Toomas Joller has been an actor for twenty years. Joller is popular and has been awarded the honorary title of People's Artist. But Joller's star is gradually fading. He becomes egoistic and self-centered, his performances remain superficial. An actor's internal combustion requires hot water, which Joller uses in abundance together with his friend, the comedy actor Ruts.
Karlsson is a very short, portly and overconfident man who lives in a small house hidden behind a chimney on the roof of a very ordinary apartment building on a very ordinary street in Stockholm. When Karlsson pushes a button on his stomach, it starts a clever little motor with a propeller on his back, allowing him to fly. Karlsson is the best at everything, at least by his own account. In actual fact there is one thing at which he excels: being a playmate to a young boy named Svante, nicknamed Lillebror (little brother), who lives in the apartment building with his family. Karlsson is quite mischievous, often getting Lillebror in trouble, but everyone in the end – even Lillebror's family, his cranky uncle, and their dour housekeeper – grow to like Karlsson and appreciate his sense of humour, energy, and good nature.
Jaan Tooming's adaptation of the novel by A.H. Tammsaare.
A group of sleepless nerds should be taken into sanitarium for hard-therapy. They are taken to a lonely island but no sanitarium is in sight. Suddenly turns out that the nurses have kidnapped the men and are about to give them the only useful medicine they need - fresh air and work. But the patients decide to disobey. There's only one solution - to escape.
On a nice summer day a funny little car rolls over a peaceful farm yard of Muhu island. The family that withdraws from the vehicle is quite odd-looking: an overbearing madam, a henpecked stammering husband and a mystical red-head. They announce that they want to spend their vacation in the farm ... "We are from capital, we will pay". This quiet vacation turns out to be a frantic day with romance, unexpected turns and fisticuffs between suitors.
In September 1944, Estonia is on the brink of being released from under the occupation of Nazi Germany only to be seized by the Soviet army. This film follows the destinies of two women - Maarja and Leeda - and two men - Gert and Mati - under the harrowing influence of war and foreign occupation.
Based on the tales of Chinese writer Pu Songling, the film depicts the romantic relationships of a Chinese student with an undead girl and a fox spirit maiden. Rainer Sarnet's diploma film.
A story about young people and heartache. Youth — a sense of strength, but not yet a sense of responsibility, often leads to thoughtlessness. Gradually, this accumulates into a debt that has to be paid in life. A philosophical reflection on a young man aims to recognise this debt so we can think about it from early on. Based on Mati Unt's novel "Debt".
Mermaids and humans have crossed paths throughout millennias.Their generally peaceful coexistence is described in naiadological literature, as well as in the folklore of many nations. Our mermaid people are poetic and mysterious - we meet these gentle and femininely charming creatures in nature and in the everyday life around us. The film follows the principles of scientific lyricism, and takes the viewer through the history of naiadology and introduces the main types of mermaids. The mermaids were captured in beautiful places in Estonian waters.
The story of Balthasar Russow, an Estonian pastor from the 16th century, his life and life's work - writing The Chronicle of Livonia.
The film based on Eno Raua's stories "Päris kriminnene lugu" and "Telepathic lugu" takes the viewer to a summer town in Estonia, where boys and girls meet with exciting adventures, dreams and falling in love. There are no real forensics and telepathy here, but it is about the disappearance and finding of a little boy. In addition to adventures, the main characters find something else - both in life and in themselves.
The story of a young art student who goes to the countryside for a summer internship in watercolor and rents a room in a house by the sea. Conversations with an old housekeeper and meetings with an initially somewhat fussy and naive girl draw one summer in the life of a young man. Whether it's a girl's going to university, meetings with people from a beach village, or an old woman's reminiscences of past times, something about these topics has an enlightening effect on the young man. At the end of summer, a young man's eye and weather view is brighter and wider. It is a lyrical and tender story of the beginning of young love and the life experience of a fading Estonian generation. Based on Lilli Promet's story "Watercolors of One Summer" (1961).
The oak tree in Seja is roughly 700 years old. Around this monumental tree, the peaceful and repetitive life goes on in the village, a group of houses in the middle of the forest. It is an almost unworldly existence in a condition of absolute simplicity where people are grateful for a hot cup of coffee and a good potato harvest.
A three-act film-essay about memory and the historical-cultural ties of the Finno- Ugric peoples. The first chapter is dedicated to ancient Bearese of memory, such as Karelian cliff drawings, Kalevala runo song and Khanty bear feast rituals. the second act portrays the visit of Elias Lonnrot, compiler of the Finnish national epic Kalevala, to Estonia and his meetings with local intellectuals. Part three re-enacts an ancient smelting and blacksmith ritual set to Veljo Tormis' cantata 'curse upon iron'. Filmed in 1985 in Uhtuo, Karelia; in Khantia-Mansia at the Agan river, a tributary of the Ob; and in Estonia (Tallinn, Kuusalu, Tartu, Voru, Litsmetsa in Voru county, Lullemae, Karula, Rongu, Narva, and at a bend of the Pirita river). The third documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.
The movie travels through the 20th century by monitoring a steam boiler. We see the history of Estonia through life, agricultural work and people at different times.
Eduard Bornhöhe „Kuulsuse narrid" is a fun story about two unsuccessful, yet aspiring fools. Jaan is an incompetent and uneducated inventor, Saalomon is a talent less poet.
Among Tooming's filmic works, Endless Day provides perhaps the most eloquent material for investigating the radical renewal of visual and narrative form, as well as the shifting registers of spatio-social portrayals and critiques in Estonian cinema. It was banned in 1971 and ordered to be destroyed. However, the film was retained and restored in the 1990s.
Based on Jaan Anvelt's novel "Outlaws" which deals with the struggle of the Estonian Communist Workers' Movement and the life of revolutionaries in the Republic of Estonia in the 1920s. The film represents the maturation and decay of human soul in tense situations. The dark intersections and the dense, abandoned areas create a tumultuous tension field in which the characters find themselves. Their choices and decisions overwhelm them in one way or another. Where is the way out?
The protagonist of this satirical short is a photographer whose camera captures photos of people's true nature. We often have to ask ourselves whether we see the truth around us. But do we want to see it?
