Rozina the Love Child

Rozina the Love Child 1945

7.00

Prague, the beginning of the 17th century. Rozina falls in love with Italian glass worker Nikolo, but after returning home, she gets a message that will never come to Prague. She falls for the promise of an older man to marry her, but when Nikolo does return, the tragic fate of Rozina is sealed.

1945

Happy Journey

Happy Journey 1943

5.00

Filmed during the Nazi occupation, this panoramic drama set in a Prague department store follows the divergent destinies of four female coworkers, each of whom seeks happiness in a different way.

1943

The Guild of the Kutná Hora Virgins

The Guild of the Kutná Hora Virgins 1938

6.50

A morally questionable lord comes to the aid of a working class man who is to be executed for speaking out about thieving rich scoundrels sticking it to the poor.

1938

Humoreska

Humoreska 1939

6.00

Venice Film Festival 1939

1939

Virginity

Virginity 1937

5.30

The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)

1937

The Girl in Blue

The Girl in Blue 1940

6.30

A painting of a girl from another time comes to life for it's buyer in this costume comedy.

1940

Mist on the Moors

Mist on the Moors 1944

7.00

Mist on the Moors examines fates of just about a few people. Their stories are outlined in a short space of time and are a symbolic representation of the drama of life, struggle for justice, human cognizance and the healing power of love. One of the most important components of the film is the nature, which ceases to be a mere stage for its plot—it serves almost as an autonomous plot agent. The movie landscape is a precisely defined and localized one. Only the South Bohemian ponds can serve as the right environment for development of such earthy and typically human stories as we encounter in the Mist on the Moors.

1944

A Step into the Darkness

A Step into the Darkness 1938

5.50

A dashing but mysterious man saves a gambler from suicide, crashes the posh party of a prominent industrialist, falls in love with his daughter, and finds himself in a web of intrigue revolving around her blackmailing fiance and a gang of counterfeiters.

1938