the fate of the missing father and forcibly kidnaps Nino, taking him away to the city and leaving Vicente to locate him there.

1989

Trails

Trails 1978

7.10

Parallel tales of young couples desperately escaping cruel false fathers, each couple on the run across different regions of the country and during increasingly contemporary time periods.

1978

The Blue Eyes of Yonta

The Blue Eyes of Yonta 1992

6.80

A beautiful, intelligent and flirtatious young girl, Yonta, is secretly in love with a friend of her parents, Vicente, a hero of the war of independence. Vicente is unaware of her passion as she is of the love of a young man who sends her anonymous love letters.

1992

Amok

Amok 1993

6.00

Whenever people are released from their society's constraints, there is the possibility that they will behave badly, at least according to the rules of the society they have left behind. This seems to have been particularly the case for Europeans living in colonial establishments in Africa and Asia. In this drama, based on a story by Stefan Zweig, Dr. Steiner (Andrzej Seweryn) was caught with his fingers in the till at a German hospital. Rather than prosecute him, they gave him the option of emigrating elsewhere. He chose to serve at a clinic in a remote part of Portuguese Goa. He has been on his best behavior for years, but when the beautiful wife (Fanny Ardant) of a diplomat comes to him asking for an abortion, he is tempted to ask for sexual favors in return, and his life swiftly goes out of control.

1993

Visit, or Memories and Confessions

Visit, or Memories and Confessions 1993

7.50

A long-hidden, personal doc about leaving a beloved house by the late, revered Portuguese director Manoel de Oliveira.

1993

Hovering Over the Water

Hovering Over the Water 1993

7.10

Laura Rossellini, a widow from Rome, vacations on the Algarve coast one hot summer. One day while sunbathing, she finds a wounded man named Robert drifting in the surf on a rubber raft. She takes him home, and, after he is revived, learns his story. As they talk, their mutual attraction grows, until a group of armed men suddenly arrive looking for Robert.

1993

Poor George

Poor George 1993

5.10

One night Jorge will meet with a Japanese industrialist, who will allow him to abandon his teaching position and resume his chemical work. However, when he gets home he finds a person there.

1993

The Emissaries of Khalom

The Emissaries of Khalom 1988

6.00

End of the 20th century. A group of scientists executes a project aiming to prevent a nuclear war with the planet Khalom. From their experimental project, involving manipulating events in the past, two mysterious human creatures travel between the present and the 19th century, and back - getting in love with four different persons.

1988

Oxalá

Oxalá 1981

2.00

A man exiled in Paris makes various trips to Portugal after the Carnation Revolution. Each trip is represented by a woman.

1981

Street of No Return

Street of No Return 1989

5.50

A rock star-turned-bum, his vocal chords severed at the height of his career for the love of a woman, drunkenly roams the city, torn apart by sponsored race riots. When accused of murder, he may have the chance to get revenge on the magnate who maimed him.

1989

The Sound of the Shaking Earth

The Sound of the Shaking Earth 1990

6.20

Freely based on Gide ('Paludes') and Hawthorne ('Wakefield'), this is a film about a writer who never wrote anything and who blows at nightfall the breath of frost. The poem by Carlos Queiroz to which the above sentences belong is not cited in 'O som da Terra a Tremer', but the atmosphere is that, between written letters never received. Fiction within fiction, stories within stories, like those Chinese boxes in which there is always one inside another. Or the two margins of the same river, always being lateral.

1990

Ballad of Dog Beach

Ballad of Dog Beach 1987

6.00

In Portugal, in the 60s, the corpse of a man appears on Dog's Beach. The corpse is identified as the major Dantas, a man wanted by authorities after his escape from a military prison where he was awaiting trial for insurrection.

1987

Day of Despair

Day of Despair 1992

6.20

Portrait of the last days of the life of Portuguese writer Camilo Castelo Branco.

1992

Matar Saudades

Matar Saudades 1988

5.70

Abel, 47 years old, two wars - in the colonies and France, emigration - several scars from many battles lost, returns in a jump to Portugal, to his lost village in the northern interior, near the border, from where one day he'd be gone, also from a jump. A letter, from his brother Peter, warned him that everything changed. Even Teresa. Abel catches sight of his childhood in the village hills, the old tribe. From a distance everything seams to be in the same placesa, the old dog is all that remains of the past. In the village the Act of Passion will be performed and Teresa is one of the participants. Abel takes the old gestures and prepares his plan: eliminate one by one Teresa's suitors, to consummate during the act of the Passion, her death ...

1988

The Mountains of the Moon

The Mountains of the Moon 1987

5.30

This visually striking drama is taken from the classic Japanese novel Tales Of Genji by Marasaki Shikibu. Set in modern Portugal, Joao (Luis Miguel Cintra) is a left-wing political leader and ladies man with a bright future. His ex-wife Isabel (Manuela de Freitas) both loves and hates him as Joao plays on her wavering emotional state. He is sent to Italy to retrieve wayward family member Antonia (Caroline Chaniolleau), the beautiful young woman with a terrorist boyfriend. Joao is forced to recognize his feelings as the political and amorous climate changes around him.

1987

A Confederação: O Povo É Que Faz A História

A Confederação: O Povo É Que Faz A História 1978

5.20

In an imaginary future, Portugal consists of an association of states - North and South - with zones of specific influence. City under vigilance, Lisbon is inhabited by a repressed and militarized population. Maria and António stand out in this city and surrender themselves to a submersive love. 1978

1978

Serenity

Serenity 1987

5.70

Luís Medeiros, Azorean painter, meets two odd characters in an exhibit in Lisbon: Inês, a charming woman, and Ed, a sneaky man. The two reveal to have with them a precious document that might be threatening to Luís. He brings them back home but his serenity is over due to an unexpected chain of events.

1987

Chá Forte com Limão

Chá Forte com Limão 1993

1

In the summer of 1870, Raquel, who owns a farm, and lives secluded in her mansion with an old butler and a handful of servants, feels proud when an odd acquaintance comes by. Adriana and her daughter-in-law, Ermesinda, a very young girl, just happen to be visiting - the second time in 15 years for Adriana, and the first time for the teenager Ermesinda. The meeting seems to be pleasant, and yet, for reasons untold, there is coldness and reserve between Adriana and Raquel. Their ambiguous relationship will be revealed, when by accident old wounds are reopened.

1993

O Rei das Berlengas ou a Independência das Ditas

O Rei das Berlengas ou a Independência das Ditas 1978

7.00

The disastrous attempts of D. Lucas Telmo Midões to achieve in 1981 the independence of the Berlengas islands - lost eight centuries ago, during the conquests of D. Afonso Henriques.

1978

The Movement of Things

The Movement of Things 1985

8.50

A picture of daily life punctuated by silence. In a village in the north, the daily routine of three families. Glimpses of Isabel, her eyes turned towards the future; for the others, living is the only meaning of life. The camera freezes moments of life through the movement of things in time, values and silence. - Cinéma du Réel

1985