Tahun 1897

A woman arrives home after the ball. Her servant helps her undress and bathe.

A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.

Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues.

A man has an encounter with several spooky apparitions in a castle that is evidently owned by the Devil.

Angelic and demonic serpentine dance from dawn of cinema. Hand-colored frame by frame. Lumière no. 765 or 765.1 (colorized, different dancer?).

The Flicker Alley DVD "Georges Méliès: Encore New Discoveries (1896-1911)" misidentified a partial hand-colored print of the 1906 film "Alchimiste Parafaragaramus ou La cornue infernale" (The Mysterious Retort) as this film, "L'hallucination de l'alchimiste" (An Hallucinated Alchemist) from 1897, which continues to be considered a lost film.

A weary traveler stops at an inn along the way to get a good night's sleep, but his rest is interrupted by odd happenings when he gets to his room--beds vanishing and re-appearing, candles exploding, pants flying through the air and his shoes walking away by themselves.

A rocky sea voyage as reenacted by Georges Méliès.

[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.

Travellers, nomads and salesmen make their way along a dam next to the Nile.

A maid is out walking with her young charge when a soldier takes the boy's place.

Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem.

From F.Z. Maguire catalogue: The background of this picture is the Lick Observatory, Mount Hamilton, Cal. This observatory, the gift of James Lick, of Pennsylvania, was constructed at a cost of $700,000, being equipped with one of the most powerful telescopes that has ever been produced, and is famous the world over. The view of the Observatory is very complete, showing the style of architecture, including the glass covered dome in which are placed the various astronomical instruments. Every Saturday night throughout the year is set apart for visitors to inspect the Observatory and look through the great glass. This view shows a coach load driving up and alighting.

Three military men, seen inside a fortification, are firing on an unseen enemy force. The call for reinforcements but ladders appear signalling the enemy is about to overrun this position.

An officer calls his sailors to the deck. They assemble around the canon while the officer scans the horizon. They all turn in the direction of the camera to look in the distance. At the same time the ship is hit! This scene is a filmed reconstruction of the 1897 Greek-Turkish war.

This film shot by Oskar Messter shows a visit by Wilhelm II the AG Vulcan in Szczecin, one of the then leading shipyards in Germany. On display are the Emperor and some military and civil dignitaries, who walk on the landing stage of the factory site on the occasion of the launch of the transatlantic speed steamer "Kaiser Wilhelm the Great" a group of spectators. In his memoirs Messter has described the motion picture as "the first good close-up of the Emperor."

Women wash clothes in a washhouse on the edge of a river.

“This film is remarkable in several respects. In the first place, it is full life-size. Secondly, it is the only accurate recent portrait of the great inventor. The scene is an actual one, showing Mr. Edison in working dress engaged in an interesting chemical experiment in his great Laboratory. There is sufficient movement to lead the spectator through the several processes of mixing, pouring, testing, etc. as if he were side by side with the principal. The lights and shadows are vivid, and the apparatus and other accessories complete a startling picture that will appeal to every beholder.” (Edison Catalog)

The view represents a street in Paris along which pumps descend drawn by horses; the crowd follows en masse.

A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the third version.