River of Fear 2022
A local guide is asked to lead a group of influencers along the river of a remote valley. As they get deeper into the wilderness, their venture takes a frightening turn.
A local guide is asked to lead a group of influencers along the river of a remote valley. As they get deeper into the wilderness, their venture takes a frightening turn.
A laid-back journey in search of one of the world’s most fascinating families, observed and examined from within its most intimate relationships, where the truth and depth of a memoir meet the ironic tone of an indie comedy.
In the Cold War years of the 1970s, an American patrol boat meets a Soviet ship off the east coast of the United States for talks about fishing rights in the Atlantic. In the midst of this, while Russian commanders are aboard the U.S. Coast Guard vessel where the talks are being held, a Lithuanian sailor jumps across the ten feet of icy water separating the boats. Crash-landing on the deck of the American ship, he desperately begs for asylum. Though they try, the Americans ultimately fail to provide protection and the Soviets are allowed to capture him and brutally return him to their vessel. Thus begins a stranger-than-fiction story of imprisonment, discovery, fame, and freedom. Through rare archival footage and a dramatic first-person re-enactment of that fateful day by Simas Kudirka, the would-be defector himself, this tale of one of the biggest Cold War muddles takes us on a journey of uncanny twists of fate, and the emotional sacrifices of becoming a universal symbol of freedom.
Instead of Einars Pelšs' eighth poetry book, he publishes his collected works, but the buyer of the book receives an ordinary brick. He translates the authors of the Russian Golden Age and publishes them under his own name, challenging the boundaries of literature. Is a poet who makes fun of art unique or exactly what we expect from contemporary authors? Einarrative is an extraordinary story that portrays the narrative of the life of Einārs Pelšs. In the film, this narrative is an experience of contrasting changes both in its visual style and in Einars’ poetic works and personality, allowing him to get involved in the depiction of the narrative himself, making the film as Einārs Pelšs' audiovisual collected works.
Under the loving but firm guidance of an old fan turned director and cultural diplomat, and to the surprise of a whole world, the ex-Yugoslavian cult band Laibach becomes the first rock group ever to perform in the fortress state of North Korea.
Apatity, a far-north industrial town in Russia, first came into being as a USSR concentration camp. Although its environment is at the brink of ecological disaster, the people here still believe in the state’s promise of immortality that can be gained through sacrificial service to the fatherland. This is how the elite in a totalitarian state buy a person’s will, strength, talent and, indeed, life, turning the human being into another resource that is as faceless as a grey lump of ore. ‘I cannot fight big corporations or state structures with a film. But I hope that there is someone in the darkness of the cinema whose heart will get a bit warmer after seeing it,’ says the director. The larger part of the film was shot during the polar night.
They're called water carriers, domestics, 'gregarios', 'Sancho Panzas' of professional cycling. Always at the back of the group, with no right for a personal victory. These wonderful losers are the true warriors of professional cycling.
The film tells a story about the latest musical revolution in recent history – the early days of the rave scene and the golden age of techno culture. International political changes in the mid-80s and early 90s, including the fall of the Berlin Wall and the collapse of the Soviet Union, in a short period of time allowed this cultural phenomenon to become a mass movement which was almost completely independent from the global corporations and which did not fight with the system but created its own system.
Driving in their yellow Lada flying its own little Ukrainian flag, they travel from incident to incident – calming an angry neighbor, investigating the discovery of a body, struggling to unfold a stroller and attempting to re-integrate Vova, the freeloader who eats other people’s dogs but actually longs for a normal existence – just like everyone else here. The seasons pass until political developments reach the village by way of the TV screen, sowing separatist discord.
“TESA MAN” is a music film – a poetic exploration of the relationship between collective creativity and the natural world. The film blurs the lines between reality and imagination, inviting viewers into an animistic experience where music performed by the band Tesa in a frozen Baltic landscape attempts to transform air, steam, ash and clay into something much more alive.
In a very ordinary building, in a very ordinary apartment there lives a supermom who can do anything and fears nothing – except thunder and lightning. But a little superhero comes to rescue, and all the fear disappears. A tribute to mothers who can do anything. And how lovely that your supermom will have her own song now!
An artist, a zoologist, a nature scholar, and a sheep farmer working in the IT sector, who also happens to be an astronomy enthusiast, all view the demise of biological bodies differently. Forest carrion, larvae under tombstones, sheep in the barn, layers of feathers and bones, and shimmering green flies on decaying flesh – amidst all this is a human trying to understand their place in cosmology. In this grand tapestry of transformation, what is the human species: part of a cycle or more akin to superhuman?
A cinematic journey into one of the greatest European noble families, the Radziwiłłs. Even the King would stand up when Radziwiłł the Black entered the room. Members of the Radziwiłł family weren’t afraid to defend the Reformers when the fires of the Inquisition burned across Europe. It was a Radziwiłł who went on one of the most challenging pilgrimages from Vilnius to Jerusalem and then published an account, becoming the pioneer of travel literature. A mix of documentary and fiction, past and present, and history and its re-enactment, brings to life the essence of a once-popular saying: “I don’t want to be a king. I want to be a Radziwiłł.”
Captured by Borders is a film about travelling the world in old and transformed fire trucks. They have been in more than 100 countries, on five continents, driven for more than 100 000 kilometres. As a result, we were confident that no one could stop us. Until the fire trucks were blocked on the border between China and Vietnam. By one of the most difficult border crossings in the world. After almost eight years, a rescue expedition leaves Latvia to bring the fire trucks home. How will they fare? That’s what this adventure documentary is about.
Dinārs is a Latvian schlager singer popular with the ladies and known for his big cat mane. The eponymous film follows his path over a turbulent season of work.
Latvian artist Gustavs Klucis embraced the technological revolution of the early 20th century and applied it to his art, becoming a classic of Russian constructivism. He created photo-montage and Lenin’s public image, and became the most important Soviet artist. Killed by Stalin’s regime, his artistic career poses many unanswered questions. This documentary reveals many secrets and intimate moments of his dramatic personality – the unequal duel between the Artist and the Power.
At the beginning of the 1960s, when the French pioneers of cinéma vérité set out to achieve a new realism, and when direct cinema in Québec began to vie for notice, the Baltics wit-nessed the birth of a generation of documentarists who favored a more romantic view of the world around them. This meditative documentary essay – from a Latvian writer and Lithuanian director whose composed touch has long dovetailed with the stylistically diverse works of the Baltic New Wave – pushes adroitly past the limits of the common his-toriographic investigation to create a portrait of less-clearly remembered filmmakers. The result is a consummate poetic treatment of the ontology of documentary creation. Also a cinematic poem about cinema poets.
Inta is a brusque, crusty woman who lives alone on the edge of a picturesque marsh. One day her solitude is intruded upon by the arrival of a documentary filmmaker. In his eyes Inta is an outstanding would-be film protagonist but the wild woman would rather put a curse on the importunate intruder than let herself be filmed. But the filmmaker's persistence finally succeeds in melting the ice of Inta's heart... just in order to break it soon afterwards.
Ramin, an ex-wrestler who once won seven matches in 55 seconds, lives alone in the east Georgian town of Kvareli. Long ago he fell in love with a girl with whom he was estranged soon after he met her. Now, at 75, still unmarried but full of life, he travels to a remote village to seek her out. This film presents Ramin's journey through the Georgian landscape and through the memories of this man with a old aged body and an unbeatable heart.