COI

National insurance made amusing by the eccentric Richard Massingham.

Impressions of contemporary British arts and fashion. Summary of art through the ages taking in every thing from Mary Quant to the Marat/Sade production. Made for the Montreal "Expo '67" exhibition.

A short film to warn children of sexual predators.

Modern advice and old-fashioned values combine in this postwar animated health guide from the makers of Animal Farm.

A former Doctor Who returns to Earth to deliver a road safety message.

No man is an island, but Charley represents his nation in this economical cartoon tale of Britain’s economics.

Britain's Special Operations Executive (SOE) provides trained agents, arms and other assistance to the European resistance groups fighting against Hitler. British agents, Captain Harry Rée DSO, OBE, Croix De Guerre, Médaille de la Résistance, aka "Felix", and Jacqueline Nearne, MBE, aka "Cat", recreate some of their adventures in France.

Ernie tells Eric to ‘be wise’ and not drive home after their Christmas party.

Reported cases of sexually transmitted disease took a sharp rise during and after World War II, but as this film testifies, sexual license amongst soldiers on the frontline wasn't the sole cause. Back on the home front, for many women, like Joan from No. 19, loneliness or newfound independence acted as an incentive to extramarital promiscuity.

The Green Cross Code Man teaches kids how to cross the road safely.

A soon-to-be born baby learns about the kinds of schools he will attending in the years following his birth.

On an English farm, six reckless children play at being a fierce band of Apache warriors, unaware of the many dangers to which they are exposed. (Public information short film produced on behalf of the British Government to warn children living in rural areas about the risks of playing near farm machinery.)

Britain and Turkey had not always enjoyed the ‘special’ friendship referred to in the commentary. Their armies were on opposing sides in the First World War and there had been disagreementt over the future of Cyprus in the run up to the settlement of 1960. In the 1960s relations improved and this reciprocal tour (the President of Turkey, Cevdet Sunay, had paid a state visit to the United Kingdom in November 1967) was regarded as a milestone in the bilateral alliance between the two countries. The camera affords the viewer a prime vantage point by which to marvel at the splendour of the pageantry and contemplate every nuance of gesture and sartorial detail. As we linger on the bejewelled Queen waiting patiently at the British Embassy in Ankara to greet her guests we wonder what it might be like to be in her shoes.

A short information film produced to get Britain ready for decimalisation.

Part of BFI collection "Portrait of a People."

Power cuts, housing shortages and exorbitant rents – Aberdeen man goes head to head with his greedy landlady.

Featuring footage spanning from 1901 to 1985, this little-seen footage has been found from all across the UK. This programme allows an exploration into stories of migration, community and also the struggle against inequality, while also providing the opportunity to celebrate black British culture and life on screen. Films in the programme include: Miners Leaving Pendlebury Colliery (1901), Hull Fair (1902), For the Wounded (1915), From Trinidad to Serve the Empire (1916), Hello! West Indies (1943), Mining Review 2nd Year No. 11 (1949), To the Four Corners (1957), Black Special Constable (1964), Black Police Officers (1966), Cold Railway Workers (1964), Nigerian Wedding in Cornwall (1964), Coloured School Leavers (1965), London Line No. 373 (1971), African Student Families (1975), Liverpool 8 (1972), Blood Ah Go Run (1982), The Jah People (1981) and Grove Carnival (1981)

Even the most devout monarchist may feel uncomfortable watching this film - hindsight makes this a rather poignant experience. Although clearly intended as a hymn to royal life, with a panting narration describing the bliss Charles, Anne and Andrew are experiencing (the film was made three years before the birth of Edward), the images tell a different story - only a couple of shots feature the children smiling, while the first glimpse of Andrew as a baby, a spotlight shining on his face as photographers snap away, is a faintly sinister symbol of the royals’ lack of privacy from birth. The knowledge that a future of divorce and tabloid scandal would tarnish these children's adult lives adds irony to this snapshot of supposed utopia.

This film is a compilation of footage shot by Associated British Pathe, which covered royal events for its newsreels, and the company would have been ideally placed to use their footage to make short films for the COI. The varied life of the Queen depicted in the film encompasses duties such as making the first telephone trunk call in 1958, from Bristol.

A tribute to William Shakespeare devised by Geoffrey Buckland-Smith and made in connection with the quatro-centenary celebrations. Spoken extracts from Shakespeare's works (read by Stephen Murray) blend with visuals of scenes in Britain today which illustrate his references to countryside or childhood, and the sea or to the taverns and trades of London. Includes sequence of Olivier as Henry V and is accompanied by period music on the lute by Desmond Dupré.