Queen Elizabeth II in Pakistan 1961
In the middle of a six-week tour of the Indian sub-continent between January and March 1961, the Queen and Prince Philip visited Pakistan and East Pakistan, now Bangladesh.
In the middle of a six-week tour of the Indian sub-continent between January and March 1961, the Queen and Prince Philip visited Pakistan and East Pakistan, now Bangladesh.
A former Doctor Who returns to Earth to deliver a road safety message.
Modern advice and old-fashioned values combine in this postwar animated health guide from the makers of Animal Farm.
Ernie tells Eric to ‘be wise’ and not drive home after their Christmas party.
Impressions of contemporary British arts and fashion. Summary of art through the ages taking in every thing from Mary Quant to the Marat/Sade production. Made for the Montreal "Expo '67" exhibition.
An account of the state visit to Britain by the President of India, Dr. Sarvepalli Radhakrishnan, in June 1963. In London he accompanied the Queen on a State drive, visited the Commonwealth Institute, attended a Guildhall luncheon and visited the country.
The Green Cross Code Man teaches kids how to cross the road safely.
The joys of 1960s modern education - as seen at a not-exactly-typical local comp.
An African tribe in the Eastern Nigerian village of Umana work to build a maternity hospital, with the aid of government officials, and against the opposition of some tribal members.
Britain and Turkey had not always enjoyed the ‘special’ friendship referred to in the commentary. Their armies were on opposing sides in the First World War and there had been disagreementt over the future of Cyprus in the run up to the settlement of 1960. In the 1960s relations improved and this reciprocal tour (the President of Turkey, Cevdet Sunay, had paid a state visit to the United Kingdom in November 1967) was regarded as a milestone in the bilateral alliance between the two countries. The camera affords the viewer a prime vantage point by which to marvel at the splendour of the pageantry and contemplate every nuance of gesture and sartorial detail. As we linger on the bejewelled Queen waiting patiently at the British Embassy in Ankara to greet her guests we wonder what it might be like to be in her shoes.
On an English farm, six reckless children play at being a fierce band of Apache warriors, unaware of the many dangers to which they are exposed. (Public information short film produced on behalf of the British Government to warn children living in rural areas about the risks of playing near farm machinery.)
A docu-almanac about British sports personalities.
Even the most devout monarchist may feel uncomfortable watching this film - hindsight makes this a rather poignant experience. Although clearly intended as a hymn to royal life, with a panting narration describing the bliss Charles, Anne and Andrew are experiencing (the film was made three years before the birth of Edward), the images tell a different story - only a couple of shots feature the children smiling, while the first glimpse of Andrew as a baby, a spotlight shining on his face as photographers snap away, is a faintly sinister symbol of the royals’ lack of privacy from birth. The knowledge that a future of divorce and tabloid scandal would tarnish these children's adult lives adds irony to this snapshot of supposed utopia.
The Queen and the Duke of Edinburgh undertook an official visit to the region in February 1966, as documented in this film. The destinations on this month long excursion included: British Guiana; Trinidad and Tobago; Grenada; St. Vincent; Barbados; St. Lucia; Dominica; Montserrat; Antigua; St. Kitts-Nevis-Anguilla; Tortola (Virgin Islands); the Bahamas; Jamaica. This rich and detailed Technicolor travelogue was the only film authorised by the Palace. Strict instructions were given prior to the production being given the green light, most notably that the royals could only be filmed when ‘engaged in a public function’. Unlike the more relaxed footage or interviews you might see with the royals now the film is visually very official in tone.
A short film to warn children of sexual predators.
A large family in London's East End is celebrating a birthday party. Children and grandchildren from this extensive family have come to the party from all over England. At the party the family members talk about hope and dreams for their children. The past and present lives of various relatives are compared with each other, while fragments from radio-programmes from the fourties and the fifties draw an emotional and historical line. Set against this archive material are fierce images of modern day family life in urban England in the year 1993. This makes the film a collage of dreams, memories and images of present-day life.
Perhaps the characters in this film are stupid or even laughable. Before YOU laugh at them remember that people behaving like them often cause accidents on the roads - and country roads are no exception.
National insurance made amusing by the eccentric Richard Massingham.
A 1973 documentary film from the Central Office of Information about the Liverpool and Bootle Constabulary.
Central Office of Information profile of actress, Glenda Jackson discussing her roles in Sunday, Bloody Sunday and Women in Love, as well as views on the profession.