An uncredited Anthony Asquith is one of the directors of this WWII film (a joint UK/US production) which aims to explain British culture and character to the newly arrived American soldier. Starting with the ubiquitous pub visit, the film breezes through geography lessons, food and entertainment on the Home Front.
A young, Scottish RAF gunner is debriefed by French officials about his escape from Nazi-occupied territory. They are particularly interested in one person who may or may not have been a German agent.
A former leader of the French Resistance finds that one of his fellow actors looks like a detestable official he knew in Madagascar during the war. He tells about his time, operating an illegal radio station while evading the Nazis.
Ever seen a snake with a moustache? The Middle East was as much an ideological as a physical battleground in the Second World War. In the midst of the conflict Halas & Batchelor were commissioned by the British Government to make four cartoons featuring a young boy Abu and his mule. They were intended to demonstrate in simple visual terms that Britain was a stout friend and the Axis powers a pernicious evil.
On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).
A documentary account of the allied invasion of Europe during World War II compiled from the footage shot by nearly 1400 cameramen. It opens as the assembled allied forces plan and train for the D-Day invasion at bases in Great Britain and covers all the major events of the war in Europe from the Normandy landings to the fall of Berlin.
A tribute to the courage and resiliency of Britons during the darkest days of the London Blitz.
Short WW II documentary
Surrealism, avant-garde sound montage, and irreverent wit might be the last thing you'd expect from a government-sponsored film about wartime cookery. But director, artist, animator and all-round firework of a man Len Lye specialised in the unexpected. A simple tale of a mother cheering up her daughter with a pie from her rationing-stricken pantry (interestingly the war is never directly referred to) is skilfully crafted into a work of real artistic depth, while retaining an unpretentious charm.
Government information film on how to get maximum wear from a man's suit, narrated by one such suit in the form of an autobiography.
A Letter From Ulster (1943). Northern Ireland's greatest film director Brian Desmond Hurst directed the film and his assistant director was fellow Ulsterman William (Bill) MacQuitty who went on to make the ultimate Titanic film A Night to Remember. The script was written by Terence Young who went on to direct the early Bond films. All the components were in place for a fine film and this short (32 minute) by the Crown Film Unit remains an important part of Ulster and America's cultural history. As the opening credit says "This film is dedicated to those members of the US Forces Who are our guests in these islands". The film shows American soldiers landing in Northern Ireland and settling into their new camps. The arrival of mail from 'back home' helps camp moral, however, two brothers receive none. Their commander realises that the two brothers have not sent any letters back to their parents and gives the order to write a letter home- A Letter From Ulster.
Bernard Miles and Percy Walsh play two members of the Home Guard, on duty by a windmill, discussing the causes of the war and the issues at stake.
About the war effort in the West Indies.
Trawlers at work; the crew on board and landing a catch. The fishing crew are seen with their families on shore shopping and enjoying themselves in the pub. Life aboard a West Coast trawler under arduous and dangerous wartime conditions.
The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.
World War II propaganda film.
How to make porridge using a haybox.
Commissioned by the Ministry of Information and specifically target working class audiences; ‘Now you’re talking’ follows a plant worker, who lets slip vital information about some overnight research on a captured enemy aircraft. This inevitably leads to this most important of secrets falling into the lap of the enemy.
Coventry prepares to rise from the ashes of WWII in this docu-drama written by Dylan Thomas.
Sheffield stands in as 'Smokedale', an industrial Everytown, in this stirring call for "new schools, new hospitals, new roads, new life", after WWII.
