We Are What We Are 2010
After the death of a patriarch, a family must try to continue on with a disturbing, ritualistic tradition.
After the death of a patriarch, a family must try to continue on with a disturbing, ritualistic tradition.
Yessica is a rebellious girl who forms an unlikely friendship with quiet schoolmate Miriam. Yessica's home life is ruled by her brutal stepfather and her amoral stepbrother, Jorge, while Miriam shares a calm, loving household with her mother. The girls' friendship is shattered after Jorge arranges to have one of his friends rape Yessica.
“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.
Benjamin is an old bachelor who lives with his sister. One day he falls in love with the young Natividad. Seeing that the love letter strategy doesn't work with the girl, Benjamín decides to kidnap her.
Years after the Salvadoran military destroyed the village of Cinquera in that country’s civil war, survivors have returned to rebuild their community. Soulful, beautifully rendered, this amazing debut is an evocative testament to place, memory and the power of life to rebound from tragedy.
In an unnamed Latin American country that closely resembles Mexico, the government fights a rural insurgency with torture, assault, rape, and murder. Soldiers descend on a town, cutting off the rebels from their cache of ammunition hidden in a field. A family of grandfather, son, and grandson are among the rebels in the hills. The grandfather, with his violin over his shoulder, tries to pass the checkpoint, ostensibly to tend his corn crop. The commanding officer lets him pass but insists on a daily music lesson.
Virginia and her classmates from film school go to “Teques” to shoot a school assignment. There, a masked assassin awaits. They discover the cinematographic origin of this brutal murderer while he hunts them one by one. Virginia will fight to survive and tell the story.
Pedro, an indigenous migrant, returns to his village for his mother's funeral. When he learns of the serious problem his brother Ismael is involved in, he decides to stay and face the consequences of his absence.
Alberto, a collective taxi driver, observes through the lives that pass through his car, the beauty hidden in the decadence of the oil city where he works.
A group of mexican high school students spent their time at parties and outside of school practicing skateboard, drinking an doing drugs.
Cecilia is a young woman. Mateo is a boy. They are friends and work together on the subway. Faced with a financial hardship, a security guard makes Cecilia an offer in exchange for money. After much hesitation she accepts; this leads her to make a devastating decision.
A poetic, tender road movie, A Secret World follows tormented teenager Maria as she makes her way through Mexico seeking her place in life. The film focuses on the pleasant beauty of the landscape and the eccentric, endearing personality of Maria as she comes into her own. Gorgeously filmed, this lyrical coming-of-age story doubles as a wistful hymn to a young woman’s self-discovery.
A teenager has a crush on his best friend's mom.
Pato, is a woman who must face her way, while struggling with the memory of a miscarriage. Lupita is a teenager looking for her place in the world.
Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.
Director Hatuey Viveros' beautiful film unfolds as a fascinating exploration of contemporary life in Mexico, searching to understand today's world, while portraying a younger generation who lack an understanding of their past. And as we journey with Aina on her own discovery, it becomes clear that the process of her search is just as important as the results.
The story of the oil leader Lázaro Pizarro, of his political and personal wars, the use of crime to settle conflicts and the course of his power between the basements and the domes of Mexican politics, have a narrative record made in the Gulf of accuracy and dexterity
Fernando and Gabriel are two brothers living in a broken home. The anger and sadness that fill the house forces them to escape for a weekend into the woods. Gabriel will witness his eldest brother's self-destruction.
After working for three years in the USA, Filiberto returns to his home town in Mexico. A proud man, he is searching for the recognition that will give him a new position in life. However, he finds that things have changed. His mother is dead, and Luis, his best friend, is married to his ex-girlfriend. Filiberto gets involved in the town’s disputes over a water spring.