G. Méliès

John Burton, a railroad clerk from the east, was spending his vacation hunting in the wild lands about John Walsh's shack. One morning, as he was eagerly following a large hawk, which he had already wounded, he lost his balance on the edge of a cliff and plunged down to the stony ground below. His cries for help attracted Walsh's attention and he was taken to the latter's cabin, where he was tenderly cared for by Walsh and his wife, until he was able to return to his duties in the east. Walsh's wife was the apple of his eye, but, like most things that we love, she did not last, and twenty years later we find him a broken old man, living in the days that are gone.

Nellie and her father are from Boston, but every winter they visit San Antonio for the old man's rheumatism. Nellie is very fond of ranch life and it is her custom to spend part of the time at the Bar X, which is close by, while her father is undergoing all the delights of being "Boiled out" in the sulfur baths. Nellie meets all "the boys" and is particularly impressed with Jim Edwards, who constitutes himself her guide at the ranch. One day a horse runs away with her, and Jim neatly ropes it and thereby saves her life and wins her love.

"Business is on the Fritz," nothing to do but complain and everything seems to be going to the "demnition bow-wows." "If things get much worse I'll close up," says the restaurateur to his waiter. "And I'll give up me job," says the waiter, "if I can't get any money out of the place." What's that? It's a "joy wagon" with a crowd of tourists: they're headed for the restaurant. Immediately the proprietor and the waiter hurriedly get a move on and hustle our to receive the guests who are soon conducted into the dining-room, served, dined and wined with alacrity that is almost magical. The host and his waiter are all smiles and are astonished as well as pleased at the liberal way in which their customers order everything and anything.

He has fought his last fight and the prize-ring will know the old pugilist no more. Knocked out by an organic disease, he is in a bad way not only physically but financially. He has an interesting daughter, a bright boy and a good wife who are well thought of by the people of the neighborhood in which they live, among whom is a young minister. The doctor who attends the old boxer sees that nothing but a complete change to some warmer climate will benefit the patient and also recognizes that under the circumstances the change would be impossible unless someone comes to his assistance with the necessary money to defray the expense. The physician writes a note to the young clergyman telling him of his diagnosis of the case and his conclusions. The young divine hastens to see the sick man.

A short silent film produced by Gaston Mèliès in San Antonio.

Just plain Mary Ann, that's all, but there is something about this little country girl which stamps her as the right sort, with grit, grip and gumption to distinguish her among the famous men and women of the twentieth century, or any other century for that matter. Her father is a faithful old servant in the employ of the D.&C.R.R. as a signal man in a tower on the lonely stretch of the track at very important junction. After his day's work, Mary Ann, who has studied telegraphy and likes to practice, comes to the tower to go home with her father, after the night signal man comes to relieve him. The night man is somewhat delayed and her father leaves Mary Ann at the signal station while be goes home to get his supper and rest.

If John was half the man that Molly is, she and her father would have been a great deal better off. Molly by her industry and ambition has saved up five hundred dollars to go to college and complete her education; she is very proud of her achievement. John is a young fellow with extravagant idle notions, who refuses to hold his jobs as a skilled mechanic and insist upon spending his time in rambling and dissipation. Molly loves her brother and tries to induce him to mend his ways and make a man of himself.

Padre Dominguis, the village priest of a quiet little spot in old Mexico, has been on a visit to the daughter of his dead sister and is about to return to his charges. He is much surprised and more than a little pleased to find that his niece is in love with John Brown, a progressive American, who has settled among them, for the Padre is a broad-minded man and knows that Mexico needs the influx of American energy to make her a great country.

Braggs, the young western settler, comes into view leading his broncho while he leads his little child on the horse's back. Placing the child on the ground and watering the pony, he takes his knife from his pocket to make an extra hole in the saddle strap. The knife slips and penetrates his wrist, severing an artery. His wife comes to his assistance, makes a tourniquet with strips of her apron, jumps on the broncho's back, bids her husband to care for the child and keep up courage while she rides to town for the doctor.

"A senorita. With whom two young matadors, Jose and Pepe, are in love, tries in keep both on the string. She lends each to believe that he is the chosen one, creating a strong jealousy between them. Pepe calls to see the girl and she receives him with a show of great affection and preferment. While they are courting, a caballero, friendly to the other lover, Jose, tells him of the girl's duplicity. In a rage he goes to his inamorata and, demanding an explanation, accuses her of harboring his rival in the house. She cajoles him, and playfully stealing his dagger from him without his knowing it, endeavors to hold his attention by caresses as Pepe tries to make his escape. Unfortunately he is seen and pursued by the enraged Jose, who, coming up with him as he seeks the protection of a priest busy pruning trees in the grounds of the monastery, engages in a terrible struggle in which the priest Is powerless to interfere." - Moving Picture World synopsis excerpt

Three swells stopping at the same hotel, one a bicyclist, the other a horseman and the third a motorist, are ardently in love with the same widow, living in a villa some distance in the country. Each one, eager to woo her, makes an equally strong plea with apparently the same impression, although she seems slightly to favor the horseman. After listening to their declarations of love, she dismisses them with an evasive answer. With no decided preference she is in a quandary. She does not want to lose an opportunity, but how to make a choice is a difficult problem. She has an idea. She writes them a letter and sends it to the hotel: "The first one reaching my home and me can claim me as his bride."

