ବର୍ଷ 1904

Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.

A Chinese conjurer stands next to a table, it becomes two tables. A fan becomes a parasol, lanterns appear and disappear. The conjurer spins the open parasol in front of himself, and a dog leaps out from behind it. The dog becomes a woman, then a masked man appears. The conjurer sits them each on a box a few feet apart: suddenly the woman and man have changed places. The disappearing and the transfers continue in front of a simple backdrop.

Billy Bitzer filmed 21 short actualities inside the Pittsburgh Westinghouse Works in April and May of 1904. Audiences of the day would have been treated to footage of factory panoramas, women winding armatures and turbines being assembled. These industrial films were produced for the American Mutoscope & Biograph Company.

A magician conjures up a mermaid while fishing.

A brief vaudeville-style demonstration of a "Dog Transformator," a machine that instantly turns dogs into sausages, and amazingly, sausages back into dogs.

As a conjurer awaits an audience, a procession announces the arrival of a royal representative, carried in a sedan chair, to see him. The conjurer then has a large box brought in. It is opened, revealing a very large folding fan. When the fan is spread out, the designs on it begin to change and move. And this is far from the last of the surprises that the conjurer has in store.

An inquisitor and two of his henchmen burn a woman at the stake. An angel intervenes.

A “madman” escapes prison and the torments of his warders.

Klingsor seeks admission to the Holy Grail. Evil summons Kundry. Herzeloid appears with the child Parsifal. Crowning of Amfortas. Wounding of Amfortas. Carrying Amfortas to his bath. Kundry brings relief to Amfortas. Parsifal reproached for killing the Swan. Kundry succumbs to Evil. Knights entering the Holy Grail. Parsifal unmoved. Klingsor summons Kundry. Parsifal enters the Magic Garden. Kundry kisses Parsifal. Parsifal calls upon the Saviour. Parsifal repulses Kundry. Klingsor hurls the Sacred Spear. Destruction of the Magic Garden. Guernemanz restores Kundry. Parsifal appears with Sacred Spear. Kundry washes Parsifal's feet. Amfortas tears open his wound. Parsifal heals Amfortas. Parsifal becomes King of the Holy Grail.

A camera moving forward on an overhead crane gives a traveling view of men working on machinery. Carts carrying parts and pieces of machinery pass by on rails; cranes lift machinery; and men perform their various duties, including hammering objects. (Library of Congress)

A large group of men are shown performing various tasks in one room at the Westinghouse Air Brake Co. On one side, men are shown pouring a hot liquid into molds on the floor. A conveyor belt delivers items which are then taken off the belt by a man. Men on the other side of the screen appear to be lifting items out of what could possibly be a furnace and putting them on tables. It appears that the men in this room are casting machinery from molds.

Documentary on the process of hay-making, from the cutting of the grass to the stacking of the hay.

A large bucket full of molten material is poured into a large container, possibly a mold, by a group of men using machinery. Some other men stoke the fire under the container. When finished pouring, the men lift the bucket up from the container and take it away on a crane. Two men put prods down repeatedly into the container, while others lay covers on top of it.

Two black men are stealing chickens and get chased by the white farmers.

A French aristocrat, who has recently arrived in America, has placed a personal advertisement in the newspaper...

A man who has placed a personal advertisement for a prospective wife goes to wait at the meeting place that he designated. Soon a woman comes in response to the advertisement. Before the two have a chance to converse, several more women arrive on the scene. Now completely flustered, the man flees, initiating a lengthy chase.

A turbine is shown operating.

1904 journalistic actuality.

A small group of men turn on what appears to be a generator. As the rotary spins, the men make adjustments to the machine and check its operations.

Opens with a woman posing on a pedestal, dressed in a white body leotard with a sash tied at her hips. Marshall continues with various feminine poses, reminiscent of classic Greek statuary, to accentuate her figure. Film cuts to Treloar posed on the bare stage without a pedestal. He wears brief leopard-skin trunks or short tunic, wrist bands, and Roman-looking laced sandals. His poses accentuate the muscular development of his upper body, particularly that of his arms, and include movements that make the muscles jump. Treloar finishes with a slight nod to the camera.