Corina is 20 years old and does not leave her house except to work in a publishing house located in the neighborhood where she lives. After making a serious mistake with the end of the company's most famous book saga, Corina must overcome her fears with the help of Carlos and embark on a journey in search of a mysterious writer to save her job and that of her colleagues.
A horror story that intertwines four tales on a fishing island in Lake Pátzcuaro, Michoacán, where an evil lake spirit haunts the inhabitants, casting a dark shadow over their lives.
The life of Rayenari changes when the poet Antonin Artaud arrives to his village seeking the spiritual knowledge of the Tarahumara. Rayenari introduces him to the Peyote ceremony. However, the poet abandons the ritual and loses his soul. Sometime later, Rayenari discovers through dreams that Artaud has been committed to a mental hospital. It will be through this connection that Rayenari will help his friend to recover what he lost.
In mid-90s Mexico City, five young siblings are left in the care of their grandmother after their parents suddenly disappear. As they fight to survive, the line between reality and something darker starts to blur. The grandmother, haunted by eerie visions and deepening fears, becomes more distant, while the children’s grip on reality begins to unravel. After a clash with their neighbors, the siblings withdraw even further into isolation, cutting themselves off from the outside world.
Luz de Luna became a truck driver to escape a violent marriage. On the road, she faces labor exploitation and various forms of violence that often make her question her path. Alongside her, other truck drivers seek comfort and strength at rest stops and makeshift diners along the Mexican highways, all striving to keep moving forward.
Socorro is a lawyer obsessed with finding the soldier who killed her brother during the 1968 student massacre in Mexico. Fifty years later, she receives the clue that leads her to set up an absurd plan of revenge, putting her heritage, her family, and even her life at risk.
Evy and Quiti share with us the remnants of their relationship as they navigate their lives in solitude. They are the last two inhabitants of a ghost town in the Sonora Mountains, in northern Mexico.
Do we belong to a place, or does a place belong to us? Like a skein that unravels, this question unfolds the essayistic thread of the film, going through a series of relationships, from the link between Tzotzil women and nature to a reflection on one's work as a documentary filmmaker.
During the summer, thirteen-year-old Sofia moves to the country house, where her cousin Cristina is waiting for her to spend the vacations. During these days of games and discoveries, the two will be immersed in a love triangle with a man almost twenty years older. Its outcome will mark the passage from puberty to adolescence for both of them.
David dreams of being a pianist like his father, José Luis, who believes it impossible due to his son's physical characteristics: short arms, hands with four fingers and limited hearing. Thanks to his tenacity, David shows him that he can play in his own way and together they begin a musical path that culminates with a new challenge for David: premiering the difficult concerto for piano and orchestra that his father composed for him.
In the almost deserted town of La Raya, a mysterious refrigerator appears out of nowhere. Sotera Santos and her friend Eric see an opportunity to make a fortune by selling it. However, the fridge soon starts unveiling strange and enigmatic phenomena to those who approach it. As Sotera grapples with these unsettling occurrences, she must also face the painful reality that her mother might not return to take her to the United States, and that perhaps her departure from La Raya is not yet meant to be.
Dr. Federico attends the people with whom he shared his life, now septuagenarians with degenerative diseases, he tries to convince them to end their lives with dignity, like hundreds of patients he has helped to die. Not all of them understand him, nor share his postulates, but now they will have to accompany one of them in his last days.
Dalia (42), discovers that her husband has vanished without a trace. As her life and her job as a subway driver begin to collapse; the violent indifference of her environment engulfs her in a dark tunnel that seems to lead nowhere.
A cosmic animator is hired by the Central Committee of the People's Republic to realize a philosophical film under the gaze of Chairman Mao, who is displeased and sentences them to death right at the start.
What does what we teach children inside and outside the classroom reveal about the world? How can we effectively and meaningfully communicate to them what is happening around them? The news that Teacher Celeste will leave her class has filled the children with sadness, as she has only a few days left before moving to another school. Together, they experience a September full of movements, directions, and revelations, in the beloved universe of a classroom in a Mexican village.
Under the imposing snow-capped mountains of Utah, a Mexican family lives with the uncertainty of a loved one's disappearance.
Daughters resemble their mothers. That is their curse.
In this deeply moving dialogue between mother and son, Mexican Tzotzil director Xun Sero confronts his past with honesty, understanding and forgiveness. Growing up without a father, he blamed his mother for the paternal absence in his life; this, for him, became his first act of violence against the feminine and his own mother. Societal pressure and shame prevented his mother from speaking about the realities of violence in her childhood and within her partnership with the director's father. Guided by the desire to understand who his mother is, Sero has created an extraordinarily sensitive first film where both mother and son open a dialogue in an attempt at self-discovery. Bravely, together, they open the door to a room of darkness and unknowns and begin to walk down a path of healing.
Letters from a distance documents a communication exercise thought out by healthcare workers from a public hospital in Mexico City to help with the distance between COVID-19 patients and their family members through letters, that eventually turn into video messages or photographs during the peak of the pandemic giving people hope and certainty. It is also a voyage through the lives of mexican families who faced the most painful pandemic, due to their social, economic and political contexts while being moved by hope and love.
Gema’s suicide attempt brings her three children together after many years, on the eve of an unusually cold Christmas in Guadalajara. Cristina, stubborn and deeply Catholic, sees herself as their mother’s caretaker; Sony, a psychic on the local Latino TV channel, fled as far as she could over twenty years ago and never came back; and Brunito, the much younger one, a frustrated biologist and forty-something gay man still dreaming of finding the love of his life. A cold front moves in and traps them inside the house, threatening to bring back the family’s most painful memory—and place it right on the table.
