Kostis is a 40-year-old doctor that finds himself in the small island of Antiparos, in order to take over the local clinic. His whole life and routine will turn upside down when he meets an international group of young and beautiful tourists and he falls in love with Anna, a 19-year-old goddess.
A nurse, a paramedic, a gymnast and her coach offer a service for hire wherein they stand in for dead people by appointment, hired by relatives, friends or colleagues of the deceased, to assist with the grieving process.
Stelios Dimitrakopoulos has 32 hours left before he loses everything. From the jazz bar he painstakingly keeps running for years, to his own family. The Romanian gangster who lent him money, now demands the debt to be paid. The middle-man and former friend, makes Stelios take care of illegal errands. His wife is seriously thinking of abandoning him, and a night club owner, not thinking about the consequences, finally starts to stand up for himself. Christmas is coming, the clock is ticking, and the tree in Stelios' house must be decorated.
A post-modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the lights on stage go out. A group of young people, dressed in black and carrying guns, come up on stage. They apologize for the interruption and invite people from the audience to participate on stage. The play resumes with a main difference; life imitates art and not the opposite.
An aged , above any suspicion, bourgeois by the nickname 'The Master', lives isolated in a luxurious beachfront villa with his teenage daughter. In reality, however, he is an illicit trade in antiquities, a loan shark and a black market trader of antiquities. The 'Master' has two henchmen to do his 'dirty work', Mercury and John, both of committing a fatal mistake: while Mercury falls for the daughter of 'Master', John is obsessed with a prostitute. Both of them , as 'sentimentalists', must be whacked.
26th of September 1999. Alekos is dead. His teenage granddaughter, Margarita, refuses to attend his funeral and takes advantage of her parents’ absence to throw a small party at home. Three days earlier, unaware that this would be his last night, Alekos attends a reunion of old friends to celebrate the birthday of Lula, his first love, who now suffers from dementia.
In 1984, photophobic Zano arrives in Athens and quickly gets devoured by the dark underbelly of the capital city.
Summer in Athens. Nikos is a musician with no future who takes care of a villa while the wealthy owner is out. With nothing to do, Nikos decides to invite his ex-girlfriend Sofia over and force her to tell him why they broke up a year earlier.
Two siblings live in the industrial town of Elefsina. A bridge connects their neighborhood, inhabited mostly by Black-Sea Greeks, to an area inhabited by immigrants varied background. Social divisions give rise to hostility, reflected in the local sports scene and two siblings’ relationship.
Best friends from college, Elli, Natasha, and Joe are spending their last weekend together on a getaway at Elli’s summerhouse. Natasha and Jo are leaving to study abroad, something that makes Elli emotional, since she feels that she is being left behind.
A Documentary about Nikos Nikolaidis' work. Nikos Nikolaidis was an acclaimed film director and author from Greece. He is famous for creating controversial characters in his films that have a rebellious attitude towards the social and political status quo. He illustrates a dark and pessimistic present and future, but also providing ambiguous hope for the end when his heroes find their escape in death. His films are shocking and contentious, raising questions during times when political visions start to fade away. His filming was poetic, dynamic and aesthetically beautiful in order to present situations on edge and elicit his audience's feelings. The aim of this project is to transfer his dynamics in a documentary that will convey some of his messages and create a platform for exchanging opinions among filmmakers from all over the world, in an effort to decipher his universe and his symbols as reflections of his unique and rare personality.
Born on 1988 in Athens Zoo and abandoned by his mother, silver-back gorilla Ivo has never been able to mate. Now he needs to be transferred to another zoo. KING KONG is a story about a 50 years old man, working in the Zoo while taking care of his bedridden mother. Unable to form any type of relationship and express his sexuality, he will go down the path of violence and despair.
Two best friends in their senior year are turning eighteen. The girls intend to lose their virginity on the night of their birthday. Everything goes awry in this adventure, an Odyssey which, nevertheless, becomes a journey of self-discovery, friendship and adulthood.
Nick and Nora invite Angelos, an escort, for the night. Once upon a time, Nick and Nora fell in love at first sight; like all couples that fall in love at first sight, now they're almost happy.
An unlikely rapport develops between a damaged woman recovering in a hospital and a lonely little boy.
An unfinished love story between glimpses on wheels.
Jasim and Alsaleh are underage refugees in a Greek prison. Coming from Syria and Iraq, they were arrested and accused of smuggling illegal immigrants. With unique access in the juvenile prison and court room, the film follows the two friends closely while in custody, during the trial and after the verdict, through a narrative of suspense which reveals how youngsters are forced to transport migrants across the border to Greece while the smugglers stay behind and continue their job uninterrupted. If Jasim and Alsaleh are found guilty, they will face extremely long prison sentences. Phone conversations between the imprisoned young boys and their mothers at their war-stricken countries accentuate the double enclosure that these families experience. No one knows how and when their long run will end.
Houhou is the visualization of an anti war Greek children's poem. The film explores the thin line between duty and crime, heroism and fearfulness, past and present by diving deep into a soldier's mind.
A sexist violence incident fires tension in Danai's friendship with Ilona and Toufa. Torn between theory and practice, the three friends realize that patriarchy won't die with bottles (only), and they now have marks to prove it.
In the city of Sevarambes, where giant machine hands impose the law, any artistic expression by the human workers is pursued and terminated. When Er is seized while attempting to play music, he manages to escape inside the apparatus of a sinister machine. Until he realizes that he is not alone.
