Based on Ryunosuke Akutagawa's In a Grove, story takes place during the times of Tsar Alexander II. A lady-in-waiting tells the Emperor in his bedroom a metaphysical story about a 13th century prince who is killed in the woods under mysterious circumstances. Fairy tale characters who have witnessed the terrible death, all share their version of the events, gradually shedding light on what really happened.
All day long the TV shows an ice-hole. Ice-holes are the theme of the day, a winter tradition that unites believers and sportsmen, stars and walruses, the president and the unemployed. In the centre of the news reports are the topics of Baptism, fishing and the criminal chronicle. The president and a pike, the artist and the crit- ics, the oligarch and the law enforcement team – they all meet at an ice- hole in search of solutions for their problems. The jobless Muscovite, with bad habits, dives down an ice-hole for a wife, just like Sadko. The fairy- tale plots intertwine with documentary context, and it is no longer clear where reality ends. Remember Nietzsche: if you long gaze into the abyss, the abyss will also gaze into you.
Tinnitus is the hearing of sound when no external sound is present. While often described as ringing, it may also sound like a clicking, hiss or roaring. The film is supposed to be the first one dedicated to music as an instrument for death exploration.
Two beautiful girls, a lake, trees, and an elderly gentleman casually fishing. What happens if the girls go mermaid? Sergei Solovyov himself plays the man too old to care for the strange ideas of some gorgeous nymphs. A cinematic bagatelle by a director whose art and heart was always with the young.
Passengers of a fixed-route taxi are in the power of one person, who intends to solve their problems with their help.
Russia has a surfeit of overqualified graduates. Nastya Sokolova is one of them. Her career, if you can call it that, gave her a plethora of unexpected work experiences: from desk slave in banking to head bookkeeper of an illegal brothel. The film’s eight tableaus detail the various workplaces, colleagues and situations. To finish it off: deadpan commentary.
A modern fairy tale with scientists, partisans, cosmonauts, officials, and the Motherland. The scientist and his assistant are collecting the ingredients for an elixir that can resurrect dead people to life. At the same time, officials are looking for the carpenter who has a power to transmute water into oil.
Nadya is a talented pianist. She lives on an island and is in love with Misha, her neighbor, the owner of a motor boat. Music teacher Vera Sergeevna, having learned about Nadya’s talent, offers to give her music lessons. Nadya persuades Misha to take her to town for lessons on his boat.
The last concert of "Grazhdanskaya Oborona", held on February 9, 2008 in Yekaterinburg.
2015 is declared a year of literature in Russia. But what is it for a writer to live the year of literature? Neighbor informs the writer that his house will be demolished for the construction of the highway. The highway project is posted on the Internet. And you can see a schematically designated house, where the famous contemporary writers have gathered recently: Alisa Ganieva, Anna Kozlova, Pavel Sanaev, Sergei Shargunov, Anton Sekisov and others. Months of waiting are on. And the writer decides to live as if nothing happened. He's writing.
Rain does not caress the skin, the wind resists blowing, a soul is like a doll forgotten in the house of glass. Tikhon Pendurin’s piece “Death of Cinema” is a dream of a film, the process of falling asleep, a frozen cosmos, the liturgy of a sigh. Fotogénie, a return to the forgotten magic of magician Segundo de Chomon, the mystery of Val del Omar, Alain Resnais surreal theatricality “Death of Cinema” seems to absorb all the magic of cinema and confesses its own forgetfulness. The characters of “Death of Cinema” stand before the justice of truth, naive children turned with pride away from the audience. Here, the main thing is the hallucination of light, a whisper, a prayer, the bewildered physiognomy of cinema, which allowed itself to laugh at its own seriousness. (by Karina Karaeva)
In the small town of Kansk, the Krasnoyarsk Territory many years in a row there is an international festival of short experimental films, which has a strong reputation throughout the world. "Russia as a dream" is an international project, shot by a team of authors and united directors, artists, poets. Each of the guests of the 14th International Kan Video Festival held in 2015 was invited to participate in the creation of a general film, the theme of which was the relationship of man and landscape, civilization and nature, reality and sleep.
Dadaist poet, Russian and cosmopolitan artist, creator and publisher of some of the most beautiful books of the 20th century, Ilia Zdanevitch, aka Iliazd, is a little-known but major figure of modern art. Almost half a century after his death, Ilia, a young Russian agitator, sets out on his trail.
The two teenagers meet every day to skate, walk and share their experiences with each other. But another walk unnoticed by friends turns into a journey far beyond the city in search of a new experience. The soundtrack of this atmospheric film features the music of one of the most Russian contemporary electronic Russian artists Buttechno.
