A former porn director, who once elevated the genre with 1960s counter-culture ideals, returns to filmmaking after 20 years, clashing with his producer's hard-core vision. Estranged from his son over the family business, they begin reconnecting as the son embraces political activism, while the director seeks personal renewal.
In this French Canadian thriller, an actress wins the role of a murder victim in a film based on the true story of an unsolved crime. She discovers her neighbor was the lover of the woman who was murdered in real life -- and is still a suspect.
The same man lives out several parallel lives in different "worlds" and in different relationships at the same time.
Robert Lepage directed this Canadian comedy, filmed in black and white and color and adapted from Lepage's play The Seven Branches of the River Ota. In October 1970, Montreal actress Sophie (Anne-Marie Cadieux) appears in a Feydeau farce at the Osaka World's Fair. Back in Montreal, her boyfriend Michel (Alexis Martin) watches the October Crisis on TV and sees Canadian Prime Minister Trudeau declare the War Measures Act. The Canadian Army patrols Montreal streets. Sophie learns she's pregnant and phones Michel. However, Michel is immersed in politics, while Sophie rejects the amorous advances of her co-star (Eric Bernier), becomes friendly with a blind translator, and passes an evening with frivolous Canadian embassy official Walter (Richard Frechette) and his wife Patricia (Marie Gignac). Meanwhile, in Montreal, Michael plots terrorist activities. Commenting on East-West cultural distinctions, the film intercuts between Quebec (in black and white) and Japan (in color).
