The Man with the Rubber Head 1901
A chemist carries out a bizarre experiment with his own head.
A chemist carries out a bizarre experiment with his own head.
A man, objecting to being filmed, comes closer and closer to the camera lens until his mouth is all we see. Then he opens wide and swallows camera and cinematographer. He steps back, chews, and grins.
A magician does tricks with the aid of his assistant, the Human Pump.
A convicted criminal dreams about his past the night before his execution.
A street level view from the sidewalk, looking along the length of 23rd Street. Following actuality footage of pedestrians and street traffic, the actors, a man in summer attire and a woman in an ankle-length dress, walk toward the camera.
A clown performs various feats of magic based on his ability to detach and reattach different parts of his body.
A young woman becomes the eighth wife of the wealthy Bluebeard, whose first seven wives have died under mysterious circumstances.
At the beginning of the scene Romeo in his gondola sings to Juliet a sentimental song, then goes away. Hardly has he departed when the colonnade falls to pieces, disclosing the devil. Juliet, frightened, runs to the window and calls Romeo. The latter attempts to enter and protect his fiancée, but at a gesture from the devil the window is instantly covered with a grating and Romeo makes frantic efforts to break it. The devil begins to dance a wild dance before Juliet, who is beside herself from terror. The devil gradually becomes the size of a giant (a novel effect). Juliet implores the statue of Madonna, which becomes animated, descends from its pedestal, and stretching out its arms orders the devil to disappear. (Méliès Catalog)
Filmed in 35mm and in black and white, this short silent film was produced by the English film pioneer R. W. Paul, and directed by Walter R. Booth and was filmed at Paul's Animatograph Works. It was released in November 1901. As was common in cinema's early days, the filmmakers chose to adapt an already well-known story, in this case A Christmas Carol by Charles Dickens, in the belief that the audience's familiarity with the story would result in the need for fewer intertitles. It was presented in 'Twelve Tableaux' or scenes. The film contains the first use of intertitles in a film.
The cook has trouble lighting the stove, so she adds kerosene, with explosive results.
This early docudrama shows Auburn Prison and recreates the electrocution of Leon Czolgosz, the assassin of President McKinley of the United States.
In 1901 people in Belfast paid their tram drivers in carrots.
Pathé film number 380, also known as "What Happened to the Inquisitive Janitor" (US) and "Peeping Tom" (UK). It should not be confused with its remake from 1905 also titled What is Seen Through a Keyhole, a film now considered lost. As a janitor is cleaning a hotel, he decides to peek through the keyholes to observe some of the guests in their rooms. In room 8, a woman is busy making herself look more attractive, and the janitor enjoys watching her. There are also some interesting things going on in the other rooms on the floor.
A sorceress conjures up a bevy of beauties for a bachelor to peruse.
Time-lapse photography showing the one month-long demolition of the Star Theatre in New York.
This film is difficult to classify. It opens on a scene showing a mourner with bowed head sitting in front of what appears to be a tombstone. Shortly afterwards, the face of Abraham Lincoln and then of two other presidents, Garfield and McKinley, can be seen on the monument and then they disappear. There is a figure huddled at the foot of a statue of Justice, as if asking forgiveness.
A man attempts to engender a transformation of a giant worm into a butterfly.
A group of miners (including a sole black worker) exits the colliery gates.
A magician explores two halves of his self: The Dwarf and the Giant.
A great feature of the Pan-American Exposition, as unanimously conceded by all visitors, was the electric illumination of the Exposition grounds at night. After a great deal of experimenting and patience, we succeeded in securing an excellent picture of the buildings at the Pan-American as they appeared when lighted up at night.