Schoolgirls Growing Up 1972
A group of teenage girls at camp discuss their various sexual escapades while they read a new journal about sex has been published to help teenagers understand the consequences of sex.
A group of teenage girls at camp discuss their various sexual escapades while they read a new journal about sex has been published to help teenagers understand the consequences of sex.
This episodic film is a close relative of Wolf Hartwig's schoolgirl report movies, made by the same people, in a similar style, around similar topics. However, this one specifically focuses on the coming-of-age aspects, to an extent that it also touches on delicate issues such as paedophilia.
Betsy Norman is a happy assistant at a luxurious Spanish hotel. Shiela, the hotel owner, caters for all wishes of her clientele with another lucrative business, the brothel "Rio Amore" where clients from all over the world come to relax with the girls and watch the sado-masochistic shows. Linda, Betsy's sister, is drugged and forced to work as a prostitute there.
It is 1943, and the German army—ravaged and demoralised—is hastily retreating from the Russian front. In the midst of the madness, conflict brews between the aristocratic yet ultimately pusillanimous Captain Stransky and the courageous Corporal Steiner. Stransky is the only man who believes that the Third Reich is still vastly superior to the Russian army. However, within his pompous persona lies a quivering coward who longs for the Iron Cross so that he can return to Berlin a hero. Steiner, on the other hand is cynical, defiantly non-conformist and more concerned with the safety of his own men rather than the horde of military decorations offered to him by his superiors.
This is the last of the infamous German "Schoolgirl Report" movies. The story involves a bunch of teenagers and their teacher rehearsing "Romeo and Juliet" and discussing tales of modern love.
Seven more first-hand accounts of sexual awakening amongst school girls in the early Seventies.
A fake documentary about the sex lives of teenage girls.
After being released from a mental asylum, a disfigured man becomes obsessed with a student at his sister’s boarding school while grappling with his dark past.
After the big success of the first part the film-makers apparently felt pressured to launch a new "investigation" and gather new material. Therefore, Friedrich von Thun again ventures out into the streets, this time of Berlin, to ask schoolgirls about their sexual experiences. The invinted guests talk about (allegedly) true events. Schoolgirls that seduce their teachers, runaway girls that have been robbed and who have to prostitute themselves or innocent girls that have been drugged and raped...
In Part 7, the filmmakers explore what’s lacking in modern German schoolgirls.
After two students are caught doing “extra-curricular” activities in an abandoned school classroom, they plead their case to the student council. To the headmaster’s surprise, the teen lovers expose what’s really going on in their school behind closed doors....
Mockumentary about German schoolgirls openly talking about their scandalous sexual experiences. Some of these are illustrated through inserted vignettes. Also, a street reporter asks actual common folk about their views on sex.
This is the 11th of "Schulmädchen" movies and core issues this time is protection of young people and helping them in dangerous or critical situations.
Schoolgirls before high school graduation - By law they are of age, but despite their physical maturity, both innocent and experienced young women can get into big trouble. The 9th Schoolgirl Report reveals the sometimes grotesque transition from youthful rebellion to responsibility. Six different stories reveal tender confessions and sensational revelations that get to the heart of young adults' desires and problems.
The film begins with the First World War and ends in 1945. Without exception, recordings from this period were used, which came from weekly news reports from different countries. Previously unpublished scenes about the private life of Adolf Hitler and Eva Braun were also shown for the first time. The film was originally built into a frame story. The Off Commentary begins with the words: "This film [...] is a document of delusion that on the way to power tore an entire people and a whole world into disaster. This film portrays the suffering of a generation that only ended five to twelve. " The film premiered in Cologne on November 20, 1953, but was immediately banned by Federal Interior Minister Gerhard Schröder in agreement with the interior ministers of the federal states of the Federal Republic of Germany.
Starting in late May 1944, during the German retreat on the Eastern Front, Captain Stransky (Helmut Griem) orders Sergeant Steiner (Richard Burton) to blow up a railway tunnel to prevent Russian forces from using it. Steiner's platoon fails in its mission by coming up against a Russian tank. Steiner then takes a furlough to Paris just as the Allies launch their invasion of Normandy.
A bite from a giant spider turns a man into a creature that terrorizes a group of women who survived a plane crash.
Sex comedy about lonely housewives and their activities while the husband is away. It’s a series of vignettes connected by documentary-style interviews with people on the street. The eroticism relies completely on nudity, not altogether different from British sex comedies of the era.
King's swordsman Captain Buridan, hero of the Flanders campaign, returns to Paris to find it in a grip of fear -a "vampire/witch" in the "Tower of Sin" is luring young men to their deaths by offering them a night of sexual ecstasy followed by savage slaughter. Buridan is holding secrets of his own and his battle to save France from an evil Chancellor, an impotent King and a lascivious, wanton Queen make the battlefields of war seem like child's play.
This Softsex-comedy points out what people are doing everything so when they feel unobserved in their closed doors.