Eklektik Productions

Nada is going home. Or at least she wants to. When she comes back to Lebanon, she realizes she's a foreigner in her own country. But there's still a place she calls home: an abandoned house in ruins, haunted by the presence of her grandfather who disappeared mysteriously during the civil war. Something happened in this house. Something violent. A young woman searching for the truth and discovering herself.

With her abusive husband in jail and a coveted divorce pending, hardworking Noura can almost grasp a happy, new life with lover Lassaad — but when the best-laid plans are upended, Noura must tap her unshakable will to fulfill her dream.

David has a woman he loves, two lovely young children, a band of friends with whom they go on holiday. But on his return from a stay in the Vosges, he is interrogated by the police in connection with an investigation into a murder. Quickly, it is established that David, under irreproachable looks, does not have a life as smooth as what he claims. Despite the support of his best friend, Noël, and his lawyer, Marco, the doubt spreads.

Thanks to recent archaeological discoveries, this docudrama movie association and documentary footage to rediscover the "true face" of the Gaulle. On comments from Clovis Cornillac. In 52 BC, the fortress of Alesia, Apator, a Gallic leader, is exhausted after forty days of siege. His armies prepare to load against the Roman legions who circled.

Four strangers find themselves groggy and disoriented on a deserted island covered with surveillance cameras. Stripped of their belongings, they each hold a phone—blank, with no apps or signal. Suddenly, a message from a masked captor appears: they have 48 hours to figure out why they've been taken if they want to survive. To do so, they’ll be allowed two minutes of connexion at random intervals. But if they try to contact loved ones or alert the authorities, their mission ends, and they'll be executed.

The efforts of a Belgian director who has to stick posters of his film everywhere and harass crowds to get people to come and see his film. When it turns out to be a flop, he is jobless and his partner leaves him. An ironic account of rising director Joachim La Fosse’s directing debut.

Three climbers are stranded on mountain as darkness sets in.

A Parked Life is an intimate portrait of Petar Bonchev, one of the hundreds of thousands of Eastern European truck drivers who work in the west.

In their vehicle, Laurie, Kristy and Linda live alone on the American roads. Like thousands of modern American nomads who can no longer afford to pay for their housing. With no money to spare, these three sixty-year old women are fleeing, in their own way, a part of their history that has left a deep mark on them. Driving away, they try to regain some form of peace. But as the miles and seasons pass, despite their impressive temerity and resilience, their quest for a better future is challenged by unexpected events that hit a country in crisis. Will they nevertheless manage, at the end of the road, to find the serenity they are looking for, in order to become someone again?

Three women, in three different eras, defy the forbidden: the first, Eve, mythical corrupter, the second, Josephine, last wife of Blue Beard, the third, Cerise, dancer in a 1930s cabaret in New York.

Marco and Eva meet up in a garage courtyard to share the objects left over from their defunct relationship. But they have different takes on their separation and their expectations regarding this last encounter differ considerably...

In March 2020, a Brussels collective of directors began discussions on Skype with eight front-line caregivers, mobilized in the face of the Covid pandemic. As the months go by, speech becomes freer. Weakened, these workers share their commitment, their suffering, their fight. The more the wear and tear is felt, the more the film highlights a failing care system.