ବର୍ଷ 1904

Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.

A magician conjures up a mermaid while fishing.

A French aristocrat, who has recently arrived in America, has placed a personal advertisement in the newspaper...

The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please. (Méliès Catalog)

In a public place in Constantinople at the corner of a bazaar, the executioner is seated upon a stone and is resting from his daily labors while eating a crust of bread. Suddenly there come running into the place a lot of Turkish men and women preceding some Turkish policemen, who drag along four prisoners in chains. The policemen shut up the four prisoners in the pillory. Their four heads stick up through the huge plank, which is provided with four openings. One of the policemen urges the executioner to decapitate the prisoners. He accordingly seizes a mighty sabre and cuts off by a single stroke the four heads, which roll upon the ground.

As a conjurer awaits an audience, a procession announces the arrival of a royal representative, carried in a sedan chair, to see him. The conjurer then has a large box brought in. It is opened, revealing a very large folding fan. When the fan is spread out, the designs on it begin to change and move. And this is far from the last of the surprises that the conjurer has in store.

A Chinese conjurer stands next to a table, it becomes two tables. A fan becomes a parasol, lanterns appear and disappear. The conjurer spins the open parasol in front of himself, and a dog leaps out from behind it. The dog becomes a woman, then a masked man appears. The conjurer sits them each on a box a few feet apart: suddenly the woman and man have changed places. The disappearing and the transfers continue in front of a simple backdrop.

A Jew who mocked Jesus on the cross is visited by a devil and an angel.

A remake of Edwin S. Porter's film of the same title.

The adventures of an inattentive man who can't look away from his book.

A large bucket full of molten material is poured into a large container, possibly a mold, by a group of men using machinery. Some other men stoke the fire under the container. When finished pouring, the men lift the bucket up from the container and take it away on a crane. Two men put prods down repeatedly into the container, while others lay covers on top of it.

A “madman” escapes prison and the torments of his warders.

Opens with a woman posing on a pedestal, dressed in a white body leotard with a sash tied at her hips. Marshall continues with various feminine poses, reminiscent of classic Greek statuary, to accentuate her figure. Film cuts to Treloar posed on the bare stage without a pedestal. He wears brief leopard-skin trunks or short tunic, wrist bands, and Roman-looking laced sandals. His poses accentuate the muscular development of his upper body, particularly that of his arms, and include movements that make the muscles jump. Treloar finishes with a slight nod to the camera.

Documentary on the process of hay-making, from the cutting of the grass to the stacking of the hay.

The stages that a caterpillar goes through, from larvae to chrysalis, to become a butterfly.

As a mother enters a store, she leaves her child outside in a carriage. Another woman standing nearby quickly snatches the child out of the carriage. Soon afterwards, another mother is playing with two children in the park, and when she leaves one of them unattended, her child is also seized by the same woman. These are only two of a number of children that an unscrupulous couple has captured for their own purposes.

During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.

Two small boys with policemen's hats and nightsticks are struggling with another small boy. The object of their struggle seems to be to arrest him. Approaching the camera from a distance are two men in bathing suits, pretending they are horses, and pulling what is supposed to be a patrol cart. The small culpit is put in the wagon and taken back to a tent on the sand. The tent bears the sign "police patrol headquarters."

A cook has his hands full with three mischievous devils, who pop in and out of his kitchen.

The view from a moving train shows some of the Westinghouse interests and the surrounding areas.