Bye Bye Tiberias

Bye Bye Tiberias 2024

8.10

In her early twenties, Hiam Abbass left her native Palestinian village to follow her dream of becoming an actress in Europe, leaving behind her mother, grandmother, and seven sisters. Thirty years later, her filmmaker daughter Lina returns with her to the village and questions for the first time her mother’s bold choices, her chosen exile and the way the women in their family influenced both their lives.

2024

Julio Iglesias: Latin Crooner, Global Star

Julio Iglesias: Latin Crooner, Global Star 2022

8.00

An account of the life and work of the charismatic and seductive Spanish singer Julio Iglesias, from his beginnings as a soccer player in the Spain of the 1960s, in the midst of Franco's dictatorship, to his astonishing worldwide success.

2022

I Love Isabelle Huppert

I Love Isabelle Huppert 2017

6.50

I documentary on French actress Isabelle Huppert. "I love to watch her because I don't know what she's going to do next."

2017

Bolero: A Global Hit

Bolero: A Global Hit 2019

1

Bolero is played every 15 minutes in the world. This film tries to answer how this famous melody inspired and influenced the world pop-culture? It explores the complexity and the richness of a piece so simple in appearance: the emotions it triggers, vertigo it creates, the words it inspires.

2019

The Cinematograph: Birth of an Art

The Cinematograph: Birth of an Art 2021

7.20

Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.

2021

Mad in Belgium

Mad in Belgium 2022

2.00

A cinematographic “cadavre exquis”, whose entrails reveal the odd nature of a (un)certain Belgian cinema. Authors, directors, actors who have proved that imposture could be an act of creation. Convinced that any so-called “new” cinematographic production was in fact a rehash of what had already been made, these pirates of images snuck as forgers, liars, tricksters, usurpers, … Outlaws of the cinema who falsified its form. From the filmed imposture of Man Bites Dog to Jan Bucquoy’s fabulist biopic, everything participates in the dynamiting of institutional language through simulacrum and absurdity. This free journey in the “cine-belgitude” has for vocation to approach these marvellous eccentrics followers of a overexcited and stripping situationism.

2022