If I Should Die Before I Wake 1952
While playing a prank, a young boy accidentally discovers the identity of a criminal lurking in the neighborhood.
While playing a prank, a young boy accidentally discovers the identity of a criminal lurking in the neighborhood.
A bandit is accused of killing a young man who was actually killed by his girlfriend's stepfather who was in love with her.
A man tries to avenge the death of his sister, a gambling addict. Another man, an ex-convict who whistles when he commits a crime, is reunited with his blind mother.
A singer is trapped in France by the unforeseen outbreak of World War II and a man who serves the German occupiers demands, in exchange for safe conduct for herself and her daughter, to act as a spy and informer for members of the Resistance.
A group of young people from the Colegio Nacional Buenos Aires recount their wanderings and their days in high school at the time of the National Organization in Buenos Aires.
Juan Carlos Thorry is a police inspector who must solve the mystery of the death of the warden of a boarding school for young women, for which he goes undercover as a music teacher. The main suspect is the mischievous schoolgirl María Duval. A series of entanglements leads the protagonists to becoming romantically involved and to finding the culprit.
In the Buenos Aires of 1900, a man seeks to avenge the death of his brother, killed at the exit of a fight.
Three porteños to the conquest of Paris and the nostalgia to return.
The story of Julia, a beautiful woman of licentious life who one day reconsiders and decides to use her fortune for the good of her neighbor and of the needy.
An older single woman pretends to be a widow to get a husband but his spouse returns to her life complicating her situation.
The film tells the story of the payador José Betinotti, a mythical character in Argentine music. It faithfully reconstructs the scenarios of the early twentieth century: the workers' struggles, the party meetings of the caudillos and the circus criollo, the cradle of Argentine theater and music.
Paris, 1857. While on trial for moral outrage, French writer G. Flaubert tells the court and the audience the true story of the heroine of his novel Madame Bovary, a sensitive but capricious woman whose desperate efforts to overcome the bourgeois conventions of a dull, provincial life led her family first to ruin and disrepute and finally to the abyss of tragedy.
The lives, loves and vicissitudes of a group of circus performers in the Argentine Pampas around the turn of the century are played out in this drama with songs.
Leandro and Carancha inhabit the islands located in the Parana delta. When their son brings home a girlfriend, her presence makes Carancha jealous and dramatic consequences ensue.
In a fishing village a young woman carries the guilt of her married sister, passing through the mother of her son.
The film is based on an old Argentine legend about an Aztec girl who is raped and murdered by vandals and dumped in a river. A flower blossoms at the place in which she was killed and misfortune falls upon the culprits.
A vaudeville singer secretly marries a wealthy landowner, who soon returns to his ranch, fearing the rejection of his snobbish family. To teach him a lesson, she shows up at his estancia pretending to be a maid.
A young woman falls asleep at the gates of an old farm; in her dream she is transported to another century where she suffers for love.
It is about the love affair between an aristocratic lady and a lackey.
The young widow of the viceroy of Peru, facing the dismal prospect of either a convent or a marriage of convenience, sets out to conquer a handsome officer, pretending she’s a duende, a ghost.