Popular Dari Kyrgyzstan

Anticipation of Love has settled in the heart of a young lady. The boundaries between dream and passion are very elusive. Life is full of physical deprivations and, of course, sensual pleasures, and the deep meaning of that all is Love. The deeper the feeling, the more intense the emotions. Each girl dreams about meeting her love one day. An experienced man helps her discover the world of passion and senses, and brings her to ‘heaven’s gate’ where the two of them will prevail. One can only imagine how many hearts were broken along the way to master the science of love. But passion blinds and soon the man becomes slave to the young woman’s sensual body. The carnal knowledge makes the girl try to subdue her love object. This is what the last film by Kim Ki-duk, shot in summer 2019 in Kyrgyzstan, is all about. The film was finished by Kim’s friends and colleagues after he unexpectedly passed away in December 2020.

In the vast plains of Kyrgyzstan, men have been cultivating a group sport with a long tradition. The aim of the game buzkashi is to steal the trophy of a dead goat from the rival team of riders, all while staying on horseback. Into this tough masculine world enters Atirkül, a woman with an enterprising spirit and a sense of humour. The film follows the everyday life of the headstrong horse lover Atirkül, whose ambition is to build her own buzkashi team of local young men to preserve the heritage of her native region. The ethnographic perspective alternates with a purely personal one, gradually revealing the possibilities of overcoming gender roles

Asema, a Kyrgyz city girl visiting her boyfriends family in the countryside, is mistaken for a villager and accidentally kidnapped by Sagyn, a young shepard who was too shy to ask the young girl for marriage.

At a time when most females in Asia possess little or no power over their lives, headstrong Kurmanjan Datka defies her family's authority -- and ultimately becomes the ruler of her native Kyrgyzstan region.

At the Kyrgyzstan-Kazakhstan border, Aza and Samat work as members of a drug trafficking organization. One day, they run into Nazik, who has narrowly escaped from human traffickers.

In the village, in a small house by the river, an old man lives with his granddaughter. They live a simple life in harmony with the extensive nature. One day, the man’s daughter, living in the city and doing everything in order to survive in an hostile social environment, comes home and asks him to sell a house and move to live with her in the city.

Esen, a young man who has been expelled from his village, escapes with the daughter of one of the most powerful men in the village. Whilst being pursued, he is forced to fight for her hand in a battle that results in the destruction of a sacred totem tree. This puts the whole village in jeopardy, and it is up to Esen to redeem himself and save them all.

Young Altyn eagerly leaves pastoral life behind for the modern comforts of the capital, but soon finds a corrupted society clashing with the values of her ancestors when confronted with an unexpected pregnancy. Mine development, melting glaciers and the loss of tradition are prominent symptoms of the current transformation of Kyrgyzstan, a country not often represented on the big screen.

In a remote Kyrgyz village, 35-year-old Adil, who has the mind of an 8-year-old, lives with his elderly mother, Rayhan. She has always told him he is specially loved by God and destined for Paradise. But Adil refuses to go without her. Upon hearing from his young friend that a pilgrimage to Mecca on foot could secure his mother a place in Paradise too, Adil decides to embark on this journey. Paradise at Mothers' Feet explores a mother's love, human kindness across cultures, and the shared spirit that transcends hardship.

A young Kyrgyz woman is kidnapped and forced to marry. A drama about the desire for freedom in the clutches of a tradition.

After a serious conflict with the editor of a local newspaper, journalist Temir Ataev began working as a teacher at a boarding school for children of shepherds. The first difficulties did not frighten Temir. Captivated by his new work, Ataev was able to win over the children, who were mostly from disadvantaged families, and restore order in the teaching staff.

Centaur lives a modest life with his family in rural Kyrgyzstan until he abruptly becomes the center of attention when he is caught stealing a racehorse at night. A story inspired by the myth when horses became the wings of men.

The Chimp is the nickname of a teenage boy (with large ears) who lives in the small town of Balyktchy, Kirghizstan, a former part of the USSR in central Asia. His family is being torn apart by his dad's alcoholism, his emotions are being torn as he sees his friends pair off into couples, and his job working on the railtracks is uninspiring.

The Kyrgyz government is offering humanitarian aid to ethnic Kyrgyz roaming the Wakhan Corridor in northeastern Afghanistan. Many inhabitants of this region leave their highland homes in search of a new life. Among those who get the opportunity to move to Kyrgyzstan with their family is Nurulkhak. Despite government support, education and housing, adapting to a new way of life is not easy. The difference in life experiences creates an abyss between locals and newcomers. Nurulkhak realizes that the urban way of life cannot give him the freedom that once accompanied him in nature.

A boy raises a wolf cub, but when released into the wild, it returns to attack him.

The hardships of modern life for one of the families, unhappy in its own way and at the same time recognizable to others. A husband and wife are fighting and drinking, their eldest son lives on his parents-in-law's money, the middle daughter is a prostitute, and only the youngest daughter, confined to a wheelchair, mute, is watching it.

Each September, Bolot Tagaev and his family practice a centuries old tradition, harvesting walnuts in one of the oldest walnut forests in Kyrgyzstan. Over the course of a single season, director Zaheed Mawani gracefully captures delicate sequences such as a child interacting with a snake, or sacks of walnuts being laid gently across an attic bed. Stories attached to the forest are told and retold over the fire at night, adding a mythic dimension.

In a remote Kyrgyz village, Beshkempir, an infant foundling, is taken in by five older women and later adopted by a couple unable to bear children of their own. Fast forward to his early teenage years, a pubescent Beshkempir is faced with all the problems of crushing on girls and courtship, reconciling with friends and dealing with death in the family. Above all he questions his place in the world as an adoptee.

The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the binding bridge between the geopolitical problems of post-soviet space and the common people. The economic devastation of the country had an enormous impact on the industrial workers and yet despite the upheaval, these people did not seize to love and suffer, to have and be friends and to enjoy their lives. In particular our resilient electrician, who possesses a wonderful and open heart. He not only brings electric light (which is often out) to the lives of the inhabitants of this small city, but he also spreads the light of love, loyalty, life and mainly laughter.

Twelve-year-old Jekshen, an exceptional runner, lives in a beautiful mountain village in Kyrgyzstan. His parents are divorced, and life with his alcoholic father is difficult. Lonely Jekshen only has his girlfriend from school and his father’s friends for support. They encourage him to take part in a big race—a race that could change his life for the better.