A Corner in Wheat

A Corner in Wheat 1909

6.13

On a whim, a greedy tycoon decides to corner the world market in wheat. This doubles the price of bread, forcing grain producers into charity lines and others further into poverty. The film contrasts the differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.

1909

To Save Her Soul

To Save Her Soul 1909

5.25

Agnes, a singer in a country church, is practicing one day when a vaudeville manager hears her and offers her a job. Over the objections of the curate who loves her, she accepts the offer and goes to the city. Later the curate goes to hear Agnes perform and, fearing that her soul is being corrupted by show business, he asks her to return to the small town with him. When she refuses, he is prepared to kill her in order to protect the purity of her soul. This brings about her change of heart, and together they return to the little church.

1909

The Musketeers of Pig Alley

The Musketeers of Pig Alley 1912

6.22

A man recognizes the thief who had previously robbed him as one of the men involved in an unrelated mob shootout.

1912

His Trust

His Trust 1911

4.10

A Confederate officer is called off to war. He leaves his wife and daughter in the care of George, his faithful Negro servant. After the officer is killed in battle, George continues in his caring duties, faithful to his trust.

1911

Ramona

Ramona 1910

4.70

Ramona, residing on her wealthy Spanish adoptive mother's rancho in California, falls in love with the Indian Alessandro. When Ramona is denied permission to marry Alessandro, the lovers elope, only to find a life of great hardship and unhappiness amidst the greed and injustice of the white landowners.

1910

The Lonely Villa

The Lonely Villa 1909

6.02

A gang of thieves lure a man out of his home so that they can rob it and threaten his wife and children. The family barricade themselves in an interior room, but the criminals are well-equipped for breaking in. When the father finds out what is happening, he must race against time to get back home.

1909

Two Memories

Two Memories 1909

3.80

Henry and Marion have a lover's quarrel and part in anger. They do not reconcile, and ten years pass without contact. Marion becomes a society girl and spends her time at parties with her friends. Henry has become very ill and wishes to see Marion one more time. He writes asking her to visit. When she recieves the note, she laughs and tosses it on the floor, but, later, on a whim, decides to take all her drunken friends with her to visit him. When they arrive, Marion finds Henry dead, clutching her portrait in his hand. She sends her friends away and falls to her knees in remorse. Mary Pickford's debut!

1909

Dora Thorne

Dora Thorne 1915

1

Ronald, heir to Lord Earle in Earlescourt, England, secretly loves Dora Thorne, a desirable but working-class woman. When Lord Earle hears of the relationship, he brings Valentine Charteris to the estate to distract his lovesick son. True to his love, however, Ronald refuses Valentine and marries Dora. After emigrating to Italy, Ronald earns a modest living as a painter, and Dora gives birth to twins. When Ronald receives a generous commission to paint a portrait, he asks Dora to pose for him, but overly preoccupied with the children, she refuses. Wounded by the rejection, Ronald calls on Valentine Charteris and quickly becomes infatuated with her, forcing Dora to return to Earlescourt with the twins.

1915

Mr. Jones Has a Card Party

Mr. Jones Has a Card Party 1909

2.50

Mr. Jones, since his last escapade, had made strenuous efforts to amend the reputation he had gained in the eyes of the ladies of the Temperance League. But Oh! the ordeal, for such it was, was telling on him, and his pent-up spirits were threatening ebullition, when at last the chance comes. The league arranges to attend a three-days' convention out of town, and when Mrs. Jones departs, Jones sends a note to Smith, telling him to bring the gang, and they would have a "Prayer Meeting," enjoining him not to forget the "fixings." Well, the gang are not long in putting in an appearance, for they feel that every minute's delay is a chunk lost from a golden opportunity for fun.

1909

An Unseen Enemy

An Unseen Enemy 1912

5.60

The physician's death orphans his two adolescent daughters. Their older brother is able to convert some of the doctor's small estate to cash. But it is late in the day, and with the banks closed he stores the money in his father's household safe. The slatternly housekeeper, aware of the money, enlists a criminal acquaintance to crack the safe. She attempts to get into the adjacent room where the sisters tremble in fear, but finds that the door is locked. The drunken housekeeper menaces them by brandishing a gun through a hole in the wall.

1912

The Massacre

The Massacre 1912

5.90

The story of the massacre of an Indian village, and the ensuing retaliation.

1912

The Sealed Room

The Sealed Room 1909

5.10

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

1909

Strongheart

Strongheart 1914

5.00

STRONGHEART (1914) is a Native American Indian drama. Based on a famous play of the time, the film features an all-star cast. Originally five reels, the film was reissued at three reels in 1916.

1914

The Converts

The Converts 1910

1

A dance hall girl is converted to a religious life by a phony evangelist. But can he, himself, be saved?

1910

The Voice of the Violin

The Voice of the Violin 1909

4.70

A music teacher is in love with Helen, one of his students, but she rejects him. In his hurt he joins an anarchist group who plan to blow up a rich capitalist's house. When he realizes it's Helen's house, he tries to stop the plan.

1909

The Slave

The Slave 1909

4.20

A Greek woman marries a struggling sculptor. When he can't support her and their baby, she offers to sell herself as a slave to allow them to buy food.

1909

The Lure of the Gown

The Lure of the Gown 1909

3.70

"Fine feathers make fine birds", and handsome gowns make handsome women. Hence it is when Isabelle appears on the scene clad in a gown that is a masterpiece of the dressmaker's art she easily fascinates the male contingent, among whom is Enrico, the sweetheart of Veronica, a street singer. Enrico is so enraptured at the sight of Isabelle in her resplendent attire that he becomes her abject slave, casting aside the poor, peasant-clad little Italian street singer, who has loved him devotedly. Crushed almost beyond endurance the poor girl stands sobbing at the entrance of the park where the inconsistent lever left her. Her tears attract the attention of a wealthy young couple who happen to pass. In answer to their queries she tells them how contemptibly her sweetheart acted, and all because of the fascinating influence of a gown.

1909

They Would Elope

They Would Elope 1909

5.13

Two lovers elope and expect to be pursued by her father. But the clever father has tricked them into running off, and celebrates their wedding when they return home.

1909

The Burglar’s Dilemma

The Burglar’s Dilemma 1912

5.30

In this latter day Cain and Abel story, a jealous brother strikes down his sibling just as a young burglar is about to enter the house. The jealous brother summons police, who then charge the intruder with murder.

1912

The Fatal Hour

The Fatal Hour 1908

2.50

This one-reeler has been regarded as a classic example of a Griffith thriller. It engages with the Chinese White slave traffic from the perspective of a female detective, played by Marion Leonard, whose assignment is to expose and break the traffic ring. A fragment is widely available.

1908