The Thief of Bagdad

The Thief of Bagdad 1924

7.30

A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.

1924

The Mark of Zorro

The Mark of Zorro 1920

7.20

Don Diego Vega pretends to be an indolent fop as a cover for his true identity, the masked avenger Zorro. Preserved by the Academy Film Archive in 2012.

1920

Robin Hood

Robin Hood 1922

6.40

Amid big-budget medieval pageantry, King Richard goes on the Crusades leaving his brother Prince John as regent, who promptly emerges as a cruel, grasping, treacherous tyrant. Apprised of England's peril by message from his lady-love Marian, the dashing Earl of Huntingdon endangers his life and honor by returning to oppose John, but finds himself and his friends outlawed, with Marian apparently dead. Enter Robin Hood, acrobatic champion of the oppressed, laboring to set things right through swashbuckling feats and cliffhanging perils!

1922

The Three Musketeers

The Three Musketeers 1921

6.40

The young Gascon D'Artagnan arrives in Paris, his heart set on joining the king's Musketeers. He is taken under the wings of three of the most respected and feared Musketeers, Porthos, Aramis, and Athos. Together they fight to save France and the honor of a lady from the machinations of the powerful Cardinal Richelieu.

1921

The Knickerbocker Buckaroo

The Knickerbocker Buckaroo 1919

6.00

A lost film. Teddy Drake is a pleasure-seeking aristocrat who ends up expelled from his exclusive Fifth Avenue club for playing practical jokes and other rambunctious antics. He decides to reform his selfish ways and boards a train heading heading for the Southwest.

1919

The Nut

The Nut 1921

5.90

Eccentric inventor Charlie Jackson tries to interest wealthy investors in his girlfriend's plan to help children from poor neighbourhoods.

1921

A Modern Musketeer

A Modern Musketeer 1917

5.20

A young man grows restless living in a small Kansas town, dreaming of the adventures of the Three Musketeers. So in hopes of becoming a modern D'Artagnan, he mounts his steed (a Model T Ford) and sets out across the West in search of excitement and adventure.

1917

The Man from Painted Post

The Man from Painted Post 1917

4.80

In order to find out who's behind a cattle rustling operation that's hurting ranchers, a detective for the Cattleman's Protective Association pretends to be a tenderfoot from back east who's just arrived in the area and doesn't know how to ride, rope or shoot.

1917

Wild and Woolly

Wild and Woolly 1917

6.30

A rich Easterner who has always wanted to live in "the Wild West" plans to move to a Western town. Unknown to him, the town's "wild" days are long gone and it is an orderly and civilized place now. The townsmen, not wanting to lose a rich potential resident, contrive to make over the town to suit the young man's fantasy.

1917

Reaching for the Moon

Reaching for the Moon 1917

5.80

A button factory worker has always dreamed that he was meant for better things, to be rich and famous and in "the company of kings". One day he discovers that he is indeed the only heir to the throne of a small European kingdom. However, there are forces at work who don't want him to survive to take the throne.

1917

When the Clouds Roll By

When the Clouds Roll By 1919

6.80

Daniel Boone Brown is a pleasure-seeking playboy carousing around New York City without a care in the world -- that is, until he becomes the unwitting subject of a series of experiments at the hands of a sadistic psychiatrist. Through various means of control, the mad scientist drives Daniel to think he's losing his mind, but ultimately introduces him to the lovely Lucette.

1919

Bound in Morocco

Bound in Morocco 1918

1

A lost film. George Travelwell (Fairbanks), an American youth motoring in Morocco, discovers that the governor of El Harib (Frank Campeau) has seized a young American woman for his harem. Disguised as an inmate of the harem, George nearly wrecks the place while he rescues her. One thrilling incident follows upon the heels of another in their attempts to get away, and it ends with him setting one tribe against another, leaving them free to peacefully ride away.

1918

His Majesty, the American

His Majesty, the American 1919

5.80

A European prince is raised in America without knowing his true identity; he spends his time thrill-seeking, but his country needs him when a revolt threatens the crown.

1919

Arizona

Arizona 1918

1

A lost film. An Army lieutenant at a remote post in Arizona tells a young woman that he does not love her, so she contrives to marry his commanding officer, who is also his best friend.

1918

Mr. Fix-It

Mr. Fix-It 1918

5.00

A young man impersonates his best friend, and in doing so upsets the decorum at a stuffy family gathering and falls in love. The arrival of a gang of hoodlums further disrupts the formalities, but our hero thwarts them and saves the day.

1918

Down to Earth

Down to Earth 1917

6.00

A healthy outdoors-type follows the girl he loves to a resort for wealthy hypochondriacs. In order to prove to her and the other patients that their "illnesses" are all in their minds, he hatches a scheme to take them on a boat ride, then get them stranded in the wilderness, where he can show them that they can live without their pills, doctors and "cures".

1917

Say! Young Fellow

Say! Young Fellow 1918

1

A lost film. "The Young Fellow"(Fairbanks), has recently been hired as a cub newspaper reporter for the New York Herald. His editor tasks him with unearthing "the facts concerning a scheme to defraud a group of minor stockholders in the town of Melford. Unless certain papers in the possession of an old bachelor(Neill) are delivered to a board meeting, the villainous financier(Campeau) will win complete control of a local company, and the stockholders will lose their investments. The Young Fellow enlists the help of his spinster landlady(Chapman) and the old bachelor's beautiful secretary(Daw) to thwart the evil millionaire.

1918

Anna Pavlova

Anna Pavlova 1924

1

In 1924 Pavlova (1881-1931) visited the Fairbanks studios, where The Thief of Bagdad was in production, and was filmed on the set in 7 short dances (not 6 as is stated on the original title, which may have been intended for a shortened version of the film). It seems unlikely that this was just an improvisational filming session: the dancer changed costumes for each of the numbers. Beautifully shot, these represent the finest record of the legendary dancer, who, alongside Nijinsky and Karsavina, astounded Paris in the first Ballets Russes season.

1924