ຫົວຂໍ້ | Recorder: The Marion Stokes Project |
---|---|
ປີ | 2019 |
ປະເພດ | Documentary |
ປະເທດ | United States of America |
ສະຕູດິໂອ | End Cue, Electric Chinoland, C41 |
ຫລໍ່ | Michael Metelits, Marion Stokes |
ລູກເຮືອ | Matt Wolf (Director), Keiko Deguchi (Editor), Jaf Farkas (Art Direction), Matt Mitchell (Director of Photography), Walter Kortschak (Executive Producer), Lisa Ciuffetti (Co-Producer) |
ຄຳ ສຳ ຄັນ | media, 1970s, socialism, collector, biography, vhs, archive footage, tape recording , 9/11, mass media, video recorder, communism, videotape, iran hostage crisis, 1980s, activist, 1990s, compulsive hoarding, media criticism, media power, film archives, 2000s, local television, reclusive, 2010s, compulsive collector, lost media, documentary, digital archiving, television, vhs tapes, sandy hook, home archive, biopic, archivist, archiving |
ປ່ອຍຕົວ | Apr 25, 2019 |
ເວລາແລ່ນ | 87 ນາທີ |
ຄຸນະພາບ | HD |
IMDb | 6.70 / 10 ໂດຍ 9 ຜູ້ໃຊ້ |
ຄວາມນິຍົມ | 1 |
ງົບປະມານ | 0 |
ລາຍໄດ້ | 0 |
ພາສາ | English |
Recorder: The Marion Stokes Project
media, 1970s, socialism, collector, biography, vhs, archive footage, tape recording , 9/11, mass media, video recorder, communism, videotape, iran hostage crisis, 1980s, activist, 1990s, compulsive hoarding, media criticism, media power, film archives, 2000s, local television, reclusive, 2010s, compulsive collector, lost media, documentary, digital archiving, television, vhs tapes, sandy hook, home archive, biopic, archivist, archiving