Full of booze, bluster, and fight "Black Pete," a big "bad man" of the wild west comes from the local saloon ready to put daylight through anybody and everybody within the range of his voice and the reach of his gun and, to further convince the crowd that he is the terror of the territory, lands on an inoffensive bystander knocking him down. "Billy" is an entirely different sort of a citizen; he is a young chap living with his sister whom he loves very dearly; their love is mutual. Billy has received a letter and stops on his way home in an opening in the woods to read it. While thus engaged, an Indian girl is making her way through the woods. "Black Pete" coming along the pass sees and attacks her. Billy springs to her defense and knocks "Pete" down; in falling he strikes his head on a stone and is killed.

Mary is only the assistant housekeeper of the ranch, but she has a heart as big and faithful as a queen's. Bob, who has been turned from home by his uncle because he has his own notions of marriage, comes to the ranch and Mary falls in love with him. Bill Rank, the foreman, contrives to ruin Bob's good name and make him "do time." Mary is faithful to Bob and makes a big sacrifice to help him in his trouble. Times are dark for a while, but Fate works things out at last. Bill Rank is hurt in a runaway, and, looking death to the face, he confesses the truth. Bob's good name is restored, he marries Mary, and, to cap the climax, he falls heir to a fortune.

Mary lived with her mother at the XX ranch, which was on the Rio Grande, just across from Mexico, and, as there was a ford there, it was easy for persons to cross from either side. One day, while riding on the Mexican side, she heard screams of distress and came upon Juanita, a beautiful Mexican girl, who had been insulted by Jose, a bad man of that vicinity, who commanded a band of guerrillas, who plundered and stole under the guise of insurrectos.

Nell, an independent and somewhat obstinate girl, receives an invitation to attend a dance. She asks her mother for money to buy a new dress. Her mother, a hard working woman, who has to toil from morn to night, feels that her request involves an unnecessary extravagance and she denies it. Nell answers her sharply and leaves in a sullen mood. While working in the hot, broiling sun, the mother is overcome with the heat.

A short silent western produced by Gaston Mèliès in San Antonio.

Desdemona was not the only woman to have trouble over a handkerchief. It occurred to Mary also. Mary was in love with Bill, who worked on her father's ranch, and was greatly admired by all the boys. Shorty returned from town one day with a fine checkered handkerchief, which he proudly placed about his neck, strutting in front of Bill to attract his notice. The handkerchief was almost loud enough to speak for itself, so Bill noticed it all right. One of the boys sneaked it from about Shorty's neck and hung it on a nail, where Mary found it. Seeing that it was new, she placed it about her own comely neck, but alas, Othello Bill became jealous and accused her of accepting it from Shorty.

Dick, an easterner, comes west to try his luck at mining. No sooner does he arrive than Hartley, the local gambler and all-around villain, commences to make sport at his expense. Dick endeavors to bear it patiently, but a clash is inevitable, until the arrival at the village store of Mary Brown, one whom all held in respect, excepting Hartley.

He's a regular "fan" and studies the baseball news as carefully as some people do their Bibles. He comes to breakfast with his dear little wife and finds his morning paper as usual at his plate. "By Jove!" he shouts, as he glances at the news, "a game this afternoon." Then he begins to wax eloquent about the strikes, flies, home runs and base hits, putting his hand in the hominy, knocking the coffee pot from the table and winding up his exposition by pulling the table-cloth off and everything else with it. He has gone the limit and wifey can humor his craze no longer. She swoops down upon him with an umbrella and gets in some "swats" that nearly knock the cover from his dome. He makes a run for the office with a deep laid plan to go to the ball game by pretending he has a toothache.

A Navajo Indian has crossed the great desert, and his water bottle has been emptied. He is in a frenzy from thirst and sees mirages of water everywhere. He comes upon Nat Perry, a young settler, who is conveying his household goods across the burning sands. Perry has just taken a drink from his precious canteen when the Indian falls at his feet and implores a little water. The young pioneer heartlessly turns him over with his foot and leaves him to die.