Displaced by the violence that swept their town, Paloma and Lobo survive trying to love each other. Through thirst, fear and nostalgia, Paloma wishes to go back home but Lobo lives tied to a memory that stops him from returning.
One song traces a pathway from oral poet and Mazatec shaman Maria Sabina's tradition to Mazatec rapper Xéti NdáJnio and Medicine woman Zara Monrroy, also a poet, rapper and dancer from the Comcaac Nation. Two stories of indigenous rappers struggling to sing in their mother tongue.
Sound progression of two opposite landscapes.
Commander Antonio organized two armed groups and was betrayed, tortured and imprisoned in a maximum security prison, where he took his case and defended himself.
Since Rosa was little, people used to say around town that her grandfather was a black dog. The legend, belonging to the Valley of Oaxaca, spoke of a man who had the ability to turn into a black dog and roam the streets at night. Through images of the town, interviews with the brothers and animated interventions, the documentary tells the story of the myth and its importance in the collective memory.
"Everybody's Got Somebody... Not Me" - Alejandra is sick of her daily life and her past relationships that have not worked out. Then she meets María, an adolescent, with whom she has an affair. At first everything runs smoothly, however Alejandra´s personality and her emotional needs prove increasingly demanding; being around her becomes unbearable. At this point, they ask themselves whether they should continue the oppressive relationship, or go on with their ordinary lives.
Effort to construct an audio-visual dance between the body of an 90-year old man and the body of his house, that has become an extension of himself.
The story of a young man who lives alone in his house, and his indifference and solitude with the world around him.
Upon the death of his grandfather and playmate, Bruno, an 8-year-old boy, embarks on a journey in a magical world, trying to finish the unfinished story he was building with his grandfather to become a king.
In the summer of revolt 1968, student Leobardo López Aretche captured the protests in Mexico City, and the state’s brutal response, up close – and like many of his subjects and fellow comrades, would pay a high price for his audacity. Fifty years later, his movie is no longer a secret.
A FICUNAM commission for four directors, Liminal seeks to play with poetic affinities between film and music. Moving across aesthetic and generational differences, the film-makers explore this relationship through four distinct stories as to context and imaginary.
In the midst of the chaos of México City, a group of eight bachelor millennials who call themselves ´The Hermits´, open the doors to their tiny apartments in the historic Ermita Building, in the yet-to-be gentrified neighborhood of Tacubaya, and share their life experiences in a time when precarity changes the way in which we love, feel and relate to each other. As we explore the homes of these eight neighbors, we also witness their personalities intersect in a Whatsapp chat, a virtual space that functions as a supporting system that helps them face the adversities that living alone in this city brings.
Esteban is practicing for a recital that will define his future as a pianist, while he faces the pressure imposed by his mother.
Cristian comes back to his house because he forgot his work badge. At home, he finds Fernanda, his wife, having sex with somebody else. Cristian does not dare to deal with the situation, so he wanders around the city to avoid the event and decide what to do about it.
A man is on the run after taking revenge on his brother murder, but someone goes after him too
Mixtec-Zapotec antiquity reverberates in an instant. Their ancient voices whisper the memory of time and invoke deities that reveal deep secrets etched in stone. Quartz Deities is a look at the ungraspable, a liminal window that leads to mineral memories where the apparent univocal directionality of time is interrupted, diluted with the forces of nature and the cosmos.
A film essay that explores the relationship between film and memory, based on the personal memoir of the director. An autobiographical attempt to analyze this relationship going from the individual to the collective. From Chris Marker to Hitchcock and on to Kennedy´s assassination, passing through Fritz Lang and Bruce Willis, the memory of the images is fused with our own story, until they cannot be separated.
In August 2007, after some medical studies, I was diagnosed with bone cancer. This movie is based on my memories of those days.
