Krátký film Praha – Studio dokumentárních filmů

Two magicians, Mr. Schwarzwald and Mr. Edgar, try to outdo each other in performing elaborate magic tricks, leading to a violent ending.

A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).

The age-old story of Don Juan, played by giant puppets.

An eight-part animated portrait of various species, accompanied by a different style of music. The various parts are: Aquatilia (foxtrot), Hexapoda (bolero), Pisces (blues), Reptilia (tarantella), Aves (tango), Mammalia (minuet), Simiae (polka) and Homo (waltz). Each animation mixes drawings, pictures, real animals and animated skeletons.

A man plays the Bach piece of the title on the organ, accompanied by images of stone walls with cracks and holes that grow and shrink, intercut with images of doors and wire-meshed windows.

While walking along the tracks, a young man encounters a 96-year-old man who lives inside a tunnel and refuses to leave.

Frank visits his friend Josef, who introduces him to his pedigree rabbits and his wife Mary. Frank is more interested in the slightly unsettling fact that Josef and Mary's garden fence is entirely made up of living people holding hands.

Documentary showing the Czechoslovakian political landscape in March 1968, when president Antonin Novotny, a hardline Stalinist, stepped down and moderate communist Ludvik Svoboda was elected. Five months later, in August 68, the Prague Spring would end with the military intervention of the Warsaw Pact.

This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.

A leading director of the Czech film renaissance provides a philosophical meditation on life and death, set amidst complex hospital apparatus and the sadness, hope, or resignation of the patients. Existentialist rather than optimist, the approach is one of humanistic atheism, accepting death as part of life. Interviews with doctors and nurses explore their outlook; all speak of death as a fact, without either sentimentality or religiosity. The studied objectivity of the film only imperfectly hides an intense emotionality.