I'm a Guy but I'm the Best Girl

I'm a Guy but I'm the Best Girl 1995

1

The first documentary about the little-known world of transvestites in Montevideo. We are shown the most complicated facets of these people, their consciousness of themselves, and their perceptions of the world and of life. We learn about their everyday (and every night) experiences, and how they cope with the bigotry and old fashioned attitudes that are all around.

1995

Pepita the Holster

Pepita the Holster 1993

5.30

A mother struggles to raise her daughter all by herself, and due to the economic difficulties decides to rob multiple finance houses, fooling her victims with the handle of her umbrella that she make them think is a real revolver.

1993

The Uncertain Hope

The Uncertain Hope 1992

1

This documentary was shot in four countries in the Southern Cone of South America over a two-week period. It examines the democracies that re-emerged after military rule and we hear the testimony of presidents Carlos Menem, Fernando Henrique Cardoso, Patricio Alwyn and Luis Alberto Lacalle, and the reflections of many other key figures of that time. There is also an early discussion of the regional integration process that these countries were planning to promote, so we are shown a representative mosaic of each country, which makes this material truly unique.

1992

On the Edge

On the Edge 1987

1

After the end of the dictatorship, Uruguay was faced with the unresolved problem of what to do with the past. In this documentary the CEMA camera team roam the city streets and find out what Montevideans think about bringing armed forces personnel to justice. This tour reveals a climate of scepticism, a climate of fear and suspicion, but also a will and a desire that justice must be done.

1987

Jaime Roos at 10

Jaime Roos at 10 1994

1

At ten o'clock on the night of 20 November 1993, in the Barrio Sur neighbourhood of Montevideo, Jaime Roos began the first of 42 concerts on a tour that lasted three months and included performances in all 19 departments of the country. In total some 300,000 saw him play. This documentary captures the essence of that unique tour and it is a crucial contribution to our understanding of Jaime Roos and his position in Uruguayan music towards the end of the 20th century.

1994

Uruguay, the Unrendered Accounts

Uruguay, the Unrendered Accounts 1989

1

The Uruguay of restored democracy alter years of military dictatorship remains divided about what to do with de military accused of violations of human rights during their government. This documentary records that division and the opinion of different people previous to the referendum on April 16, wich finally granted amnesty for the military.

1989