Una and an alien robot have 24 hours to find her Grandpa who was kidnapped by aliens. The extraordinary adventure leads to friendship, the rational robotic logic is replaced by emotions and Una's selfless love saves her partly alien family.
A poor fisherman and his girlfriend live in a small boat under an open sky for decades. Based on a true story.
Ivan is a 36-year old ex-rock singer and a disillusioned war veteran who lost both legs in the recent Croatian Homeland War. His father, Izidor, was a well-known political prisoner in the former Yugoslavia, and is now standing as an independent candidate for the Croatian Parliament. Then a face from the past re-appears: an impoverished Serbian refugee called Simo, who has recently returned to the town. As an ex-communist official, Simo imprisoned Izidor decades ago. He knows certain facts about Izidor that could destroy his reputation and wreck his political campaign. Simo demands money, in return for his silence and he also has a secret rendezvous with Ivan's mother, Ana. Soon a long-buried secret surfaces once more - with huge repercussions for Ivan. He starts to provoke hard-line Croatians by singing Serbian nationalistic songs, daring them to kill him.
At a small border-post on the Yugoslav-Albanian border, yet another generation of soldiers suffering the usual amount of boredom awaits the end of their service, counting days to the moment when they should take their uniforms off for good. It is the spring of 1987 and the thought never even crosses their mind that they would, in fact, put them back on quite soon and go to war.
Janko, a police officer/veteran of the war, who is suffering from insomnia caused by post-traumatic stress disorder, now works as a guard in front of the Russian embassy in Zagreb. Having abandoned his former paramour, the daughter of his police chief, he marries a kleptomaniacal hairdresser named Nana, whom he once caught in the act of picking pockets. He then embarks on an affair with the beautiful Marta, the widow of the war profiteer Dragutin Karlo Stajner, who has left behind him a bankrupted firm, a worthless limousine, several bastards, and at least one angry woman. While Janko and Marta persistently try to divvy up what loot remains before any number of others can claim it, Karlo unexpectedly turns up alive and jumps into the middle of a fray between Marta; Karlo's lover, Julija, a Czech bar-singer; and Julija's husband Vlado, a former henchman of Karlo's who is now trying to lay claim to Stajner's limo.
Eliciting images of cancer, this drama explores the illnesses that plague modern Croatia. Four young junkies in Zagreb maturing in the wake of war reflect the petty hatreds, violence, prejudices and mood hanging over the country like a disease that spreads with no cure in sight.
In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.
It seems that football is still the most important thing in Koko's life and the upcoming encounter between the infamous “Pirates” and Koko's team “Green Hill” the central event of the season. Zlatko is still spending every second reading books and scolding Koko for being immature. To prove him wrong, Koko tells him that he is unhappily in love with Ana, a mysterious girl as magical as the heroines from Zlatko’s novels. Koko’s mischievous sister Marica, secretive friend Ema and insolent Melita have their own band – Koko’s team will go to a concert, as will the girls go to their football games. We will find out whether the boys are really that interested in music and the girls in football in Love or Death - the new film from the Koko serial.
Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.
A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.
Stipan is a policeman who comes to small Adriatic island off the Croatian coast in order to investigate reported strange phenomena that had frightened the whole population. At first, nobody wants to co-operate with him, but he finally finds that the island is being allegedly haunted by the ghost of Josip Broz Tito, Communist leader of former Yugoslavia. For Luka, the mayor, this is the opportunity to turn entire island into Tito-themed amusement park. Tito's WW2 veterans, on the other hand, don't believe in ghosts; for them, the apparition is actually Tito himself, who had returned in order to lead them into a new revolution which would restore Communism. Written by Anonymous
Zagreb Cappuccino is the story of two best friends, Petra and Kika. Both women are in their early forties. Petra, in Zagreb, is getting divorced, and Kika arrives from Cologne to console her. Kika, a cosmopolitan party girl, teaches Petra how to carry on with her life without a husband and a family. Over several cups of coffee and nights out we get to know their fears and problems, their solitude, insecurities and inner strength.
A pharmacist travels from the island to the usual medical treatment at hospital in Zagreb. He's followed by low-ranked regime official whose conduct reveals all the misery that arises between people living in totalitarian systems.
It deals with unexpected romance between a salesgirl and a police inspector.
During the war, Ana lost members of her family and was raped by a member of the Serb paramilitary forces. Years later, she accidentally sees her tormentor in the middle of Zagreb. She goes to the police, but the man who fits her description was allegedly killed in the war. While nobody believes Ana, the murderous rapist is determined to eliminate her.
After spending 13 years in prison, forty-year-old Djuka Begovic returns to his home-village in Slavonia. He promises to his mother that he will begin a new and honest life. He finds new meaning in taking care of his daughter Smilja. He tries to chase away destructive thoughts that threaten to overwhelm him by throwing himself into hard work. However, everything around him reminds him of his past and his family's tragic destiny. His family was wealthy at the beginning of the twentieth century, but was destroyed by the capitalist powers that took over the villages and broke the traditional family cooperatives. Djuka's personal life was marked by constant conflicts with his father.
Follows the life of general Ante Gotovina.
After being repeatedly denied her requests for a vacation by her sexist boss, a young woman finally explodes.
Sandra is an overly sensitive young woman who, when under pressure, has trouble with deciphering the line between reality and her twisted fantasies. During her husband's birthday party, she has to spend a day with his family. Their barely concealed hostility is making her gradually lose her mind.
A godforsaken mountain village is the only home that a young football player, a miser peasant and a fat girl have. This isolated part of the country finds itself in the middle of the referendum for or against the EU. Our characters couldn't care less - they are absorbed in their problems. The young football player who accidentally killed his mother doesn't want to join a rich foreign football team and is willing to risk his father's love because of it. The lonely fat girl is so desperate for a friend and for a lover that she will end up seeking both in the pig-sty. The miser peasant will find out that the real misery is in loneliness.
