Memorias del general Escobar

Memorias del general Escobar 1984

1

After the end of the Spanish Civil War, General Antonio Escobar Huerta stoically awaits his execution, accused of military treason and sentenced to death for having sworn allegiance to the Republic. Despite being a man of deep religious convictions, Antonio Escobar decided to make an oath honoring the legally constituted government of the Second Spanish Republic against the military uprising led by Francisco Franco and supported by the Catholic Church. While waiting for his execution in prison, he recalls the beginning of the Civil War, the years of battles during which he ascended to the rank of General, and his own decisions, of which he has no regrets. With a clear conscience, Escobar waits his own execution with the calm of those who know they have done their duty. "If my life and that of all who have fallen serves to avoid this from happening again, our blood will not have been in vain" - Antonio Escobar Huerta.

1984

The Victor of Olot

The Victor of Olot 1981

4.80

In a small Catalan village take advantage of the visit of an ecclesiastical authority of Rome, during vacations, to organize a conference on the topic of religion and sex. This causes the people to divide into two camps, those who favor and those against the "Congress", until finally after a series of negotiations between both sides, we arrive at consensus. A large mosaic of characters carry the story to end happily, through critical situations with the conservative church.

1981

Tattoo, The First Adventure Of Pepe Carvalho

Tattoo, The First Adventure Of Pepe Carvalho 1978

5.30

A man's body turns up on a Barcelona beach with a message tattooed on his arm: "I was born to revolutionize hell". Detective Pepe Carvalho is put in charge of the case, taking him from the back streets of Barcelona to the Amsterdam canals, with no effect whatsoever on his peculiar investigation methods.

1978

Que nos quiten lo bailao

Que nos quiten lo bailao 1983

5.00

A story of loves, abductions, sultans, eunuchs, dancers, pumpkins, children's cars, parades, barbarians, virgins ... All these elements are the pretext of a cinematographic spectacle, the motive of an authentic Mediterranean party, between the historical parody and the musical magazine.

1983