Viennale

In 2010, Klaus Wyborny filmed the world premiere of his cinematic work STUDIEN ZUM UNTERGANG DES ABENDLANDES (STUDIES FOR THE DECAY OF THE WEST), 2010 in Vienna’s (meanwhile closed) Stadtkino at Schwarzenbergplatz. He liked the images from the dark movie theater, only partly lit by the film, so much that he did the same at later screenings, presented between Portugal and the United States, in order to weave these images into a fabric of places and times – into a vision of cinema gliding over continents through the light of the projector.What’s celebrated here is a practice that has to be defended for its inherent democratic spirit. In CINÉMA VÉRITÉ, Wyborny has now condensed this cinematic utopia into trailer length, to manifesto density. Cinema, as Wyborny understands it and as the Viennale practices it, is a constant departure into reality.

An elegy to time and life, condensing Terence Davies' profoundly humane poetics into little more than one minute, enveloping the viewer in an atmosphere of light and (Davies’ own) words.

Trailer for Viennale 2020.

The last minute of a man's life.

Every year the Viennale invites a famous director to produce a short film as the festival trailer. In 2014 the choice has fallen on the 105-year old Manoel de Oliveira.

Viennale-Trailer 2015: Two-minute homage to Lee Kang-sheng, Xiao Kang.

The boy has something to do in his life, he trains himself and makes plans. Then there is a knock on the door and something pulls away and he literally stays in the rain. Lightning and thunder patter the water, devouring everything. Incredulous, the boy looks up to heaven - is this his destiny?