Maa

Maa 1952

1

Chanderbabu (Nazir Hussain), a retired postmaster, lives in the village with his wife and two sons, Rajan (Paul Mahendra) and Bhanu (Bharat Bhushan). He continues to live there and work for the Zamindar, while his children are getting their education. Rajan is studying for his law exam. He is married to a girl (Padma) from a wealthy family whose haughty ways alarm and frightens him. Bhanu, the younger brother is fun-loving but studious. He gets influenced by the Nationalist Movement in the campus and stops his education in the last year of college. His father is disappointed and feels that Rajan is the one they can depend upon in their old age. Bhanu meets Meena (Shyama), and the two fall in love. Meera's father, Ramnarayan, is the school Principal and is impressed by Bhanu. He decides to get Meera married to Bhanu.

1952

Inquilab

Inquilab 1935

6.00

A drama set amid an earthquake in Bihar. Miss Renee (Khote) looks after the victims while her lover, the businessman Sardar (Mohanned), wants to make money from the disaster.

1935

Sunken Boat

Sunken Boat 1946

1

A young law student is forced into an arranged marriage though he is in love with somebody else. Following the wedding the drama focuses on the bride's mistaken identity and the search for her husband.

1946

Sanjog

Sanjog 1943

1

Deepak goes for an interview and mistaken as possible groom for Rajasaheb's daughter Bina. They fall in love but afraid of dire consequences Deepak runs away. They meet again and Rajasaheb get Bina married off to Deepak.

1943

Our Struggle

Our Struggle 1951

1

A stridently nationalistic story of India’s freedom struggle, presented through the experiences of a Bengali family from 1885, when the Indian National Congress was established, to 1947. Important events incorporated into the plot were Gandhi’s satyagraha (1920), the Simon Commission (1928), Vallabhbhai Patel’s Bardoli satyagraha (1928) and the 1942 Quit India agitations. Krishan Chander’s script, Sachin Shankar’s choreography and the acting styles owed much to the IPTA theatre of the 40s. The film, made at Bombay Talkies, was produced by the distributors of the Chicago Radio PA systems label. Kishore Kumar plays the militant hero of this quasi-documentary. Motwane included old documentary footage purchased from Kohinoor and Krishna Film, as well as a shot of Rabindranath Tagore singing his Jana Gana Mana composition, one of India’s national anthems (Arunkumar Roy’s Of Tagore and Cinema, 1994, traces this footage to Ufa, shot when Tagore visited Munich)

1951

Wedding Night

Wedding Night 1935

1

The Story revolves around the life of a kind and sweet girl living with her family and her family wanted a fortune for her and arranged her marriage with a kind man and they meet before their marriage and fells in love with each other- but things get complicated in their wedding night- which causes their life into trouble- but fate plays its role, leading to consequences.

1935