Royal College of Art

Every day, a father and his son jump with a parachute from their vertiginous cold house, attached to a cliff, to go to the village on the ground, far away where they sell the ice they produce daily.

In this short film written and directed by Alexis Bisticas, the audience sees through the eyes of a man in the woods, following the distant sound of a saxophone. In a single take, the fluid steadicam shot takes the viewer on a surreal and poetic journey, as the walker comes across everything from family picnics to men in bondage suits.

Victor is stuck in a low-budget airliner next to a shamelessly intrusive stranger. The crackling candy wrapper, the smacking of the lips, oh, he thinks, just give me a break. No, he doesn't want candy, thank you very much. Victor isn't hungry. But there's no escape, thirty-five thousand feet in the air. So, just keep breathing.

At Stamford Road in Dalston Junction of east London, the camera follows pedestrians, cars and birds while a narrator, who appears to be the director behind the camera, seems to instruct the objects.

A young boy and his father live in a dull, lonely house with the shadow of mourning hanging over them both. The boy misses his mother but gets no comfort from his father's assertions that she went peacefully. This tragedy is added to by the family dog which is looking increasingly unhealthy.

A vibrant look at the frailty of a boy moving through life in all its colors.

A mammoth is defrosted into an unrecognisable future.

In this short, surreal, painterly comedy, Laura escapes from her superstitious worries by floating out at sea on her bed. On a sunny Friday 13th, all her troubles return.

The surreal story of Amber, a reluctant debutante, and her visits to the city zoo, where she hatches a plot to avoid her coming out ball.

The classic Shakespeare play in a way you've never seen.

An episodic meditation on a woman's breast - from feeding to cancer.

Do you remember when we met? You were brilliant, witty, gorgeous to look at...something's changed. Julia Pott's animated short from the Royal College of Art 2010

Ostia is a fascinating short film directed by Julian Cole and produced for the Royal College of Art, which reconstructs the events leading up to the murder of Pier Paolo Pasolini. Ostia relocates the proceedings to London and stars Derek Jarman as Pasolini. The film features an evocative dream sequence which is accompanied by poignant excerpts from Pasolini’s own poetry, as read by Jarman.

After a woman is responsible for a hit and run, spooky things starts to happen to her. A small thriller about people that are not always the best at making decisions.

A boy plants a microphone in the sitting-room so that he can listen to his parents after going to bed at night.

A mixed-media biography of a fictional animation tycoon.

If you repeat the word 'fly' for long enough it sounds like you are saying 'life'. This is of no help to Peter. His answers lie in the brain of the beetle.

Their last dinner before he leaves to join the Army. The reality of the situation begins to break in through the four surrounding walls.

It all started with a picture taken in 1974 in Lisbon, just after the Portuguese Revolution. She, the Revolution Hunter, tries to enter in that picture as if she could enter into a time she didn't belong and finally understand what it means to be part of a revolution or what it means to fight for a country. A film that explores the relationship between two generations, two different times and two different fights. As if we could transform a photograph by drawing on it. As if we could transform the present by drawing over the past.

A down-to-earth portrait of art school life.