Tau 1907

A combination of the story of Goldlocks and the Three Bears with the true story of how Teddy Roosevelt spared a bear cub after killing its mother while hunting, an event which led to the popularization of the teddy bear. Goldilocks goes to sleep in the bears' home after watching six teddy bears dance and do acrobatics, viewing them through a knothole in the wall. When she is awoken by the returning bear family, they give chase through the woods, but she runs to the aid of the Old Rough Rider, who saves her.

The first adaptation of Lew Wallace's novel, Ben-Hur: A Tale of the Christ.

A mix of spectacle, animation and dance, the film reveals an early delight in the potential for creative fun with film form. Its director, Walter R. Booth had been described as making British films which attempted to out-Méliès Méliès.

A traveler stays the night at a rural inn, but gets no rest as he is tormented by various spectres and mysterious happenings.

Many demonstrations of the art of Jiu Jitsu are given, and as evidence that this is not a passing fad intended only for the amusement of the public there is illustrated in very thrilling manner how several footpads follow two girls and then in a deserted section of the road make an attack, which is successfully foiled and the perpetrators taken into custody. Splendid action and good photographic quality. (Gaumont catalogue)

The film, a parody of the novel Twenty Thousand Leagues Under the Sea by Jules Verne, follows a fisherman, Yves, who dreams of traveling by submarine to the bottom of the ocean, where he encounters both realistic and fanciful sea creatures, including a chorus of naiads played by dancers from the Théâtre du Châtelet. Méliès's design for the film includes cut-out sea animals patterned after Alphonse de Neuville's illustrations for Verne's novel.

A short film about a dirigible.

Stencil-coloured version of Segundo de Chomón's Les roses magiques (1906).

A man with a bald head visits a specialist and places an order for an especially strong hair tonic. Late in the evening a messenger is dispatched with the tonic to the purchaser, but, through error, delivers to wrong flat. The contents of bottle, however, are drained by the male contingent of the family and water substituted therefore. Later on we see our friend applying the water to his head and giving liberal massage, but the soil remains as unfertile as ever. Our other friend, however, meets with better results, and he is soon covered with a luxuriant growth of hair. He is exhibited as a man monkey and, playing his part well, proves quite a drawing card with the ladies, when his wife, who is acting as his keeper, proves competent and administers to him a flogging, and one of the feminine members of the affair also comes in for an ample share. (Gaumont catalogue)

No prints of the film have been preserved so the film can be considered a lost film. The original screenplay has also been lost. However, some plot descriptions are still known based on contemporary newspaper advertisements of the film. As the name would indicate, the film tells about two local men who are making moonshine in the woods. A customer comes to them, and while sampling the product they start a game of cards, which eventually leads to a fight. While the fight is going on, the local police shows up and arrests the makers while the customer manages to escape.(Wikipedia)

A piano entices anyone who comes near.

The cyclist is dispatched upon an important errand, and his humorous and alarming adventures by the way form the subject of this series. Misadventure follows misadventure with great frequency, but the cyclist comes up smiling every time, mounts his machine, and again resumes his journey. Accidents which would maim or kill an ordinary mortal serve only to spur him on to fresh exertions in a mad search for physical inconveniences and dangers, which always present themselves. (Picture World)

A group of travellers go into a house for protection. Little do they know, it is filled with ghosts who make unusual things happen to them.

A family troupe of acrobats, made up to appear Japanese, perform various unbelievable stunts in front of the camera, achieved through a trick of the camera.

A magical woman and her magical eggs.

A demonic magician attempts to perform his act in a strange grotto, but is confronted by a Good Spirit who opposes him.

French film produced and distributed by Gaumont (catalogue number 1590) originally named "La Terroriste" (as registered in the BnF (Bibliothèque nationale de France) in 1907 and as published in Gaumont's catalogue of January 1908), the film was known in the U.S. by the title "Terrorist's Remorse" (according to the "Revised List of High-Class Original Films Made by Gaumont, Urban-Eclipse, Théophile Pathé, Carlo Rossi, Ambrosio and Other Foreign and American Companies", 1908, available in the Internet Archive website) and eventually changed to "Les Terroristes en Russie" in France (per Gaumont's catalogue of July 1909). Max Charlier and Mlle Loisier star in the film, but its director is still unknown, although Francis Lacassin attributed it to Louis Feuillade in 1995.

The interior of a trolley car. A menagerie of passengers notices a foul odour, and pinpoint the source of the stench at a cheese saleswoman. The gendarmerie removes her from the trolley and drags her to the precinct.

The first feature-length motion picture produced in Europe, running 90 minutes. Directed by Michel Carré, from his own three-act stage pantomime, The Prodigal Son. The film was basically an unmodified filmed record of his play. Filmed at the Gaumont Film Company studios in May 1907.