In the dense and murky woodlands of provincial Hungary, the search for a child murderer drags a once-respected detective into an all-consuming obsession enshrouded by irresolution and despair, even long after he has been taken off the case. What emerges is not a crime story, but a harrowing venture through the darkness of the human soul.
In 1944 Budapest, one of a group of four friends poses a hypothetical moral question to the others, an act that will unexpectedly alter their lives forever.
A divorced young math teacher is tormented by her high school students.
The film director starts shooting his film about the manager of a large corporation who committed suicide for mysterious reasons. As the cumbersome process of making a film goes along, everybody involved in it starts having differing opinions of the tragedy, its causes and its victim.
A young doctor undergoes a spiritual crisis when he returns to his rural home.
In Gerolstein, those girls who were born the same year as the princess, cannot marry until she remains maiden. An attractive and very rich husband is needed for Antónia in order to fill the treasures up. The wonderful reigning princess meets her selected bridegroom, the emperor of the neighbouring Pecunia in disguise and by accident.
In this naturalistic satire enriched with burlesque, Boróka, the haircutting artist once cuts a hair so, that the customer has to be shaved bald. Sajtár Dezső wants to kill the barber, who feels to be a victim himself immediately. In his anguish he mixes up his apartment, his wife and everything in the uniform world of the block of flats and like a maniac, tries to find after his pursuer. They find each other at a neurological clinic.
It is 1989, the year of the demise of socialism in eastern Europe. Nevertheless, the one theme of Junk Movie does not refer to this historical moment of high ideals, quite the contrary, the wild, burlesque of a motif-mozaic seems merely to stick it’s tongue out at the arrogant players of politics who have their heads stuck in the clouds. The film rudely points out the mystery and unapproachability surrounding the every-day existence of politics. The scene is a greasy, falling-down block of a pub called the Gólya and its immediate surroundings.
Turn-of-the-century Hungary. Two young brothers, neglected by their cold and uncaring mother, descend deeper and deeper into psychosis, with tragic consequences.
A Budapest high school in the beginning of the 1960s. Dini suffers the torments of adolescence. His father had to leave Hungary after the uprise in 1956, and since then Dini's mother has had to take care of her two sons on her own. A friend of Dini’s father, Bodor, is released from prison and moves in with them. Dini and his brother are far from happy about this intrusion on their family life.
Áron is a happy child in his family. But at some point things take a different turn, and his mother starts to lose her health rapidly. As this happens, the man in charge decides what's best for Áron without consulting the young boy's opinion, and the boy finds himself thrown out of his warm home into an orphanage in the woods. He's utterly displeased by what's happening, without knowing he has yet to face much worse...
János is present at one of Tamás's concerts in the country. After the concert, he takes Tamás's son home in his car, while the couple worry about their son's whereabouts. Later they meet again. Once they played together and were good friends, but János left the band and they had to find a new pianist. The new pianist, Zsuzsa, also meets János. The two of them go to see the amateur film made of the one-time band.
Merry soldiers arrive in the sleepy Transdanubian town. The cynical woman-hunter, Ferdinándy, learns to know doctor Barlay's beautiful wife at a carnival. She lives a happy married life, and the attentions of the lieutenant are all in vain.
On one hot summer night, the residents of a Hungarian apartment house slated for demolition restlessly revisit their haunted pasts as they face an uncertain future. In a gently turning kaleidoscope of dream imagery, regret-laden nostalgia and painstakingly intimate detail, the looming wrecking ball pales in significance to the accumulated experiences each dreamer revisits. Pre-war prejudice, occupying Nazis and Stalinist deprivations all come and go as each tenant’s backward glance yields moments of aching sensuality, infectious exuberance and catastrophic loss.
The opera-film, as opposed to Gluck's Vienna version, is a recollection of the ancient tragic Greek myth. Orpheus, who is able to defeat Hades with the power of art, is unable to conquer his own human defects. Amor is sympathetic to Orpheus' sufferings as he mourns his dead beloved, and lets him know the message sent by the Gods, namely that he may take her home from the underworld if he is capable of not looking at her.
A story of a mother who had to change her profession from a teacher to a high class prostitute to make a living.
This story follows a young student, who is orphaned as she grows to adulthood in the shadow of the 1956 Hungarian uprising. Coming from the Communist intelligentsia, she sees her friends and family react differently. Her lover, a married factory manager, supports the patriots and later assists fellow workers in staging a strike. Meanwhile her sister and others express anger at being forced from their homes during the revolution and continue to express a hatred for the rebels afterwards. But in the end they realize that for all people, real life is not possible after the revolt and its brutal suppression by the Soviets and their collaborators.
A father tries to deal with his troubled son who is involved in a hit-and-run accident.
Hungary, end of World War II. Five Hungarian soldiers desert their troop which has been directed to Germany. They are escaping with the help of a stamp and unfilled travelling warrants, trying to survive until the war ends.
A woman and her lover plot to kill her older husband.
