TCM España

A portrait of film critic Carlos Boyero, one of the most followed and feared figures in Spanish cinema, surrounded by controversy and both love and hate.

Spain, 1970s. A Clockwork Orange, a film considered by critics and audiences as one of the best works in the history of cinema, directed by Stanley Kubrick and released in 1971, was banned by the strict Franco government. However, the film was finally premiered, without going through censorship, during the 20th edition of the Seminci, the Valladolid Film Festival, on April 24, 1975. How was this possible?

Like so many other actors, Ava Gardner hated to watch her films. She said that the woman on the screen wasn't her. But all films tell two stories: the plot and the tale of the bodies filmed. This film narrates what happened between two images: a first shot of 'Pandora' and a first shot of 'Harem', the first and last movie filmed by the actress in Spain. Ava must certainly have thought that neither of these two women had anything in common with herself.

Spain, 1960. French student Monique Roumette lives in Madrid on a scholarship. Thanks to a friend who works in the production company Uninci, she has the privilege of attending the shooting of Viridiana, a film directed by Luis Buñuel.

Over a 50-year career and more than a hundred movies, filmmaker John Ford (1894-1973) forged the legend of the Far West. By giving a face to the underprivileged, from humble cowboys to persecuted minorities, he revealed like no one else the great social divisions that existed and still exist in the United States. More than four decades after his death, what remains of his legacy and humanistic values in the memory of those who love his work?

Documentary about David Lean's unfinished attempt of adapting Joseph Conrad's novel Nostromo.

The life and career of filmmaker Sam Peckinpah as told from his daughter's perspective. She travels to his final home to learn more about his life and work.

A recreation of the interview with Stanley Kubrick that Playboy magazine published in its September 1968 issue and that has become essential when approaching the reflections and theories that led the director to shoot one of his masterpieces.

A portrait of the film director Iván Zulueta and his film Arrebato. It features contributions from friends and people who worked with him such as José Luis Borau, Pedro Almodóvar, Antonio Gasset and Julio Médem.

A conspirator? A man with his own ideas, obstinate in making them come true? An arm-wrestler? The greatest mocker of Franco's censorship? Someone determined to change the world by putting a mirror in front of it? A schemer? The most important name in the history of Spanish cinema?.... For some, he is the prototype producer, guilty of the existence of many excellent films, discoverer of directors like Erice, Saura, Chávarri, Gutiérrez Aragón, Armendáriz, Ricardo Franco, Martínez Lázaro, Gracia Querejeta, Fernando León? For others, the cause of some of the most passionate controversies of our cinema. Elías Querejeta, a different look, a different cinema.