Tales from the Crypt

Tales from the Crypt 1972

6.80

Five people find themselves in a tomb. The Crypt keeper explains why they are there through a series of frightening stories. Based on the classic comic book.

1972

Hitler's SS : Portrait In Evil

Hitler's SS : Portrait In Evil 1985

4.50

The two-part TV movie Hitler's SS: Portrait in Evil crystallizes that evil by concentrating on two Berlin brothers. In 1931, Helmut Hoffman a brilliant student and self-styled opportunist, joins Hitler's SS. At the same time, his younger brother Karl, a top athlete and idealist, becomes a chauffeur for the "S.A.".

1985

The Vault of Horror

The Vault of Horror 1973

6.30

The sequel to Tales from the Crypt. Five strangers trapped in a basement vault converse about their recurring nightmares. Their stories include vampires, bodily dismemberment, east Indian mysticism, an insurance scam, and an artist who kills by painting his victims' deaths.

1973

Hurricane

Hurricane 1974

4.90

Two hurricane hunters track a huge, violent hurricane that is bearing down on a Gulf Coast town.

1974

Go Ask Alice

Go Ask Alice 1973

5.80

A 14-year-old girl in late 1960's America is inadvertently sucked into an odyssey of sex and drugs. She eventually seeks help.

1973

It's Good to Be Alive

It's Good to Be Alive 1974

6.60

This movie details the struggles of former Brooklyn Dodger catcher Roy Campanella to adapt to life in a wheelchair following his crippling automobile accident in 1959. Cinematographer Ted Voigtlander was Emmy-nominated.

1974

Murder Once Removed

Murder Once Removed 1971

5.50

Television thriller in which a scheming doctor murders once for love and then has to kill again to cover it up.

1971

The Norliss Tapes

The Norliss Tapes 1973

6.00

A newspaper publisher listens to the personal tapes of investigative reporter David Norliss, who has disappeared during an investigation. The tapes tell the story of that investigation, involving a recent widow whose late husband has been seen working in his private studio. As Norliss and the widow investigate, they unravel a plot involving Voodoo and the walking dead.

1973

Honor Thy Father

Honor Thy Father 1973

4.00

Joseph Bologna stars as Bill Bonanno in this made-for-television adaptation of the controversial bestseller from Gay Talese, chronicling the rise of New York's infamous Bonanno organized crime family. When his father disappears in 1964 and Bill is compelled to take over the "empire," other mafiosi attempt to take what's theirs. Brenda Vaccaro and Richard S. Castellano fill out the impressive cast of this gripping crime tale.

1973

Let the Good Times Roll

Let the Good Times Roll 1973

6.10

Documentary of a 1950s rock and roll revival show, with split-screen editing to rival Woodstock.

1973

Maybe I'll Come Home in the Spring

Maybe I'll Come Home in the Spring 1971

5.40

Dennie has returned from a year among the hippies to her superficial, image-conscious suburban family. She must face their disapproval of her actions. They refuse to even try to understand. She must also deal with an ex-lover, and a beloved young sister who is following in her footsteps, wanting the idealistic hippie life but making some rash decisions in the process.

1971

Where Have All the People Gone

Where Have All the People Gone 1974

6.00

A strange series of solar flares proves fatal for inhabitants of the Earth, except for the fortunate few who are somehow immune from the effects. Animals go insane and human beings turn to white powder, leaving behind only empty clothing. A handful of survivors attempt to rebuild their lives on the de-populated Earth.

1974

Firehouse

Firehouse 1973

5.30

Conflict erupts within a close-knit engine company of a big-city fire department when a black recruit and a bigoted white veteran clash during a wave of suspected arson in the ghetto. Pilot to the short-lived series that began a run in January 1974.

1973

Chosen Survivors

Chosen Survivors 1974

5.40

A group of diverse individuals are suddenly taken from their homes and flown via helicopter to a futuristic bomb shelter in the desert, nearly two miles below the surface of the Earth. There they learn that a nuclear holocaust is taking place and that they've been "chosen" by computer to survive in the shelter in order to continue the human race. The shelter is designed to allow the people to exist underground comfortably for years, but they are faced with a threat nobody could have predicted: a colony of thousands of bloodthirsty vampire bats finds a way into the shelter and launches a series of vicious attacks where they claim the humans one by one.

1974

The People

The People 1972

5.30

A young woman is assigned to teach school in a secluded valley whose inhabitants appear stern, secretive and anti-pleasure. Following two children who disappear to play in the woods, she finds that this is actually a community of extraterrestrials with mild paranormal powers who are attempting to repress and deny their heritage for fear of arousing prejudice and hatred in their human neighbors. Based on a series of novels by the late Zenna Henderson.

1972

She Waits

She Waits 1972

5.70

When a newlywed woman is taken to her husband's hometown to meet his mother, she is possessed by the vengeful spirit of his previous wife.

1972

Roughnecks

Roughnecks 1980

6.00

Ida McBride decides to drill for oil on her ranch, against her son Tom's wishes. A contentious crew of wildcatters arrives, including a stalwart drilling magnate, his tool-pusher and a young roughneck associate, who endeavor to save the ranching empire by trying to bring in a methane gas well.

1980

Future Shock

Future Shock 1972

4.70

“Our modern technology has achieved a degree of sophistication beyond our wildest dreams. But this technology has exacted a pretty heavy price. We live in an age of anxiety, a time of stress. And with all our sophistication we are in fact, the victims of our own technological strength. We are the victims of shock … of future shock.” No, this isn’t a quote from a Huffington Post column on the Facebookization of modern communication. Nor is it pulled from an academic treatise on the phenomenologies of post-industrial existence. This statement was made by Orson Welles in the 1972 futurist documentary Future Shock, and, unlike some of the more dated elements of 1970s educational films, Future Shock remains shockingly current in verbalizing the concerns and anxieties that come along with rapid societal and technological change. (Indiana University Libraries Moving Image Archive)

1972

Casino

Casino 1980

1

Mike Connors is a suave gambler who owns a floating hotel/casino which takes a turn when the passengers are stalked by a saboteur during the casino ship's maiden voyage.

1980

No Place to Hide

No Place to Hide 1981

6.50

A young art student frantically tries to prove that she is being stalked by a mysterious man who has threatened her life, and finds her sanity questioned by her stepmother, the family attorney, and even a psychiatrist.

1981