Fakultet Dramskih Umetnosti Beograd (FDU)

Omnibus film, consisting of three independent parts: in the first story, Koma, a failed rocker, wants to prove to his producer father that newly composed music could be better than his. He becomes a mysterious masked folk singer-known as Ninja. In the second, Dracula is killed... again. This time he does not dies oby way of a wooden stake, a silver bullet, or a cross. A blonde woman manages to deprive him of eternal life without the help of sunrise. The last story is about Eve and Djuro. She is creator, he is a musician. They live in a harmonious relationship, but a love letter brings division among them.

Vuk, a 30-year-old ex-convict haunted by his best friend's suicide, is trying to save his younger brother, Zizi.

In the heat of a summer day, Draginja discovers a dead body that resembles her. In the heat of a summer day, Draginja hires a fake husband to show off in front of her friends. In the cold of a winter night, Draginja roams the streets hoping to recover her lost memory. Through three different life possibilities, a middle-aged woman tries to get out of her skin.

Through the intimate stories of seven young directors, October is the generational attitude towards Serbia today, shown in different perspectives and through different genres - from black comedy to melodrama, poetic portrait to the socially engaged horror. Motif that binds all of the stories together is the tenth anniversary of the democratic revolution. Each film is taking place on that day, 5th of October in 2010, and each film is differently related to the anniversary and what that event means 10 years after. The film brings fresh visions of the seven young directors who were teenagers at the time of the overthrow of president Milosevic and his regime. On a personal and emotional way they show a complex picture of modern Serbia.

Ivan, a young copywriter is faced with the pressures and expectations of his work and surroundings. He tries his best to reconcile both aspects of life, but it is not easy at all.

Three generations - three different microcosms - are entangled in circle. They were all looking for love but ended up experiencing aggression and escape from reality.

Four boys, friends and cousins, in between adolescence and adulthood, make the most of their holidays. Followers of Renoir, with pure simplicity and casualness, emancipated from the ponderousness of a script, these four boys involve us in the nonchalance of their idleness, and in their free-flowing futility. In the course of some idle-talk, of a carefree swim in the river of time, or the vacuity of a summer evening, the memory of communist past resurfaces.

When a television network refuses to broadcast Rasko's television show, Rasko decides that it should be sold over the internet in order to expose the truth about the death of his brother, and face the consequences.

Willing to prove his manhood to his handsome buddies, Marko tries to find a girl. In the encounter with a victim of a past sexual trauma he discovers an aggressive part of himself.

Nikola is getting ready to parachute jump from an airplane. During the jump he falls into a state near death and lives through a series of dream-like sequences in which he recapitulates his life.

A young man with debts to loan sharks decides that he is tired of everyday life and tries to start his new life in nature.

Nevena arrives to her family home in the countryside, where she is welcomed by her mother and grandmother. The time spent there brings unexpected changes—Nevena faces her grandmother's aging, the relationship between mother and daughter is put to the test, and through the lens of her camera, Nevena tries to preserve tender moments and the last remaining memories.

During interrogation, the captured young man admits to setting all of the village's wheat supplies on fire. Fully aware that his punishment will be death, he proceeds to give reasons for his act, and those reasons will make everyone in the room question themselves.

A family is being evicted from their home illegally by the private investor. On the morning of the eviction a lot of tension rises among the family members as they try to figure out why this is happening and how to save their home.

A horror writer starts to model his stories off of real life and he's not prepared for what follows.

A three-part anthology film. 1) AMSTERDAM: Jovke and his two friends try to make some quick cash before going off to army. At the same time, he tries to establish communication both with his catatonic father and the girl he likes. 2) TIE REQUIRED: While drudging at the docks with two inseparable friends of his, Neša is waiting for a waiter's job at the bar where his mother works. After not being allowed to a birthday party, the trio decides to look for fun somewhere else. 3) ABSOLUTE PITCH: An unemployed paleonthologist spends his nights sewing dresses for his beloved one. When she sets off to countryside for work and doesn't call back, he becomes suspicious and decides to solve this sudden departure on his own. The movie was nominated for a Student Academy Award in 1991.

A short film about "modern slavery", i.e. human trafficking.

Bosnia & Herzegovina, 20 years after the war. Priest Mihailo and imam Hamdia meet each other during a bus drive along their deserted home region. Nobody wants to be the first to speak.

Jovana, a single, working-class mother, wants to spend her birthday with her daughter Sara, but her plans are ruined when Sara invites her father to come.

Two eccentric brothers collect scrap material whose objects have access to the traumatic memories of their owners. These same memories are then used for therapeutic purpose where the owners give away their objects, and then face their suppressed past in the landfill. During the work, one of the brothers starts to doubt the motives of the other, and slowly a big secret that they can no longer deny is revealed.