Salawahan 1979
A witty sex comedy about two young cousins who trade places for their courtship strategies which end up hilarious.
A witty sex comedy about two young cousins who trade places for their courtship strategies which end up hilarious.
After realizing that prostitutes are not entitled to the best part of love making, two sex workers form a screwy relationship as "cuddle partners" only to realize that they want something more.
A bored young housewife falls prey to the sexy charms of a prank caller. As she finds herself deep into the secret carnal pleasures of phone sex, she likewise finds herself consumed by the fires of the dark, wild and dangerous thrills of promiscuity.
In a crowded, multi-appartment house, a young student peeps on his neighbours making love and subsequently develops a steamy affair with the neighbour's wife. The affair slowly becomes an obsession and spins out of control.
Zach is a rich boy forced to find and keep a job after a major blunder in a company he set up. He ends up working for Evelyn, whom he discovers to be the boss from hell. In the long run, he sees her for who and what she really is. Meanwhile, Evelyn is an uptight and tough Brand Manager who hires an assistant Brand Manager. When she finds herself dumped by her boyfriend, Evelyn seeks comfort in Zach, her assistant who shows a different side of him. As they get to know each other more and as their encounters become more intimate, they begin to ask themselves if what they feel for each other is for real. The problem is romance between boss and subordinate in a company is not allowed. Things get complicated when an office romance develops between the unlikely pair.
The movie follows a group of teenagers that are terrorized by an evil spirit. The film revolves around the traditional Filipino belief that one should never go home directly after visiting a wake since it risks bringing evil spirits or the deceased to one's home.
This Filipino vampire film co-directed by Peque Gallaga and Lore Reyes tells the story of an aswang, the traditional shape-shifting creature of local legend. Here, the vampire makes appearances as a giant snake, a young woman (Alma Moreno), and a withered old hag (Lilia Cuntapay). The aswang has a lengthy cinematic history, having been the subject of the first sound film ever produced in the Philippines (1932's Ang Aswang) and migrating, in somewhat altered form, to films in Hong Kong, India, Japan, and, in 1994, to the United States. Aiza Seguerra co-stars with Janice de Belen, Aljon Jimenez, John Estrada, and Alma Moreno.
A mother and her daughter—who are both victims of incest-rape perpetrated by the same man now languishing in jail—are approached by a couple of filmmakers with an offer to produce a movie based on the two women’s true story. They hesitate on the idea at first but agree eventually for the sum of money they will be paid in exchange for selling the rights to the material. When the finished film is finally shown in theaters, they proceed to the city all the way from their hometown to catch the screening. They are elated at the prospect of seeing the larger-than-life versions of themselves. But as the motion picture gradually unfolds before their very eyes, they instead go through another harrowing experience of a lifetime.
A story about a torera (a live sex performer) who finds herself trapped in an anomalous game of association between sex, life and death, and its political equivalent of sleaze, subservicence and power in drug-addled world. Every night, she sets off to join her fellow toreras for a midnight show of fun and kitschy live sex act. In one tuning point of her life, she bumps into a long-lost friend, Myrna, a former torera, who seems to have a lost grip on life. Curacha makes it her personal mission to save Myrna as she does some sou-searching herself. In the end, we see traces of hope glimmering somewhere, somehow, in a manner that escapes the restless Curacha.
In this movie, the abuwak race is being threatened by extinction. The only way they can grow in numbers again is through the rare ability that only the soon-to-be queen of the abuwaks, Hasmin (Lovi Poe) possesses.
A nun who acts as a counselor in a home for unwed mother undergoes political awakening when her friend and namesake belonging to the same congregation as hers inspires her to get involved in the struggle for justice and freedom of striking workers in a cooking oil company.
After a string of failed relationships, two best friends make a deal to take risks and look for love again — but they might just find it in each other.
Manay Po tells the story of Luz, a small time jeweler who dreams of making it big so as to provide a better life for her family. Her life revolves around her brood of three, namely, Oscar, Orson and Orwell and her live-in boyfriend Gerry. With the help of her good friend and maid Maritess, Luz was able to raise her children normally despite the absence of a husband. In spite of her children's questionable sexualities, their family paints a picture of a happy family - a home filled with laughter and unconditional love.
An OFW returns to the Philippines in a coffin; the deceased woman resurges from the dead, terrorizing her hometown.
Years ago, Tina (Andi Eigenmann) was sent away to the United States to live with her aunt because of an incident involving her parents that has never been explained to her. She moves back to the Philippines into their old home, hoping for a new start. Unfortunately for her, shes not alone in the house. The kitchen is home to a demonic, human-eating refrigerator. Tina must dig into the past to discover the truth about what happened to her parents, and to find a way to defeat the infernal appliance.
A cult called Wakwak headed by Papa Mundo is ready to kill and be killed to fight for their beliefs. It is a religious battle for their leader, clad in priest's robes, who they believe has supernatural powers to extinguish life out of anyone. Outnumbered, Lt. Cary Altamonte's group fights for the safety of the civilians. The situation unfolds in a battle of faith.
During the Chinese Revolution in 1949, young Chinese copra trader named Fong-Huan marries Elisa, a young and pretty Filipina. The couples children, Daniel and Linda, were raised in a mixture of Chinese and Filipino-Hispanic tradition. These richly cultured people are the ancestors of a dysfunctional third-generation family whose daughters tell their own stories of joy, struggle, and the complex realities in the life of Filipino Chinese families.
The hidden nightlife of ordinary people living in Manila unveils. Lovers and families conflict with each other as they live on the streets, which are rampant with drugs and prostitution.
Virgie who is a hideous-looking but sympathetic woman from the province is hired as a nanny for an affluent family in Manila.
Follows a group of young adults as they navigate life after college.