Fantomas

Fantomas 1964

6.80

Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance.

1964

A Pistol for Ringo

A Pistol for Ringo 1965

6.20

Giuliano Gemma stars as a cool, cocky mercenary enlisted by a sheriff to infiltrate a ruthless gang of outlaws. Ennio Morricone provided the score to this early spaghetti western hit.

1965

The Forbidden Photos of a Lady Above Suspicion

The Forbidden Photos of a Lady Above Suspicion 1970

6.40

The wife of a financially struggling businessman is blackmailed by a mysterious man into having a sadistic relationship with him, or he will release damning evidence that suggests that her husband is a murderer.

1970

OSS 117 Is Unleashed

OSS 117 Is Unleashed 1963

6.10

An American agent disappears after a scuba diving reconnaissance mission in Corsica. The Secret Service sends agent code name OSS 117 to investigate.

1963

Ivory Coast Adventure

Ivory Coast Adventure 1965

5.60

An Embassy attache and a butterfly hunter become involved in a treasure hunt between two rival gangs.

1965

The Ruthless Four

The Ruthless Four 1968

6.10

This superior Spaghetti western scrutinizes the greed and paranoia that afflict four men as they struggle among themselves to unearth a fortune in gold from a remote Southwestern mine without falling prey to each other's bullets.

1968

What Ever Happened to Baby Toto?

What Ever Happened to Baby Toto? 1964

6.60

A pair of brothers, Baby Toto and Pietro, sons of different mothers, live stealing suitcases at the Termini Station in Rome. After a theft, they discover that the stolen suitcase they got from an apparent sweet old lady actually contains a corpse.

1964

Long Days of Vengeance

Long Days of Vengeance 1967

5.80

After suffering three years of hard labor in a prison camp, former sheriff Ted Barnett escapes. Now he seeks revenge.

1967

Totò d'Arabia

Totò d'Arabia 1965

6.20

Toto, a former Italian military servant who works as a servant at the British Intelligence Service, is promoted to secret agent with the name of Agent 00Ø8 to convince the ruler of Shamara, Sheikh Ali El Buzur, to yield oil to UK.

1965

Tiko and the Shark

Tiko and the Shark 1962

7.50

Filmed in French Polynesia with a Hawaiian cast, the story revolves around the adventures and romances of a young Polynesian boy as he grows up. As a child he raises and trains a baby shark as a pet, which he shares with his island playmate Diana. After a decade the three are reunited, but the world has changed: Tiko and Diana have become adults; the shark has become a dangerous man-eater; and civilization has encroached on the tropical island.

1962

The Commandant

The Commandant 1963

6.50

The retired general Antonio Cavalli is a nuisance to his family: to his wife Francesca who still works, to his son and to his daughter-in-law. Then he finds a job in a building firm. Only by chance Cavalli finds out that his salary is paid by his wife to keep him busy. But the general is well known as a very reliable man, and Sandrelli, the firm's owner, uses him and his name to win a valuable contract. When Sandrelli is arrested, the general finds the money to honour his debt but he is robbed while he is going to the bank...

1963

The Woman from Beirut

The Woman from Beirut 1965

4.50

Isabel is a beautiful aspiring singer with great aspirations but persistent bad luck convicted of a crime she did not commit. Serving time in prison she is released under parole and lands a singing gig at a dive in Barcelona where she meets Sandro "The Greek" and his partner lover Gloria. The couple is posing as entertainment promoters but they are really running a prostitution ring based in Beirut. They offer Isabel a two-year contract to perform in "night clubs" in the Near and Mideast even after they learn that she cannot travel abroad due to her legal status. Upon arrival in Beirut, Isabel and the other girls are sped away to a luxurious villa where they discover the real intentions of the pseudo-promoters. They are expected to sing and dance but also to engage in sexual activities with the rich clients that patronize the place. Isabel pretends to go along with the situation but she has a plan to get away

1965