A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.
Ikhariev is a professional gambler who made his fortune by cheating. Having just won eighty thousand roubles, he comes to try his luck again at a new inn. He is accosted by three men, also cheaters, who offer to join forces with him to ruin their new prey: young Glov, heir to a rich landed estate.
Dr. Cordelier, living in a suburb of Paris, withdraws from society to pursue research into the functioning of the human brain. His lifelong friend, Maître Joly, becomes concerned when Cordelier draws up a will that bequeaths his entire estate to a stranger, Monsieur Opale; he cannot understand why Cordelier defends him, considering Opale attacks women and children. After a colleague is killed, Joly confronts Cordelier and discovers the truth behind his friend's behavior.
A haunting short version of Edgar Allan Poe's famous story about a cruel and unusual punishment inflicted on a victim of the Spanish Inquisition...
Berthon, racing driver, is committed to the 24 Hours of Le Mans while Genevieve, his wife, has been trying for years to convince him to retire. Desperate, she became the mistress of his brother, always jealous of his elder.
Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.
A French telefilm broadcast on 30th September 1962, this is a detective fiction, set in London, 1927. The plot is set in a single space... a police interrogation room for suspects. It has only three characters; the suspect, who is an architect, and an idealist influenced by radical ideas. The other two characters are policemen, who try to coax from him the motive behind the death (murder?) of his three year old child. Even in a remastered DVD, the beta production values of a television production will be evident. But at barely a few minutes over an hour, it packs a brisk, at times rushed, but an interesting narrative. Makes one wonder, what other gems must the TV vaults in France (and UK, and Germany, and Italy) conceal?
Discovery of the land of Iceland, an island shaken by the manifestations of its volcanic activity (geysers, storms), characterized by a rich maritime activity and millennial traditions.
Short movie starring Marcel Marceau.
Emperor Claudius had a son, Britannicus, before marrying Agrippina and adopting her son Nero, born of a previous marriage. Nero succeeded Claudius and ruled the Empire. Despite his reign, Nero decides to free himself from his mother's yoke and take revenge on Britannicus, the brother who has everything and whom he envies.
A heart stops beating and two others no longer dare to face each other. While an old lady is found poisoned, the two main suspects in the investigation see their mutual love decline behind vile suspicions. 35 years before Les Cordier, judge and cop, Pierre Mondy is already trying his hand at the role of inspector.
Roberto Rossellini shot the film Psycodrame in 1956 for the Center d'études de radiotélévision. The staging of three "psychodramas" - organized by Professor Jacob Levi Moreno with Anne Ancelin Schutzemberger - gives Rossellini the opportunity to reflect on what can become a particularly congenial acting technique, and, in general, on the potential of didactic tv. Director of photography a very young Claude Lelouche. Digital restoration by the Archivio Nazionale Cinema Impresa - CSC and Institut National of l'Audiovisuel in collaboration with Museo Moreno.
In 1962, in the small town of Marvejols, young technicians from the RTF are trained to what can and should be direct cinema. “Liberate the camera, be able to throw it into the human space, into life.”
The film is an apology of movement, made here by a short editing pushed to the extreme.
