Murillo Cine

Ximena, a successful psychiatrist, receives an unexpected visit from her elder daughter, Tamara, after a long time without seeing her. Her stay at a spiritual community has distanced and completely changed her. While Tamara takes refuge in her mother's home, an investigation is opened into the disappearance of Tamara's newborn son in strange circumstances within the sect to which she belongs. Both the law and Ximena will try to find out what has happened to the missing baby.

In 1934, Bolivia is at war with Paraguay. Liborio and Ticona and other Bolivian indigenous soldiers are lost in the hell of the Chaco, under the commandment of German Captain Kundt. They're looking for the Paraguayan enemy that they haven't seen for months, and that they will never find. They leave together in a search that will make them realize, progressively, the destiny they have been pushed into and the inevitable condition of a defeated troop. They're walking like shadows, wandering forever in the middle of dust and silence.

After 15 years of living abroad, Amanda returns home with her French boyfriend, Martin. They arrive at her family's large-scale farm, located in a secluded village on the endless plains of southern Brazil. There, Amanda finds her father in a coma in the midst of increasing tension among the workers. The sole doctor in the nearby village is Helô, a young woman who resigns herself to caring for the local townspeople. The imminent death of the farm owner will put Amanda, Martin, and Helô at the heart of a disturbing settlement between the village and the farm owners.

The employer is a young man who apparently has everything going on for him except one pressing concern: his baby’s health. The employee is looking for a job to support his newborn too, so does not hesitate when the first decides to hire him to work in his lands. Both will meet their needs by helping each other. But one day an accident happens. This unexpected event will strain the ties between them, endangering the fate of the two families.

In the Argentinian city of Tucumán, Miguel is making a living as a “motochorro”, a thief who snatches people’s belongings fromhis motorbike. When he steals the purse of Elena, an old woman, he ends up hurting her badly. After the brutal incident, Miguel is plagued by guilt and unable to forget about his victim. In an attempt to make things right, he conceals his true identity from the old woman and starts to take care of the injured and unsuspecting Elena. The closer he gets to her the more he becomes entangled in his own lies. Afraid of telling Elena the truth, Miguel continues to be haunted by his past and is unable to find true redemption.

Selva, thirteen years old, discovers that when we die we just shed our skin. We can turn into wolves, goats, shadows, or anything as long as your imagination allows it.

Jesús López, a young racing driver, dies accidentally leaving his town in astonishment. His cousin Abel, a drifting teenager, gradually feels tempted to take his place in life.

A smart and innovative look at the possible futures of a young Chinese immigrant to Buenos Aires, told in the stilted language of an elementary Spanish textbook.

Carlos (42) and Darío (18), father and son, go together to play five-a-side football, but there is nothing for the game. On and off the court, Carlos seeks to impose himself with his word and rough play. Darío carries the ball with skill and uses silence to avoid the harassment of his father, always unhappy with his way of being. Surrounded by men competing with each other, Darío watches and searches for himself. There is still time to choose another path.

Julia returns to her hometown and the neighbourhood she left years ago after being swindled. She’s here to sign a permit to authorize her daughter to move in with her father, but more than anything, she’s come back to recover money that she left there, and which would solve a lot of her problems. Returning to her past is nothing like she expected it to be.

Alberto Laiseca was a writer, a writing teacher, and creator of the “delirious realism”. This is a depiction of the author of Los Soria and El jardín de las máquinas parlantes, and his relationship with writing and his students.

In a poor neighborhood crisscrossed by a polluted river, Tati, a 14-year-old girl, is forced to grow up alone in a troubled and confusing context. While learning to sail on the river, she dreams of being a boat rower. A job only ruled by men.