Humanity and Paper Balloons

Humanity and Paper Balloons 1937

7.90

In a slum in Edo Japan, a ronin hopes that his deceased father's former master will hire him while a disgraced hairdresser attempts to regain his pride by kidnapping the daughter of a wealthy pawnbroker, who is set to be married.

1937

Enoken’s Ten Millions Sequel

Enoken’s Ten Millions Sequel 1936

1

The story picks up from Part 1 as Enoken's young scion forsakes his wealth and takes a department store job – in drag and sometimes blackface – to prove to the girl of his dreams that he be a hard-working, serious man.

1936

I Am a Cat

I Am a Cat 1936

6.00

1936 P.C.L. adaptation of Natsume's novel.

1936

Avalanche

Avalanche 1937

6.50

The study of a one-year marriage that begins to crumble. A married man is torn between the love of his wife, and the attraction to a cousin of his wife.

1937

Enoken's Chikiri Kinta Part 1 – Momma, the Hat: The Nice Way

Enoken's Chikiri Kinta Part 1 – Momma, the Hat: The Nice Way 1937

6.00

A comedic tale told in four parts, this film follows the antics of the pickpocket Kinta as he is pursued by a low ranking deputy named Kurakichi. The two get into all manner of peccadilloes and encounter a range of peculiar characters as their game of cat and mouse moves across the countryside in the last days of the Tokugawa Shogunate.

1937

A Woman's Sorrows

A Woman's Sorrows 1937

6.70

Young Hiroko’s (Takako Irie) conservative principles place her at odds with most modern women, as she has already submitted to her mother’s choice of man for any marriage prospect. Married into an affluent family that practically treats her as a housemaid, locked away like a “doll” by her estimation, Hiroko’s own submission to traditional thinking brings contradictions to light.

1937

Morning's Tree-Lined Street

Morning's Tree-Lined Street 1936

6.70

As suggested by the title, this film takes up the theme of the city, beginning with a series of traveling shots from Chiyo's point of view on a bus leaving the countryside and entering the metropolitan cityscape. After some fruitless job hunting in downtown Tokyo, Chiyo accepts a job as a bar hostess in Shiba ward. Well away from glamorous Asakusa and Ginza, this is a neighborhood bar where the women are dirt poor, each having only one kimono to their name....

1936

A Husband's Chastity: If Spring Comes & Fall Once Again

A Husband's Chastity: If Spring Comes & Fall Once Again 1937

1

Kayo and Kuniko graduated from girls' school together and are as close as sisters. Kuniko's fiancé, Minakami, feels something that attracts him deeply towards Kayo. On the other hand, Kayo prays for the happiness of her best friend and marries a very ordinary man. However, at one point, this mediocre but increasingly ferocious husband died in an accident ... A triangular love story develops depicting a woman's heart that sways between love and morals. Based on a novel by Nobuko Yoshiya, there were originally two parts to the film (If Spring Comes & Fall Once Again), both supposed to be 85 minutes, but apparently what we have now is this 103-minute amalgam of the two.

1937

Tipsy Life

Tipsy Life 1933

1

The film generally regarded as Japan’s first true musical was also the first film made entirely in-house by the pioneering studio P.C.L., a company founded specifically to take advantage of emergent sound technology. P.C.L. worked in collaboration with a brewer’s firm, Dai Nihon Biru, who met the production costs of the film in full, and whose products are featured in the film in an example of the sophisticated and modern merchandising typical of the studio’s early work. The film is partially set in a beer hall, and its story concerns a beer seller at a train station and her relationship with a music student trying to create a hit song. Director Sotoji Kimura was to become a company stalwart, making such films as Ino and Mon, while actress Sachiko Chiba would emerge the studio’s first real star, appearing in such films as Wife Be Like a Rose.

1933

The Girl in the Rumor

The Girl in the Rumor 1935

5.90

A story of two sisters, the older being more traditional, the younger a "moga" ("modern girl"). Their widowed father runs the family sake shop, but is running into financial trouble, causing him to tamper with his stock; Meanwhile, his long-time mistress yearns for something more serious. Amidst this, the older sister is introduced to a well-off suitor: A university boy, much more intrigued by the less traditional little sister. A doddering grandfather, an officious uncle and busybody neighbors also don't make the lives of the hardworking members of the family any easier.

1935

Enoken's Donguri Tonbei

Enoken's Donguri Tonbei 1936

1

Enoken plays a frog-oil-hawking conman whose claims to martial prowess land him in hot water with the local samurai gentry - but not before he falls in love with exactly the wrong girl. Another musical comedy period film quick on the heels of the earlier Kondo Isami.

1936

Enoken’s Ten Millions

Enoken’s Ten Millions 1936

1

Enoken plays a cloistered rich kid whose father hires a disreputable tutor to teach him how to really be a millionaire: by drunken debauchery, women, and song.

1936

Brother and Sister

Brother and Sister 1936

6.00

Ino tries to control Mon’s every move, but she becomes a fallen woman, having an affair with a student, Obata whereas her sister San remains a “good girl.” The mother is very supportive of her daughters, but, the father, Akaza, who is the stonecutter foreman on the damn, lacks control of his family.

1936