Gaumont Télévision

Ludovic, a 12-year-old boy from a well-off home who is neglected by his parents, who are part of the art scene, falls head over heels in love with Sofie, the daughter of a piano teacher, when he has to pass a test of courage in the schoolyard during recess. The cheeky girl with the two pigtails likes the boy who is interested in her. They soon get closer and meet in secret places in the city. It is the first love for both of them. Shortly after Sofie's father catches the two lovers naked in bed together in Sofie's room, Ludovic is sent away from Brussels to spend time with his grandparents. But Sofie can't stand it without Ludovic and runs away from home to be with him. The lovers hide in abandoned buildings on the Belgian coast. While parents and police search for the couple, both youngsters find that it is pretty hard to be on their own, especially since an ominous photographer is lurking around the children.

Documentary on the disappearance of a French journalist.

Ramirez trains the young Quentin Macleod (The Highlander) and prepares him for his future and current battles against the sinister immortals in the world. (First four episodes of the animated show edited into a feature length movie.)

Documentary About French Actress Brigitte Bardot

After 40 years Alain Tanner again travels to the port of Genoa, where he worked for a shipping company as a 22-year-old. On the back of his own memories he depicts the rough world of the dockworkers, another of those trades that has undergone fundamental changes as a result of recessions, modernisation and liberalisation. “The visual impression of the harbour and the city has changed very little, but what goes on there nowadays is completely different. The city is still as beautiful and alien and somewhat sad as before. But the port is dying, like so many other major ports. In Genoa, as elsewhere in Italy, the economic, social and political climate is highly explosive. But you also feel that things are in flow and the country is on the verge of some far-reaching changes. (...) In this film I wanted to explore my own memories of Genoa, uncover its present and guess at its future. Genoa, this beautiful, this sad, this alien town has become for me a metaphor for society in change.”

Max, a teenager, is having a difficult time coming of age. At 16, he is constantly in conflict with his parents. His father, Yvon, a lock and alarm manufacturer, does not understand this rebellious son. Worried about his future, he drowns Max's ambitions in a clumsy speech. Himself a bit clumsy, he doesn't know how to show him his affection. A gap is growing. One day, Max goes out without his parents' permission to attend a party organized by a friend. There, he meets his first true love, Audrey. But the young man is also insolent and is soon expelled from his school. His father reacts violently, and the teenager decides to run away.

On Christmas Eve, Léa and Juliette, a couple, want to rob a supermarket that Juliette knows is empty of surveillance on this festive evening. But, as much for each of them as for Eric, the vigil who is there after all, nothing will happen as planned. Besides, shortly before leaving him alone, the store manager gave Eric a gun, just in case.

A mythical land who must be discover. Or invented. In an impressive library, two old men. One is a great Polish archaeologist at the end of his work. The second- his best friend. They are masters of a substantial slice of human history: legendary Atlantis. It is refuge and masterpiece, propriety and treasure.

A father falls in love with his teen daughter's friend. A passion against conventions which will carry them away in a whirlwind of sensations where love finds itself confronted despite everything else with reason and social decency.

The divorce of a couple seen through the terribly lucid eyes of their two young children.

By dint of inventing stories, a boy neglected by his mother comes to lead a double life.

An energetic teenager gives a hard time to her father, an artist, and her stepfather, an unemployed executive not very comfortable with young people.