Les Films du Chantier

Clement, nine, curious about everything, wants to understand life. Camera in hand, he walks the streets of his small provincial town, following and studying "grown-ups".

The husband, the wife and the lover. The husband is tired of playing the eternal husband. The wife would like to live a last love story. The lover, seducer in the soul, only dreams of slippers. As a bonus, there is the brother-in-law, Santa Claus in a department store who carries jealousy in his sack. So everyone changes roles.

Sarah, the wife of a theater director, decides to leave her mutt of a husband because she is tired of his morbid fantasies. It is true that Baptiste has a rather unstable troupe that rehearses horror plays in a dance hall. Sarah comes out of the wings for life, but it turns out to be as incongruous and phantasmagorical as her husband's plays. This is why she returns to him. "The real grand guignol is life. The other is the farce."

Life goes on for Pierre Valois after his wife dies, but his grief, weariness and lack of ability to enjoy life again leads to things building up inside him until he snaps and fires a gun.