Good Evening, Mr. Wallenberg 1990
Swedish account of Raoul Wallenberg, the man responsible for the largest rescue of Jews during World War II.
Swedish account of Raoul Wallenberg, the man responsible for the largest rescue of Jews during World War II.
In a village on the Hungarian border, two young brothers grow up during war time with their cruel grandmother and must learn every trick of evil to survive in the absurd world of adults.
Dismissed from the railroads in 1863 for his union activities, Etienne Lantier found a job at the Voreux coal mine. But work was hard, wages were low and safety left much to be desired. Lantier tried to organize the miners into a union. When mine manager Hennebeau refused to negotiate, the workers launched a general strike, which ended with the intervention of the troops.
To celebrate Hitler's birthday, a soccer match is organised between the Germans and a group of Hungarian political prisoners, one of whom is a famous pre-war football star.
"Budapest Tales" is about a group of people (consisting of Szabo regular Andras Balint along with Ildiko Bansagi and Karoly Kovacs) who find a broken down tram while trying to go to the city. The people band together and try to get the tram back on the train tracks and head towards the city. Along this journey the passengers encounter many people who join them on the tram. What started out as only a handful of people has now turned into a small village. As the people travel on to the city each person takes on certain roles and through the course of time these roles will change. Some people fall in love, others out of love, and a few even die. But life goes on. The people keep the tram going hoping to reach Budapest.
A documentary chronicling the adolescent years of Elie Wiesel and the history of his sufferings. Eliezer was fifteen when Fascism brutally altered his life forever. Fifty years later, he returns to Sighetu Marmatiei, the town where he was born, to walk the painful road of remembrance - but is it possible to speak of the unspeakable? Or does Auschwitz lie beyond the capacity of any human language - the place where words and stories run out?
Daddy Kárász, the stakhanovist worker, complains in a television interview about the fact that his family, consisting of many members, cannot get a home on their own. Kéri, the chairman of the local authority, promises to help him on the condition that if he does not, they may move in to his villa at elegant Pasarét. Nothing happens, therefore the Kárász family takes Kéri by his word. From this time on, tumultuous scenes and frequent quarrels take place in the villa between the two families.
On his return from America, András simply cannot find his place: he has lost his wife, friends and job, and he cannot even find his way back to his former great love. Eventually, as a surrogate father, he takes in a wild young girl (Zsuzsa Czinkóczi) and a particularly strong bond is formed between these two rootless people. Márta Mészáros’s remarkable movie starring Jan Nowicki and Anna Karina is about displacement, loneliness and attachment.
When middle-aged Kata realises that her life will only be complete if she has a baby of her own, her longstanding-but-married boyfriend Joska refuses to comply. But by developing an unlikely friendship with the angst-ridden teenage orphan Anna, who is also involved in a controversial relationship, Kata discovers aspects of herself, and her role as a woman, that have gone unexamined throughout her entire, lonely life.
A young woman on board of a bus notices that her watch has been stolen. The ticket collector keeps everybody on board, and upon the advice of a traffic police, they drive directly to the nearest police station.
The adventures of a young man as he moves from the Latin-American revolutions in the sixties and seventies, through Hungary in the eighties, to the Croatian war in 1991.
The man is promoted and given a new assignment at his work-place. At home, he stares at a video-cassette: it portrays his wife's face in countless versions, she is sometimes simply beautiful, then unfathomable, but it is mostly a sad, closed, lonely face.
Narcisus and Psyche is based on a novel by Sandor Weores which was adapted by Vilmos Csaplar and director Gabor Body for a feature-length film. Borrowing the character of Psyche from mythology and placing her in Europe in the 19th century, the authors give her a "modern" life. She is an attractive young woman - and remains so throughout the film, in spite of one hardship after another. Psyche is libidinous, and her prurient interests shock her staid contemporaries.
One day Novák Erzsébet kindergarten-teacher destroys her papers, cuts her hair and closes her mouth forever. She prepares for suicide namelessly, then somewhere around Normafa she accepts being taken into an asylum.
It is a muster parade in Sarajevo in honour of Ferenc Ferdinánd. Polgár Éva and baron Várnay Miklós, her fiancé and a hussar captain, are preparing together for the event. In the meantime, the woman meets Borisz Boronow, a Russian painter. They fall in love with each other.
When the actress he loves seems to be infatuated with a frivolous count, an actor disguises himself as the count's real interest, a wealthy Spanish woman whom the count has never seen before but wants to hoodwink into marrying him.
Andrei, the Russian astronaut, has been conducting his research in space on the MIR space station for months, but his landing is being delayed. His wife Svetlana calls him regularly from the space centre by video phone. A casual quarrel between the two (she forgot to pay the gas bill) gives Svetlana the opportunity to tell Andrei that she is seeing someone and that she is leaving him. She runs all the way to Rome after her Italian lover. A virgin black girl meets a man who wants only one thing: to take her innocence. A woman criminal psychologist, with an almost personal interest, "interrogates" a prisoner who breaks down and confesses, while the psychologist's life is shattered... An old man's ear is cut off by a hairdresser and an intimate relationship develops between the two.
Gitta is 20 years old, a girl with modern attitudes, who is courted by Ferenc Fekete. Not particularly liked by Gitta's parents, especially her old-fashioned father, Fekete dates Gitta in secret.
Éva Balogh travels to Pest to attend her friend's wedding, but the wedding is cancelled because the groom backs out at the last minute (for the third time). Éva mistakenly blames Paul Murray, the world-famous pianist, for the broken marriage promise. The pianist, who changes his girlfriends frequently, mistakes the temperamental, snappy jazz girl for one of his forgotten old flames. By the time the truth comes out, Eve and Murray are in love, and another slap - now undoubtedly for Murray - can't keep them apart.
Story of the owners (Mastroianni and Schygulla) of a fancy nightclub in Budapest before and during WWII.