Suburbanite Ron is spoiled, young and not overly worried about the marijuana charges leveled against him. But, after being made out to be a drug dealer, he faces a five-year jail sentence in San Quentin State Prison. Physically frail and unaccustomed to his rough surroundings, Ron is primed to fall victim to sexual predators and bullying guards – that is, until he's befriended by Earl, a veteran inmate who finds meaning in protecting the vulnerable new kid.
After his young son dies from the negligence at a hospital, Harry Fertig takes matters into his own hands and kills the doctor, nurse and clerk responsible. Slick lawyer Roy Bleakie, looking only to win a case and not caring of the matters involved, is asked by Fertig's boss to defend him. Shocked to hear that his client wants to plead guilty, the case causes Bleakie to question his own morals by defending an honorable man.
A businessman (Donald Sutherland) has a hotshot young new partner (William McNamara). What he doesn't realize is that his new partner is the son of his second wife, adopted into an abusive family at birth and now a raving psychopath out to murder his natural mother for whom he blames the miseries of his lifetime.
Bobby O'Grady is a low level member of a Boston Irish gang run by Jackie O'Hara. Jackie demands absolute, total loyalty to him. When Jackie kills one of Bobby's buddies, Teddy, Bobby and others have to keep it an absolute secret, even from their and Teddy's relatives.
Dreaming of ascending the underworld ladder and gaining revenge on his sadistic boss, Sal, a Mafia flunky, Frankie, tries to take a step in the right direction by "saving" an exploited, drug-addicted porn actress, Margaret.
Myles is divorced in L.A. He wants a love life and a film career. So he decides to go on 20 dates and find true love in front of a camera, making his first feature. His patient agent, Richard, finds a $60,000 investor, the shadowy Elie. Myles starts his search, sometimes telling his date she's being filmed, sometimes not. Elie wants sex and titillation, Myles wants it "real." Myles regularly talks with his old film teacher, Robert McKee, who wonders if love is possible in modern life. Half-way through the 20 dates, Myles meets Elisabeth; she's everything he desires and she likes him. Can he finish the 20 dates, satisfy Elie, and complete his film without losing Elisabeth?
